Faculty of Arts, Lj. - all departments (FFLJ)
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Škarje in Jajce - interpretativno soočenjeŽunkovič, IgorLiterarno delo po Gregorju Strniši, enem od najpomembnejših slovenskih pesnikov dvajsetega stoletja, izvira iz smrti. To spoznanje, ki predpostavlja zavest o času/prostoru in o minljivosti človeškega ... bitja, ima pri Strniši dvoje komplementarnih pesniških implikacij: pesniški zbirki Škarje in Jajce. Dvojnost, ki sestavlja komplementarnost, pa ni izključujoča, temveč vključujoča, interferentna v Strniševem pesniškem smislu. Tragični in komični pogled si ne nasprotujeta, čeprav se v svetu človeških razsežnosti tako zdi, temveč soobstajata kot dva različna pogleda na svet. Njun soobstoj pa je možen le v enotnosti zavesti. Toda to ni več človeška in kantovska transcendentalna enotnost jaza, temveč enotnost pogleda vesoljske zavesti skozi tretje oko. A poezija tako ni mogoča - abstrakcija uma lahko na tak način izreka le ideje, ne pa čustev in pomenov, opise, ne pa smislov. Zato Strniša v Škarjah in Jajcu skozi dvakrat dvoje komplementarnosti prikaže konstrukcijo vesolja, ki šele kot celota namiguje na vesoljsko zavest. Šele samorefleksija pesmi samih - ali povedano drugače, bralčeva samorefleksija ob soočenju s celoto obeh zbirk - sporoča resnico človeškega vesolja, ki je in hkrati tudi ni več zgolj človeško. Je, ker je le tako mogoča poezija, in ni, ker začetek ni enak koncu. Poezija se začne s smrtjo in konča v življenju onstran časa.Source: Dialogi. - ISSN 0012-2068 (Letn. 51, št. 5-6, 2015, str. 36-48)Type of material - article, component part ; adult, seriousPublish date - 2015Language - slovenianCOBISS.SI-ID - 58328674
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Žunkovič, Igor | 33078 |
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