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Železo in sanje : medij in umetnost v filmuKoršič, IgorPo eni vplivnih filmsko teoretičnih tradicij je medialnost, razumljena na način tehnološkosti filma kot svetlobnega posnetka, zapisa (foto-grafije) resničnosti, tudi temelj za filmsko estetiko. ... Odvisnost filmske umetnosti od tehnično dokaj zapletenega aparata pa je tako pospeševala kot zavirala razvoj filmske umetnosti. Tradicionalistični krogi so na začetku zgodovine filma zaradi tehnologije (in spet v zadnjih desetletjih, npr. Czesław Miłosz) filmu odrekali status umetnosti. Nasprotno pa so tehnično osnovo filma podpirali pripadniki zgodovinskih in drugih avantgard in revolucionarnih oblasti (vsaj na začetku). Da bi razumeli t. i. realistične teorije, se moramo odpovedati ontološkemu "naivnemu realizmu" in sprejeti filozofijo ontološke diference. Ideosinkratična teorija, utemeljena na osebni izkušnji estetskega predmeta, morda lahko ponudi manjkajoči skupni jezik med nomotetičnimi in ideosinkratičnimi pristopi in med teorijo in prakso v humanistiki, družboslovju in naravoslovju.Source: Slavistična revija : časopis za jezikoslovje in literarne vede = journal for linguistics and literary studies. - ISSN 0350-6894 (Letn. 65, št. 2, apr.- jun. 2017, str. 373-384)Type of material - article, component part ; adult, seriousPublish date - 2017Language - slovenianCOBISS.SI-ID - 4330331
Author
Koršič, Igor
Topics
medialnost |
filmska teorija |
ustvarjalna praksa |
estetika filma |
avantgarde |
tehnologija |
mediality |
film theory |
creative process |
film aesthetics |
avant-garde |
technology
source: Slavistična revija : časopis za jezikoslovje in literarne vede = journal for linguistics and literary studies. - ISSN 0350-6894 (Letn. 65, št. 2, apr.- jun. 2017, str. 373-384)
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Database name | Field | Year |
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Links to authors' personal bibliographies | Links to information on researchers in the SICRIS system |
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Koršič, Igor | 13819 |
Source: Personal bibliographies
and: SICRIS
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