El tradicional e indiferenciado discurso acusador que impregna de tremendismo acrítico la conquista de América por parte de España se ha visto revisado con la aparición de dos importantes ...publicaciones en 2016. La primera de la historiadora malagueña María Elvira Roca Barea: Imperiofobia y Leyenda Negra. Roma, Estados Unidos y el Imperio español. Es un ensayo en el que la autora analiza la hispanofobia como un fenómeno en constante crecimiento desde la expulsión de los judíos de España y su consecuente recepción por parte de terceros países, en los que el antisemitismo deriva en hispanofobia. A partir de ahí, y con la presencia española en Italia, se difunde el contraste entre el español bárbaro e inculto frente al refinamiento italiano. Con la posterior conquista de América y las exageraciones de Las Casas, la casa de Orange instrumentó a este autor propagandísticamente en los Países Bajos, impulsando la traducción y edición de la Brevísima relación de la destrucción de las Indias (en ediciones dotadas de las truculentas ilustraciones de Theodor de Bry) con el objeto político de desprestigiar a España. Se beneficiaba así el incipiente nacionalismo neerlandés, precisamente el nacionalismo que más partido político sacó a la Reforma.
The Anatomy of Melancholy, first published in 1621, is one of the greatest works of early modern English prose writing, yet it has received little substantial literary criticism in recent years. This ...study situates Robert Burton's complex work within three related contexts: religious, medical and literary/rhetorical. Analysing Burton's claim that his text should have curative effects on his melancholic readership, it examines the authorial construction of the reading process in the context of other early modern writing, both canonical and non-canonical, providing a new approach towards the emerging field of the history of reading. Lund responds to Burton's assertion that melancholy is an affliction of body and soul which requires both a spiritual and a corporal cure, exploring the theological complexion of Burton's writing in relation to English religious discourse of the early seventeenth century, and the status of his work as a medical text.
In 1526 Emperor Charles V arranged the wedding of Ferdinand of Aragon, the dethroned heir of Naples, to Germana de Foix, the widow of Ferdinand the Catholic, and appointed them viceroys of Valencia. ...In the decade that followed, these two royal personas invited some of the best poets and musicians to their Valencian palace with the purpose of recreating the aulic life that they had enjoyed in their youth. InIlusion aulica e imaginacion caballeresca en El Cortesano de Luis Milan, Ignacio Lopez Alemany applies the concept of "soft power" created by George Duby and Norbert Elias to interpret its descriptions of games, banquets, conversations, performances, literary competitions, and chivalric recreations--in other words, to examine every aspect of the Valencian courtly culture. This extraordinarily rich book addresses several understudied fields: Spanish literature outside of Castile, court celebrations and entertainments, drama, and literary works not belonging to the major genres.
A prominent writer, a master painter, and a treasure of art that for centuries had been largely neglected are brought brilliantly to life in this first important study of one of the great legacies of ...Renaissance art. The immense castle at Cataio, about thirty-five miles from Venice, was built between 1570 and 1573. An extraordinary series of frescoes, painted in 1573, covers the walls of six of its palatial halls. Programmed by Giuseppe Betussi, the forty frescoes depict momentous events in the history of the Obizzi family from 1004 to 1422. Executed by Giambattista Zelotti and assistants, the frescoes, plus ceiling decorations, are painted in a Mannerist, highly illusionist style with such skill that the walls seem to be windows through which one views battle scenes, weddings, political negotiations, and other episodes in the dramatic history of the Obizzi family.Now one of the most distinguished scholars of Italian art takes readers room by room, fresco by fresco, on the first guided tour of this Betussi-Zelotti masterpiece. Writing with characteristic clarity, Irma Jaffe combines art history, iconography, formal analysis, Italian history, and the story of the Obizzi family in a richly detailed esthetic, social and historical introduction to the entire series.Describing and explaining with spirit and authority the composition and meaning of each fresco?each illustrated with full color plates?Jaffe also illuminates the fascinating decorations on the ceilings and overdoors of the great rooms. In figures that personify virtues and vices, to comment on the events painted on the walls beneath them, the values of sixteenth century Italy are reflected with uncommon clarity in both the fresco saga and the decorations above.A full understanding of Mannerism and sixteenth century painting must now include the contribution of Battista Zelotti. In the scenes at Cataio he reveals the possibilities available to Mannerist style in his countless poses of the human figure and of horses, in his variety of settings---indoor and outdoor, land and sea---and in the range of preeminent sixteenth century values such as family rank and pride, personal courage, and religion that are expressed in his Saga of the Obizzi family. Zelotti's masterpiece carries the artificiality inherent in Mannerism to a new level of theatrical drama. Viewing the scenes of fierce battles, magnificent weddings, assassinations, and triumph after triumph, suggests to modern viewers something of the splendor of grand opera.For Renaissance scholars and students, for art historians, for travelers and art lovers interested in the heritage of the Renaissance in Italy and in the glorious estates of the Veneto, Zelotti?s Epic Frescoes at Cataio: The Obizzi Saga will be an indispensable introduction and guide to a treasure hidden in plain sight for many years.
An early Spanish explorer’s account of American Indians.   This volume mines the Pardo documents to reveal a wealth of information pertaining to Pardo’s routes, his encounters and ...interactions with native peoples, the social, hierarchical, and political structures of the Indians, and clues to the ethnic identities of Indians known previously only through archaeology. The new afterword reveals recent archaeological evidence of Pardo’s Fort San Juan--the earliest site of sustained interaction between Europeans and Indians--demonstrating the accuracy of Hudson’s route reconstructions.  
In Naufragios de Álvar Núñez begun in 1978 and published later, in 1991, in Trilogía americana, playwright José Sanchis Sinisterra submits the Spanish imperial past to an inquisitive and tragicomic ...process of deconstruction. Inspired by the homonymous sixteenth-century chronicle, Sanchis opens the stage to an explorer who is cast into an unspecified present period and deals with serious mental issues as a consequence of his long journey. This play recolonizes Spain’s post-Francoist present, raising questions about the historical discourse of the past by unmaking this very past at a time of political and economic uncertainty for the nation. Through post-modern techniques, the theatrical stage becomes a site for historical pastiche while unma(s)king historical discourse through humour and satire. This analysis explores the connection between the historical protagonist, his inner crises, and Spaniards, as well as the function of theatrical discourse and stage performance in the shaping of historical consciousness during the Transition.
The history of Pakistan's nuclear program is the history of Pakistan. Fascinated with the new nuclear science, the young nation's leaders launched a nuclear energy program in 1956 and consciously ...interwove nuclear developments into the broader narrative of Pakistani nationalism. Then, impelled first by the 1965 and 1971 India-Pakistan Wars, and more urgently by India's first nuclear weapon test in 1974, Pakistani senior officials tapped into the country's pool of young nuclear scientists and engineers and molded them into a motivated cadre committed to building the 'ultimate weapon.' The tenacity of this group and the central place of its mission in Pakistan's national identity allowed the program to outlast the perennial political crises of the next 20 years, culminating in the test of a nuclear device in 1998. Written by a 30-year professional in the Pakistani Army who played a senior role formulating and advocating Pakistan's security policy on nuclear and conventional arms control, this book tells the compelling story of how and why Pakistan's government, scientists, and military, persevered in the face of a wide array of obstacles to acquire nuclear weapons. It lays out the conditions that sparked the shift from a peaceful quest to acquire nuclear energy into a full-fledged weapons program, details how the nuclear program was organized, reveals the role played by outside powers in nuclear decisions, and explains how Pakistani scientists overcome the many technical hurdles they encountered. Thanks to General Khan's unique insider perspective, it unveils and unravels the fascinating and turbulent interplay of personalities and organizations that took place and reveals how international opposition to the program only made it an even more significant issue of national resolve. Listen to a podcast of a related presentation by Feroz Khan at the Stanford Center for International Security and Cooperation.
Three Voyages Laudonniere, Rene; Bennett, Charles; Milanich, Jerald T
2001, 2001-05-11
eBook
This translation of an eyewitness account by a major participant offers valuable information about all three attempts to establish a French colony on the south Atlantic coast of North America. Rene ...Laudonniere's account of the three attempts by France to colonize what is now the United States is uniquely valuable because he played a major role in each of the ventures—first, in 1562, as second in command during the founding of the ill-fated Charlesport, then as commander for the establishment of Fort Caroline on Florida's St. Johns River in 1564, and finally as the one to welcome French reinforcements the following year. It was also Laudonniere's destiny to witness the tragic fall of Fort Caroline to Spanish claims one month later. Laudonniere wrote his chronicle, L'histoire Notable de la Floride , in 1565 following the fall of Fort Caroline as he recuperated in England. Much more than an account of his feelings and adventures, Laudonniere's history reveals him to be an exceedingly able and accurate geographer with a highly developed interest in anthropology. The first English translation was published by Richard Hakluyt in 1587. Charles E. Bennett's graceful and accurate rendering in modern English was first published in 1975 by the University Press of Florida. Besides the account, thoroughly annotated and with present-day names identifying sites visited by the Frenchman, this volume includes a valuable introductory essay. The appendices to the volume are four noteworthy documents, the last of which—a guide to plants of 16th-century Florida—will be of exceptional interest to naturalists, gardeners, and students of folklore. The account itself will fascinate professional historians and anthropologists as well as general readers interested in the exciting and often moving events of early European settlement in the New World. Rene Laudonniere was a French adventurer and explorer of the 16th century who wrote L'histoire Notable de la Floride . Charles E. Bennett is a historian and former Florida congressman. He was coauthor of the Moss-Bennett legislation and was instrumental in the establishment of the Fort Caroline National Memorial and the Timucuan Ecological and Historical Preserve. Jerald T. Milanich is Curator in Archaeology at the Florida Museum of Natural History.
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