This study analyzed the obstacles, strategies, and results of flag ceremony activities in Indonesian elementary schools. The method used in this study was a systematic literature review. The ...information used contained an attitude of nationalism. The literature review process was conducted by searching for relevant articles, evaluating them using data extraction, and then comparing the literature results. The database used was Google Scholar. The results of this study indicated that (1) the obstacles in cultivating nationalism are the lack of discipline, order, and mutual respect among people; (2) the strategies used in cultivating nationalism include reminding, guiding, and explaining, as well as involving teachers and students in instilling nationalism; (3) the result of cultivating nationalism in flag ceremony activities is the formation of individuals who are moral and ethical and understand the importance of the activities. The implications of this study were: first, teachers must be able to provide understanding and examples related to instilling nationalism; second, students can make habituation through good behaviour to be applied in daily life. This study revealed the inculcation of nationalism in Indonesian elementary schools comprehensively.
The artistic production entitled The Art of Burle Marx was led by Bryn Walters and his choreographic team. This artistic project was conceived to be staged in the closing ceremony of the 2016 Olympic ...Games in Rio de Janeiro (Brasil). This mass choreography makes extensive use of video mapping to enhance the choreographic sequences, as is to be found throughout both the opening and closing Ceremonies. Bryn Walters created this artistic work by reinterpreting, with 480 performers and the use of video projections, the main geometric shapes for which the Brazilian landscape architect Roberto Burle Marx is so well known. Through a careful analysis of the official video, using the Elan software, together with the consultation of ceremony programmes and interviews with the choreographers, the main moments of this mass choreography will be researched and highlighted, with the aim of tracing the recognizable characteristics of Burle Marx’s work. It is possible to conclude that the choreographer Bryn Walter has achieved a successful reconstruction and dissemination of the work of the architect Burle Marx, thanks to a complex collaboration between different professionals, which enhanced the relationship between the performers and the video projections.
Charged with restoring harmony and relieving pain, the Malay shaman places his patients in trance and encourages them to express their talents, drives, personality traits—the "Inner Winds" of Malay ...medical lore—in a kind of performance. These healing ceremonies, formerly viewed by Western anthropologists as exotic curiosities, actually reveal complex multicultural origins and a unique indigenous medical tradition whose psychological content is remarkably relevant to contemporary Western concerns.
Accepted as apprentice to a Malay shaman, Carol Laderman learned and recorded every aspect of the healing seance and found it comparable in many ways to the traditional dramas of Southeast Asia and of other cultures such as ancient Greece, Japan, and India. The Malay seance is a total performance, complete with audience, stage, props, plot, music, and dance. The players include the patient along with the shaman and his troupe. At the center of the drama are pivotal relationships—among people, between humans and spirits, and within the self. The best of the Malay shamans are superb poets, dramatists, and performers as well as effective healers of body and soul.
The use of language in human life is very diverse, one of which is figurative language. Figurative language is the use of beautiful words with figurative language created from the author's feelings ...to give effect by comparing one thing with another object that is more general. The objectives of the study are to describe the types of the figurative language found in Lokamase Ceremony to identify the contextual meaning of the figurative language. This research is a qualitative research method. The method used in collecting the data related to the subject of this research is observation, interviews and documentation method. This study was conducted by collecting any relevant data and information about the topic or problem of the study from head of Lokamase and journal that are available for the analysis. The data collection used the following steps: collecting, reduction, display, and drawing conclusion and then selecting the data that used the types of figurative language. While the steps to analyze the data are identifying the types of figurative language, identifying the contextual meaning of the figurative language, and the last is interpreting the data. The result shows that found simile and hyperbole types of figurative language used in Lokamase ceremony and have their own meaning. Summing up the overall language of the figurative meanings used in the lokamase traditional ceremony is to uphold self-respect, human rights and also maintain indigenous culture.
Letters and diplomatic reports have always been at the heart of diplomacy. However, in terms of travel literature, ministerial papers are not necessarily related to the genre. Diplomats normally made ...themselves the focus of attention in their reports, describing their interactions at court and rarely providing detailed narratives on the cities and palaces that they visited. In official correspondence, they might not comment at length on architecture and the manners of the people whose country they were visiting but in letters to friends and family they may reveal more. English diplomats could remark on festivities, construction and other visiting embassies. This paper traces the presence of Versailles, its court and visitors within the correspondence of ministers representing the kings of England, afterwards Great Britain. It aims to account for and describe the presence of the palace within diplomatic correspondence and hopes to trace both similarities and differences in ministerial perspectives.
La Iglesia trató de controlar todos los pasos de la ceremonia del bautismo a fin de evitar que se cometiesen abusos o se prescindiese de la ortodoxia debida. En este trabajo se pretende realizar una ...aproximación a la realidad de la administración del bautismo en la diócesis de Lugo, con el objetivo de profundizar en el nivel de respeto de la población y los eclesiásticos a la normativa existente sobre el ritual a seguir. Para ello, nos valemos de la información de partidas bautismales y otros documentos como procesos judiciales y administrativos que son comparados con los manuales y los tratados de la época.
Academic scholarship analyses how citizenship law reforms such as longer residency requirements and tougher language tests reinforce culturally exclusionary national narratives. Citizenship ...ceremonies however, have largely escaped scholarly attention. Drawing on Australia as a case study, this article addresses that gap. After examining how Australian citizenship is performed at ceremonies, this article argues that although the government states that citizenship ceremonies should welcome new citizens, deep suspicions about the cultural diversity of migrants are also conveyed. This paper contributes to an understanding of how citizenship ceremonies reinforce culturally exclusionary national narratives, even where the legal criteria for acquiring citizenship status is non-discriminatory. This paper also illustrates how citizenship ceremonies are important sites for the construction and communication of legal identities.
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The sacred dance of Nampyog which is performed at the temple of Samuantiga, Bedulu, Blah- batuh, Gianyar has uniqueness among other dance in Bali 1) Nampyog dance is a dance used as a complement of ...the series of piodalan ceremony at Pura Samuantiga which means sanctification in the series of the Ida Bhatara will be going to have a process of embodyment (tedun) and neutral- izing the mrana (plague) 2) The dancers of the Nampyog dance are marely women who do not experience menstruation anymore (menopause). 3) The dancers of the Nampyog dance are people who commit themselves to dedicate their lifelong as the pengayah ‘non-payment workers’ called the permas. 4) If the permas are no longer capable of being the pengayah, they will be passed on by their heir (based on descendants) 5) The Nampyog dance is accompanied by several gamelan (gong, angklung) simultaneously by those people who also make ngayah on the piodalan ceremo- ny. 6) This sacred Nampyog dance is performed only on the piodalan ceremony at the temple of Samuantiga, Bedulu, Blahbatuh, Gianyar regency.
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