FSS, J. Goričar Central Social Sciences Library, Ljubljana (ODKLJ)
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Benjamin na blockchainu : magistrsko deloPapež, UršaV svojih esejih Walter Benjamin opisuje vpliv tehnoloških inovacij druge industrijske revolucije na zaznavanje in sprejemanje umetniškega dela. S tehnično reprodukcijo, to je fotografijo, filmom in ... gramofonom, je umetnina, katere nekdanja značilnost je bil enkratni obstoj v času in prostoru, postala množično reproducirana in splošno dostopna. Na ta način po Benjaminu izgubi svojo pristnost, zamaje se njena avtoriteta in posledično začne krneti tudi avra predmeta. V magistrski nalogi preučujem najnovejši trend digitalne umetnosti – nezamenljivi žeton, angl. non-fungible token oziroma NFT. Le-ta s pomočjo veriženja podatkovnih blokov (angl. blockchain technology) v digitalni svet popolnih kopij in neomejene reprodukcije uvaja pojem pomanjkanja. NFT je trajen, enkraten in edinstven del podatkov v verigi blokov, ki označuje neko umetnino in beleži njeno celotno zgodovino od stvaritve do zadnjega imetnika. Zdi se, da pristnost ni več omejena na »tukaj« in »zdaj« predmeta, ker tudi zgodovinska pripoved ni več omejena na »tukajšnjost« in »zdajšnjost« izvirnika. Sprašujem se, ali ima v kontekstu verige podatkovnih blokov koncept avre, kot ga je zastavil Benjamin, enako vsebino kot v času druge industrijske revolucije. V digitalnem prostoru tradicija nikoli ni bila in nikoli ne bo zasnovana v izvirni umetniški stvaritvi, se pa pojmom pristnosti, enkratnosti, kultne avtoritete in avre človeštvo vseeno ne želi odreči.Type of material - master's thesis ; adult, seriousPublication and manufacture - Ljubljana : [U. Papež], 2023Language - slovenianCOBISS.SI-ID - 153683971
Author
Papež, Urša
Other authors
Tomc, Gregor
Topics
Sociologija umetnosti |
Digitalizacija |
Verige blokov (zbirke podatkov) |
Univerzitetna in visokošolska dela |
Blockchain |
NFT |
pristnost |
avra |
Walter Benjamin |
Blockchain |
NFT |
authenticity |
aura |
Walter Benjamin
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Papež, Urša | |
Tomc, Gregor | 04406 |
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