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O utelešenju kritike v performansu = On the embodied critique of/in performanceJelesijević, NenadDezidentifikacija so-udeležencev performativne situacije omogoča pretočne variacije telesnih izkustev, ki so osvobojena spon specializacij znotraj "polja performansa" - igralke, kritika, performerja, ... plesalke, dramaturginje, producenta itd. Ta zelo zahteven položaj dehierarhizira tako kriticizem kot performativno dejanje in spodbuja eksperimentalno ustvarjalno iskanje vezi med sistemsko/nezavedno razdeljenimi oblikami ustvarjalnosti ter jih potencialno uteleša v performativni diskurz onkraj zaprtega krogotoka prevladujoče umetnostne produkcije obstoječega. Med fragmenti petih sodobnih performansov, ki raziskujejo in/ali relativizirajo odnose med občinstvom, kritiki, performerkami in oblikovalci konceptov, želimo v tem prispevku afirmirati kritično percepcijo funkcije kritike (kriticizma) v performativni situaciji. V predlaganem kontekstu je utelešena kritika značilnost živega in nenehno spreminjajočega se kolaža performativnih teles, ki so dejavno udeležena v neki tukaj-zdaj disenzualni situaciji in stremijo prej k vzpostavitvi govora (ki vznikne v performansu kot eksperimentu) kot predstavitve (umetniškega izdelka, blaga, spektakla).Source: Amfiteater : revija za teorijo scenskih umetnosti = journal of performing arts theory. - ISSN 1855-4539 (Letn. 4, št. 1, 2016, str. 42-69)Type of material - article, component partPublish date - 2016Language - slovenian, englishCOBISS.SI-ID - 34099549
Author
Jelesijević, Nenad
Topics
Kulturna industrija |
Kritika |
Filozofija |
sodobno gledališče |
performance |
kritičnost |
subjektivizacija |
občinstvo |
gledalci
source: Amfiteater : revija za teorijo scenskih umetnosti = journal of performing arts theory. - ISSN 1855-4539 (Letn. 4, št. 1, 2016, str. 42-69)
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Jelesijević, Nenad | 36308 |
Source: Personal bibliographies
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