Eurydice andamanensis sp. nov. and Eurydice mohani sp. nov. are described from intertidal sandy beaches of South Andaman, Andaman Islands. Eurydice andamanensis sp. nov. can be identified by the ...posterior margin of pleotelson being one-fourth of the pleotelson in width, weakly convex with 11 plumose marginal setae and 4 robust setae; appendix masculina 0.8 times as long as endopod, projecting slightly beyond endopod distal margin by one-third of its length, distally broad, widely rounded, curved medially and mesial margin with 4 small acute cuticular scales; Eurydice mohani sp. nov. can be identified by the posterior margin of pleotelson with 6 plumose marginal setae, pleotelson without distinct depression on anterodorsal surface; appendix masculina 0.4 times as long as endopod, projecting beyond mid-region of endopod by 0.02 of its length, lateral margin with a sinuate notch and apex is rounded.
http://www.zoobank.org/urn:lsid:zoobank.org:pub:AFF18D66-4CE3-4D73-BAAA-39083D542008
Full text
Available for:
BFBNIB, DOBA, GIS, IJS, IZUM, KILJ, KISLJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
The author argues that the Broadway musical
Hadestown
sheds light on liberation as a goal and process of spiritual care. Sharp reflects on parenting in conversation with her own experiences of ...encountering systemic deception with a chronically ill child in medical crisis. She reflects on postcolonializing pastoral care in conversation with Howard Thurman’s theory of liberation from deception, fear, and hatred. Sharp contemplates an iterative creative process in conversation with
Hadestown
songwriter Anaïs Mitchell. Intertwining reflections on parenting, postcolonializing, and processes of creativity, Sharp casts liberative healing as an ongoing integrative spiral rather than a linear progression from ill to well and from trapped to freed. In sum, this paper connects
Hadestown
and healing, linking the personal with the professional, weaving parenting into a vocation of partnering in postcolonializing.
Full text
Available for:
EMUNI, FIS, FZAB, GEOZS, GIS, IJS, IMTLJ, KILJ, KISLJ, MFDPS, NLZOH, NUK, OILJ, PNG, SAZU, SBCE, SBJE, SBMB, SBNM, UKNU, UL, UM, UPUK, VKSCE, ZAGLJ
Ptolemy I set aside his eldest son Ptolemy Ceraunus and instead made his younger son Ptolemy (by Berenice) his successor. Various explanations have been advanced, but none is compelling. In this ...article, I put forward two hitherto unexplored avenues: first, Ptolemy’s relations with Eurydice and Berenice, and second, Ceraunus’ own ambitions as they pertained to mastery of Greece and Macedonia. The latter especially led Ptolemy, motivated by his own failures in trying to secure Greece and how they compromised the security of his rule, to view Ceraunus as overly ambitious, and so prefer the less military-minded younger Ptolemy.
Denial and Acceptance Murdoch, Brian O.
Mythlore,
03/2024, Volume:
42, Issue:
2 (144)
Journal Article
Peer reviewed
The story of Orpheus’s failed attempt to bring Eurydice back from the dead is a frequently used theme in literature and in the modern lyric in particular, and it has been the subject of sometimes ...excessively complex critical attention. One core of the myth, however, is the need for the living to face and to accept the fact of the death of someone close to them. Modern lyrics in different European languages—the heirs to the classical myth—make clear how Orpheus’s attempt to bring his wife back from Hades was always impossible, and that his reaction was thus a form of denial. Although many aspects of the broad Orphic complex are treated in the lyric, the poems selected demonstrate the core element of the myth, even when Eurydice is apparently given more prominence than Orpheus, the bereaved husband. It can also be related to C.S. Lewis’s A Grief Observed.
Full text
Available for:
BFBNIB, NMLJ, NUK, PNG, UL, UM, UPUK
Anna Swirszczyńska, in her original drama Orfeusz. Sztuka w trzech aktach (Orpheus. Play in Three Acts), a powerful and innovative post-war rewrite of the myth, first performed in 1946, transforms ...the myth and its essential features. Love, death and poetry are no longer the triad par excellence of the narrative, and Orpheus and Eurydice become fully aware of the own actions and choices. This update of the story involves a recent past which, after the war, required elaboration of mourning and grief, tending towards an ethics of awareness that frees the individual from guilt, and at the same time, opens up a path of hope with new prospects and new goals, notwithstanding fate, and overcoming fear.
Anna Świrszczyńska, in her original drama Orfeusz. Sztuka w trzech aktach (Orpheus. Play in Three Acts), a powerful and innovative post-war rewrite of the myth, first performed in 1946, transforms ...the myth and its essential features. Love, death and poetry are no longer the triad par excellence of the narrative, and Orpheus and Eurydice become fully aware of the own actions and choices. This update of the story involves a recent past which, after the war, required elaboration of mourning and grief, tending towards an ethics of awareness that frees the individual from guilt, and at the same time, opens up a path of hope with new prospects and new goals, notwithstanding fate, and overcoming fear.
The article discusses differences in the treatment of the Virgilian epyllion by scholars and artists. It also indicates that the work of a translator is the result of the activities in both areas. A ...few introductory remarks are followed by Polish translation of the story.
Rereading the Myth of Eurydice and Orpheus in Nancy Huston’s Novel L’empreinte de l’ange. Perpetual and versatile, the myth of Orpheus is presented with new interpretations in each literary ...exploration of its complex symbolism. This paper aims to examine Canadian writer Nancy Huston's novel L’empreinte de l’ange from a mythocritical standpoint, revolving around a contemporary feminist reading of the myth of Orpheus. As such, our analysis observes the myth's transfigurations by means of a psychoanalytic framework targeted at the female protagonist, as well as in relation to the two Orphic couples present in the novel: Saffie-Raphaël and Saffie-András. This study focuses on the progress of the female protagonist in comparison to the mythical evolution of the nymph Eurydice.
PDF
