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Narečje kot filmski govorNaberšnik, MarkoPri nastanku filmov Petelinji zajtrk in Šanghaj sem se srečal z različnimi narečji. Kako prepričljivo prikazati zgodbo, ni bil le filmski (režijski) izziv, temveč tudi jezikovni. Medtem ko je ... Petelinji zajtrk vključeval prekmursko in prleško narečje, je bil Šanghaj precej zahtevnejši. Poleg prekmurskega narečja so se v filmu pojavili še jeziki iz bivših republik Jugoslavije in prekmurska romščina. Ker gre pri filmu za odslikavo realnega življenja, se je za snemanje potrebno dobro pripraviti. Delo z igralci vključuje vaje, ki so namenjene izključno temu, da se igralci jezikovnih (govornih) posebnosti naučijo in jih tudi razumejo. V svojem prispevku bom predstavil delo z igralci, jezikovne posebnosti obeh filmov ter razmišljanje o pomenu narečja za filmsko pripoved nasploh.Source: Govor med znanostjo in umetnostjo (Str. 77-82)Type of material - article, component part ; adult, seriousPublish date - 2013Language - slovenianCOBISS.SI-ID - 3564379
Author
Naberšnik, Marko
Topics
film |
narečje |
igralec |
režiser |
avtentičnost |
film |
dialect |
actor |
director |
authenticity
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