In 1945, at the end of the Second World War and after a long illness, C. G. Jung delivered a lecture in Zürich on the French Romantic poet Gérard de Nerval. The lecture focused on Nerval's visionary ...memoir,Aurélia, which the poet wrote in an ambivalent attempt to emerge from madness. Published here for the first time, Jung's lecture is both a cautionary psychological tale and a validation of Nerval's visionary experience as a genuine encounter.
Nerval explored the irrational with lucidity and exquisite craft. He privileged the subjective imagination as a way of fathoming the divine to reconnect with what the Romantics called the life principle. During the years of his greatest creativity, he suffered from madness and was institutionalized eight times. Contrasting an orthodox psychoanalytic interpretation with his own synthetic approach to the unconscious, Jung explains why Nerval was unable to make use of his visionary experiences in his own life. At the same time, Jung emphasizes the validity of Nerval's visions, differentiating the psychology of a work of art from the psychology of the artist. The lecture suggests how Jung's own experiments with active imagination influenced his reading of Nerval'sAuréliaas a parallel text to his ownRed Book.
With Craig Stephenson's authoritative introduction, Richard Sieburth's award-winning translation ofAurélia, and Alfred Kubin's haunting illustrations to the text, and featuring Jung's reading marginalia, preliminary notes, and revisions to a 1942 lecture,On Psychological and Visionary Artdocuments the stages of Jung's creative process as he responds to an essential Romantic text.
The topic of this thesis is the romantic "promenade" as a literary theme in the works of two 19th century authors: Gerard de Nerval and George Sand.
We have used Rousseau's Reveries du promeneur ...solitaire as foundation text in our research. Our corpus is comprised of two works by Gerard de Nerval: Sylvie and Promenades et Souvenirs, as well as George Sand's Lettres d'un voyageur; included also are some exerpts of her Correspondance.
We discovered that the experience of Nerval's "promenade" equates to a quest for the past, for freedom and for Nature. He also seeks to escape mental sickness, the burden threatening his inspiration.
In George Sand's works, the "promenade" becomes an activity allowing one to overcome familial and sentimental chagrin, a means of regaining a taste for life.
In the conclusion we compared the characteristics of the theme as illustrated by both authors, and brought to light their respective peculiarities.
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Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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Provider: - Institution: - Data provided by Europeana Collections- Collection : Les contemporains- Collection : Les contemporains- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
