Rad donosi prijevod s njemačkog jezika Sporazuma o arhivima između Austrije i Mađarske iz 1926. (Übereinkommen zwischen der königlich ungarischen Regierung und der österreichischen Bundesregierung, ...betreffend die Archive) u kontekstu raspada Austro-Ugarske Monarhije nakon završetka Prvog svjetskog rata 1918., a u vezi s dogovorom o upravljanju arhivskim gradivom nastalim djelovanjem središnjih i zajedničkih (carskih i kraljevskih) ustanova Monarhije u razdoblju od 1526. do 1918. godine. Navedeni je sporazum predstavljao temelj za ustrojavanje stalne Mađarske arhivske delegacije u Beču (Ungarische Archivdelegation) pri Austrijskom državnom arhivu (Österreichisches Staatsarchiv).
Prikazuju se život te stručna i znanstvena postignuća dr. Josipa Kolanovića, ravnatelja Hrvatskog državnog arhiva u miru, ostvarena tijekom tridesetogodišnjeg rada na sređivanju arhivskoga gradiva, ...izradi obavijesnih pomagala i obrazovanju arhivskih djelatnika. Opisuju se i njegova nastojanja vezana za međunarodnu arhivsku suradnju te osobito zalaganje za priznavanje arhivistike kao zasebne profesije i usmjeravanje cjelokupne hrvatske arhivske službe prema zaštiti arhivskoga gradiva kao dijela nacionalne kulturne baštine.
As a trade centre Karlovac drew from the last quarter of the 18th century individuals from various parts of the Habsburg Monarchy, whose work contributed to the town’s development. Among many ...newcomers were also Alojz Duquenois, a gingerbread man and wax-chandler from Carniola, Ivan Reichherzer from Varaždin and the composer Franz Zihak from Moravia. The key personality in this article is Alojz Duquenois (1765-1846), a gingerbread man, wax-chandler, town councillor, benefactor and patron of the arts who came as a settler from Carniola and already during his lifetime became an urban legend. He witnessed and participated in the most important events in town’s history of the first half of the 19th century. He became etched in the collective memory and is particularly associated with the period of French administration in Karlovac. The second individual is Ivan Reichherzer (1802-1872), from the family of gingerbread men of Varaždin, who as a journeyman arrived in Karlovac to the already well known master craftsman Alojz Duquenois and later married his only heir, Katarina Zihak/Czihak, half-sister of Duquenois’ second wife. After he was ‘retired’ in the 1830is, Duqenois dedicated himself solely town affairs. Hence, Reichherzer took over his craft. The sources from the mid-19th century mention him as the owner of several real estates which he bought, refurbished, sold and rented; hence it can be said that he was a typical representative of the 19th century bourgeoisie. The third person is Franz Zihak (died in 1850), a city organist and also a versatile musician from Bohemia: he was able to conduct and play six musical instruments (clarinet, fagot, horn, oboe, flute and violin). He was also a composer and a teacher in the first musical school in the town, which is why the music historians consider him to be the founder of the musical professionalism in Karlovac. Both the wife and the daughter of Ivan Reichherzer, Katarina nee Zihak and Katarina Reichherzer, were representatives of bourgeoisie, who were not only rich brides, but also both of them obtained decent education that was unusually high for that period i.e. they were teachers. Special attention was given to the central person, whose origin and marriage connected to musical families of the 19th century i.e. Zihak and Wiesner Livadić. That person was Katarina Reichherzer, daughter of Ivan Reichherzer and Katarina Zihak, granddaughter of Franz Zihak, wife of the solicitor and opera singer Kamila Wiesner and daughter-in-law of the composer Ferdo Wiesner Livadić. She was also the mother of the Croatian writer Branimir Livadić and grandmother of the Croatian painter Kamilo Tompa. All those family ties were presented in order to show the interweaving and interrelation of the better known Croatian bourgeoisie families in the 19th century, as well as the fact that many settled foreigners joined the 19th-century Croatian national revival movement, regardless of their ethnic origin.
Svetozar Borojević od Bojne bio je austrougarski vojskovođa (Feldmarschall) i jedan od zapovjednika austrougarskih
postrojbi na Istočnom bojištu u Galiciji protiv Rusije 1914. – 1915. i Jugozapadnom ...bojištu na rijeci Soči protiv Italije 1915. – 1918.
U Galiciji, početkom Prvog svjetskog rata (rujan 1914. – svibanj 1915.), preuzeo je zapovjedništvo austrougarske 3. armije, a od svibnja 1915. na sočanskom bojištu u nastajanju, austrougarske 5.
armije. Nakon njezina preustroja u svibnju 1917., zapovjednik je Sočanske armije(svibanj – kolovoz 1917., Isonzo-Armee), u čijem su sastavu djelovale 1. i 2. sočanska armija, a od kolovoza 1917. do studenog 1918. Skupine armija Borojević (Heeresgruppenkommando
FM von Boroevic), koju od siječnja 1918. do kraja rata u studenom
iste godine, čine Sočanska i 6. armija. Njegovo se vojno umijeće vrsnog obrambenog stratega koji je odbijao ili dopuštao tek ograničeno povlačenje postrojbi uz neznatne teritorijalne uzmake, ponajprije veže uz ratne operacije protiv talijanskih oružanih snaga na rijekama Soči i Piavi – ukupno njih 15: 12 bitaka na Soči i 3 bitke na Piavi.
Diana Budisavljević, rođena Obexer, rodila se u Innsbrucku
(Austrija) 15. siječnja 1891. U Innsbrucku je završila osnovnu
i srednju školu. Godine 1917. udala se za dr. Julija Budisavljevića
koji je, ...završivši studij medicine u Innsbrucku, radio kao
asistent na tamošnjoj kirurškoj klinici. Kad je u Zagrebu
osnovan Medicinski fakultet, dr. J. Budisavljević imenovan
je profesorom kirurgije i Diana Budisavljević s njim dolazi
1919. u Zagreb.
Saznavši u jesen 1941. za stradanja pravoslavnih žena i djece u logoru Lobor-
grad, zajedno s većim brojem suradnika organizira akciju pomoći
koja je bila vođena pod imenom "Akcija Diane Budisavljević".
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