Prispevek bo v kontekstu ulične poezije izpostavil žensko vprašanje, pri čemer bodo za obravnavo te problemske teme uporabljeni primeri tako avtorjev kot avtoric (slednje prihajajo iz domačega in ...tujega kulturno-jezikovnega okolja). Najprej bo predstavljena utemeljitev besedne zveze »ženska ulična poezija«, sledile bodo opredelitve biološkega in družbenega spola, spolnih vlog, feminizma in maskulizma, ki jim bodo dodani reprezentativni primeri iz prakse, nato pa bo sledila še pregledna zgodovina ženske ulične poezije v slovenskem prostoru od domnevno prve pojavitve v začetku 80. let 20. stoletja (Neca Falk) do prvega desetletja 21. stoletja.
V prispevku želim skozi deleuzovsko filmsko teorijo poiskati način, kako gledati in doživljati »nizek« žanr feministične pornografije na način, ki ni moralističen in žanru vnaša legitimnost. Ob ...primerih kratkih filmov iz švedske serije kratkih filmov Umazani dnevniki (Dirty diaries, 2009) producentke Mie Engberg revidiram zgodnjo psihoanalitično feministično filmsko teorijo in namesto analitične distance »novo podobo gledanja« mislim s pojmi bližine in dotika. Ne podajam paradigmatskih primerov feministične pornografije – primeri kratkih pornografskih filmov iz omenjene zbirke so izjemno raznoliki, a tu ne gre za liberalno-tržno načelo »za vsakogar nekaj«. Menim, da jih je pomembno gledati skupaj, in to zato, ker nas njihove linije pobega lahko potisnejo k novim antiojdipskim možnostim užitka onkraj spolne razlike.
This feminist monograph accommodates a selection of ethnographic voices pertaining to the adolescence and young adulthood of South Korean women. The work encompasses secret dimensions of female ...lives, carefully studying the realm of unexpected physical and social movements, events, bursts of energy, all entailing, to various degrees, what cultural studies and feminist theory usually think of as agency and resistance. Book tackles a notion of transgression (breaching, infringement), tries to locate and present the perceived specificities of South Korean female transgressions, and, finally, it discusses and re-affirms the position of ethnography in the intellectual projects of cultural studies after the affective turn.
Namen prispevka je pokazati dvoje. Prvič, da spolna neenakost ni nadzgodo- vinski pojav, ki se manifestira na bolj ali manj homogen način v vseh družbah ali vsaj vseh razrednih družbah, temveč ...da je pogojena s specifično obliko družbenih produk- cijskih odnosov, ki zamejujejo te družbe. Drugič, da je vprašanje spolne neenakosti, ki je samo po sebi nezvedljivo, vseeno temeljno prepleteno z razrednim vprašanjem. Teoretska podstat prispevka je marksovska kritika politične ekonomije, za empirični prikaz naše hipoteze pa se opiramo na zgodovinske vire in analizo statističnih podatkov.
Študija išče in analizira lastnosti glavnih literarnih oseb z uporabo kvantitativne metode, povzete po referenčni raziskavi Jonathana Gottschalla, objavljeni v knjigi Literature, Science, and the New ...Humanities. Metodo prilagajamo glede na zahteve korpusa, ki je izbran na od raziskovalcev neodvisen način. Namen raziskave je ugotoviti, kakšne so literarne osebe v izbranem korpusu glede na njihov spol in s spolom povezane lastnosti. Sekundarni namen raziskave je primerjava z rezultati Gottschallove raziskave in preverjanje njegovih sklepov o ustreznosti evolucijsko-teoretskih in feminističnih tez o vzrokih za morebitne različne reprezentacije spolov v obravnavanih literarnih delih in literaturi nasploh. Nazadnje ugotovitve postavimo v kontekst dosedanjih raziskav spola v slovenskem pripovedništvu.
The article critically reflects on Soviet cinema of 'the Thaw' through the female gaze of Larisa Shepitko and Kira Muratova. The image and role of a woman torn between the official discourse (upheld ...by the state ideology) and one created in the intimacy of the home are analysed. Moreover, the article rethinks the role of feminism in the context of Russian thought, created on a specific background as imposed in the communist idea. Unlike in the West, it is based on the essentialist idea of a binary separation of differences between the sexes, which appears schizophrenic under the pressure of the state ideology. We search for these contradictory lapses in the images of the woman as created in the specific female film language of Shepitko's Wings (Krylya, 1966) and Muratova's Brief Encounters (Korotkie vstrechi, 1967) and Long Farewells (Dolgie provody, 1971).
Po zaslugi prevajalskih in analitičnih prizadevanj Maje Sunčič je v slovenskem prostoru končno postal deležen nekoliko večje pozornosti orjaški segment Plutarhovega opusa, ki je bil doslej skoraj ...povsem zanemarjen. To je zbirka 78 poljudnih in strokovnih razprav z raznovrstno tematiko od filozofije do naravoslovja, ohranjenih pod skupnim latinskim naslovom Moralia oz. grško Ethika, Etični spisi (med njimi je tudi nekaj nepristnih).
This book contains 14 essays exploring how the theory of women's psychology, development, and ways of knowing has developed during the past decade. The following essays are included: "The Beginning ...of the Story: Collaboration and Separation" (Nancy Rule Goldberger); "Looking Backward, Looking Forward" (Nancy Rule Goldberger); "Reconfiguring Teaching and Knowing in the College Classroom" (Ann Stanton); "Women's Ways of 'Knowing' Law: Feminist Legal Epistemology, Pedagogy, and Jurisprudence" (Carrie Menkel-Meadow); "Embodying Knowledge, Knowing Desire: Authority and Split Subjectivities in Girls' Epistemological Development" (Elizabeth Debold, Deborah Tolman, Lyn Mikel Brown); "Connected Knowing in Constructive Psychotherapy" (Michael J. Mahoney); "Women's Ways of Knowing in Women's Studies, Feminist Pedagogies, and Feminist Theory" (Frances A Maher, Mary Kay Tetreault); "Unknown Women and Unknowing Research: Consequences of Color and Class in Feminist Psychology" (Vanessa M. Bing, Pamela Trotman Reid); "Connected and Separate Knowing: Toward a Marriage of Two Minds" (Blythe McVicker Clinchy); "Reason's 'Femininity': A Case for Connected Knowing" (Sara Ruddick); "Voices in Dialogue: Collaborative Ways of Knowing" (Jill Mattuck Tarule); "Speech Is Silver, Silence Is Gold: The Asymmetrical Intersubjectivity of Communicative Action" (Patrocinio P. Schweickart); "Cultural Imperatives and Diversity in Ways of Knowing" (Nancy Rule Goldberger); "Strategic Suspensions: Feminists of Color Theorize the Production of Knowledge" (Aida Hurtado); "Public Homeplaces: Nurturing the Development of People, Families, and Communities" (Mary Field Belenky); and "Gendered Ways of Knowing and the 'Epistemological Crisis' of the West" (Sandra Harding). Most essays include substantial bibliographies. (MN)
In Between Facts and Norms, Jurgen Habermas works out the legal and political implications of his Theory of Communicative Action (1981), bringing to fruition the project announced with his ...publication of The Structural Transformation of the Public Sphere in 1962. This new work is a major contribution to recent debates on the rule of law and the possibilities of democracy in postindustrial societies, but it is much more. The introduction by William Rehg succinctly captures the special nature of the work, noting that it offers a sweeping, sociologically informed conceptualization of law and basic rights, a normative account of the rule of law and the constitutional state, an attempt to bridge normative and empirical approaches to democracy, and an account of the social context required for democracy. Finally, the work frames and caps these arguments with a bold proposal for a new paradigm of law that goes beyond the dichotomies that have afflicted modern political theory from its inception and that still underlie current controversies between so-called liberals and civic republicans. The book includes a postscript written in 1994, which restates the argument in light of its initial reception, and two appendixes, which cover key developments that preceded the book. Habermas himself was actively involved in the translation, adapting the text as necessary to make it more accessible to English-speaking readers.
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