This paper analyzes themes of male insecurities and distrust of the exclusive culture of female sexuality and reproduction in E. T. A. Hoffmann’s Vampirism, one of the earliest psychologically ...sophisticated female vampires in Western literature. The doomed heroine, Aurelia, escapes a life of maternal abuse and sexual trauma by marrying the wealthy Count Hippolytus, but his attraction warps into suspicion when she becomes pregnant and loses her appetite for his food. Worried that losing her virginity has activated promiscuity inherited from her late mother, he begins following her and thinks he sees her conspiring with a coven of female ghouls who train her to satisfy her pregnancy cravings by feeding on a male corpse. Real or imagined, this vision confirms his suspicions and leads to their mutual destruction. In my analysis, I explore vampire literature’s early history, its place within Gothic literature, the prominent role of female vampires, their relationship to gender anxieties exacerbated by the Romantic Era’s subversive political movements, and the way in which Hoffmann’s cynical story operates as a misogynistic conspiracy theory aimed at the secret female space of reproduction, symbolized by Aurelia’s cannibalistic pregnancy cravings. As such, it contributes to the destructive folklore of social distrust.
This paper analyzes themes of male insecurities and distrust of the exclusive culture of female sexuality and reproduction in E. T. A. Hoffmann’s Vampirism, one of the earliest psychologically ...sophisticated female vampires in Western literature. The doomed heroine, Aurelia, escapes a life of maternal abuse and sexual trauma by marrying the wealthy Count Hippolytus, but his attraction warps into suspicion when she becomes pregnant and loses her appetite for his food. Worried that losing her virginity has activated promiscuity inherited from her late mother, he begins following her and thinks he sees her conspiring with a coven of female ghouls who train her to satisfy her pregnancy cravings by feeding on a male corpse. Real or imagined, this vision confirms his suspicions and leads to their mutual destruction. In my analysis, I explore vampire literature’s early history, its place within Gothic literature, the prominent role of female vampires, their relationship to gender anxieties exacerbated by the Romantic Era’s subversive political movements, and the way in which Hoffmann’s cynical story operates as a misogynistic conspiracy theory aimed at the secret female space of reproduction, symbolized by Aurelia’s cannibalistic pregnancy cravings. As such, it contributes to the destructive folklore of social distrust.
