En 1535, alors que le chantier de l'église paroissiale Notre-Dame des Marais de La Ferté-Bernard est privé de maître-maçon depuis deux ans et que la fabrique vient d'obtenir la promulgation ...d'indulgences, un nouveau maître-maçon est élu par les habitants fertois. Mathurin Delaborde est chartrain. Maître des maçons des ville et bailliage de Chartres, Mathurin Delaborde est alors le maître-maçon de la clôture de choeur de la cathédrale. A La Ferté-Bernard, l'édifice qu'il découvre est dans l'état suivant : nef, transept et tour-clocher sont achevés depuis plus de trente ans, tandis que le choeur est en cours de construction. Les chapelles nord sont élevées, ainsi que la chapelle axiale qui vient d'être pavée et vitrée. L'ensemble, de facture sobrement flamboyante, reste toutefois non voûté. Trente-quatre ans plus tard, en 1569, alors que la fabrique fait appel à un nouveau maître-maçon pour achever les arcs-boutants, l'édifice est quasiment achevé. Il porte le monogramme MdLB en deux endroits – dans le triforium et dans la tourelle d'escalier qui mène au garde-corps des parties hautes du choeur. Avec ses trois niveaux d'élévation, les voûtes plates de ses chapelles rayonnantes et surtout l'abondant décor sculpté « à l'antique » de ses parois intérieures et extérieures, le choeur de l'église Notre- Dame des Marais de La Ferté-Bernard est une véritable « fenêtre ouverte sur la Renaissance »
In 1535, the building of Notre-Dame des Marais the parish church of La Ferté-Bernard has been deprived of maître-maçon for two years and the fabrique has just obtained an indulgence enactment, when a new maître-maçon is elected by the people of La Ferté, Mathurin Delaborde from the city of Chartres. A city maître des maçons and bailiwick in Chartres, Mathurin Delaborde becomes the maître-maçon of the chancel screen of the cathedral. On his arrival in La Ferté-Bernard, the nave, transept and church tower have been built for over thirty years whereas the choir is in the middle of its construction. The northern chapels are built, as well as the axis chapel which has just been paid for and windowed. Although soberly flamboyant crafted, the structure remains unvaulted. Thirty four years later, in 1569, the structure is almost finished when the people of La Ferté call on a new maître-maçon to finish the flying buttresses. The building bears the MdLB monogram in two different places – on the triforium and on the staircase turret of the choir. With three levels elevation, the voûtes plates of the radiating chapels and especially the great amount of « à l'antique » decoration sculpted on its inner and outer walls, the choir of the church Notre-Dame des Marais in La Ferté-Bernard is a « window opened upon the Renaissance »
Briefly presents reasons for recruiting choir members for boy choirs and means of doing so. Argues that recruitment of boys is important to strengthen choirs and offer musical experiences to a wider ...range of community members.
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O presente artigo nasceu do desejo de pesquisar e divulgar este excelente veículo facilitador do canto coral - sobretudo para adolescentes - que é a expressão cênica. Tal recurso vem oferecer uma ...gama maior de possibilidades criativas e soluções originais para o desenvolvimento da linguagem coral, além de instigar os envolvidos ao exercício do autoconhecimento. Este trabalho é parte de pesquisa do Mestrado em Música desenvolvido na UNIRIO.The present paper results from the need to research and promote scenic expression as an ideal facilitator for singing, especially among adolescents. It may offer a wider range of creative possibilities and original solutions for the development of the choral language, besides encouraging the exercise of self-knowledge. This paper is part of a Masters Degree in Music research developed at UNIRIO (Brazil).
Condensing dryer with full air recirculation for agriculture application Zlatanović, I., Poljoprivredni fakultet, Beograd - Zemun (Serbia); Rudonja, N., Mašinski fakultet, Beograd (Serbia); Gligorević, K., Poljoprivredni fakultet, Beograd - Zemun (Serbia)
Agricultural engineering (Belgrade, Serbia),
(2010), Volume:
35, Issue:
3
Journal Article
Condensing dryer for agriculture application has notable advantages comparing with traditional drying methods, within fact that drying process is at low-temperature regime. Negative influence of ...dried fiber structure is minimized with full air recirculation. This technology is eco-friendly and has no considerable effect on environment and ecology in negative meaning. Basics principles of most applied standards in food industry are mentioned in this paper.
Slobodno vrijeme ima bogat društveni, psihološki i odgojni potencijal. Zborsko je pjevanje jedna od najčešćih organiziranih glazbenih aktivnosti slobodnog vremena kojem se, prema brojnim ...istraživanjima, pripisuju različite psihološke, terapijske, odgojne i druge dobrobiti. Rad donosi rezultate istraživanja koje je bilo usmjereno na utvrđivanje povezanosti između kvalitetnog provođenja slobodnog vremena u okviru aktivnog sudjelovanja u pjevačkim zborovima i odrednica subjektivne i psihološke dobrobiti te elemenata karakterističnih za osjećaj životnog zadovoljstva (globalnog i situacijskog). Cilj istraživanja bio je utvrditi razinu subjektivnog osjećaja životnog zadovoljstva zborskih pjevača, ukazati na moguće dobrobiti koje proizlaze iz aktivnog i organiziranog bavljenja glazbom u okviru pjevačkih zborova te provjeriti postoji li povezanost između tih aktivnosti i subjektivnog osjećaja zadovoljstva životom kod aktivnih pjevača različitih dobnih, spolnih i profesionalnih, odnosno amaterskih skupina. Rezultati su pokazali da zborski pjevači pokazuju relativno visoku razinu osjećaja životnog zadovoljstva te da postoje razlike u odnosu na dob, spol i status pjevača, no ne i u odnosu na trajanje sudjelovanja u aktivnosti.
The article was written based on the results of a theoretical study by Boris Dmitrievich Kritskiy, my father, who proposed to introduce scientific terms “musical phonics” into the spheres of ...musicology, pedagogy of music education and performing arts. In his view, “musical phonics” should be considered as a field of scientific and methodical research of audio (instrumental, vocal-choral) design of the process of music performed. And the audio embodiment of the musical text as a relatively independent phenomenon in a broad interpretation is a phonic form. Vocal design of choral sound is a necessary structural component of the performance. From the point of view of intonation theory of music, choral sonority – singing, vocal-choral materialization of the score – is a specially interpreted text. The audio quality is seen as a problem of vocal choral performance in the preparation of a future teacher-musician/choirmaster. There is a belief about the need for future teachers-musicians to understand the methods of constructing the audio matter of music. The methods transform the musical text in accordance with the form, logic of the development of the figurative and artistic meaning of the work and are aimed at the education of the audio culture among the choral collective. Work on the creation of a phonic form involves establishing intonation links between the performed work and the methods of its mastery. The leading role in its crystallization is played by a meaningful plan of music, which allows us to speak about it as a historical category, defined by genre-stylistic features of performed works. Built according to the laws of beauty and at the same time reflecting the spirit of its time, the era in which the performer creates, it reveals the changes that characterize the culture of vocal and choral performance. The performed composition, included in the context of broad cultural and life relations, is saturated with a new meaning. As an example, the phonic form in orthodox liturgical singing is considered.
Musiek en dans as teks in drie romans van Karel Schoeman Coertzen, Alta
Litnet Akademies : 'n Joernaal vir die Geesteswetenskappe, Natuurwetenskappe, Regte en Godsdienswetenskappe,
12/2020, Volume:
17, Issue:
3
Journal Article
Open access
In die meeste van Karel Schoeman se romans is musiek en dans deel van die verhaallyn. Dit is egter die manier waarop hy musiek en dans as teks gebruik wat die fokus van hierdie artikel is. Vanweë die ...omvang van sy romanoeuvre is drie romans gekies en is ’n uittreksel uit elkeen waarin musiek en/of dans ’n belangrike rol speel, uit ’n spesifieke invalshoek bestudeer:i. Na die geliefde land: musiek en dans in ’n sosiaal en polities verdeelde samelewingii. ’n Ander land: veelstemmigheid in musiek en teksiii. Verliesfontein: ’n koor van stemme.As rugsteun is die navorsing oor die rol van musiek en dans in die romankuns asook die nuutste ontwikkelinge op die gebied van musiek en dans as kunsvorms verreken. Teoretiese uitgangspunte soos intertekstualiteit en intermedialiteit is in die stiplees van die gekose gedeeltes in ag geneem.In die politieke roman Na die geliefde land word die vooroordele en eiebelang in die karakters se optrede en in die gemeenskap deur die danse en die musiek uitgebeeld: Soos die pare in die vinnige kadriel vervleg, vervleg die teks; en deur die stadiger wals word die verhoudings en spanning tussen die pare blootgelê. Die vraag: “Wat het ons verkeerd gedoen?” is ’n deurlopende ondertoon – ook in die manier van dans en musiekmaak. Schoeman poneer die danse teen die breër sosiale konteks van Europa. Die intertekste en die intermedialiteite van gelyklopende diskoerse en ’n veelheid sensoriese modaliteite van interaksie dra by tot die gelaagdheid van die teks.Met die gedeelte in ’n Ander land waar die Schefflers Mozart se Duo vir viool en altviool K. 423 speel, slaag Schoeman daarin om op ’n uitsonderlike manier musiek as kunsvorm met die literêre teks as kunsvorm in ’n veelheid van stemme te verenig. Hierin speel die toespelings geen geringe rol nie. In bogenoemde romans is Schoeman trefseker ten opsigte van die musiek, danse en instrumente; telkens dra die musiek en dans by tot veelvlakkigheid in die betekenis van die teks.’n Verbale “koor van stemme” kan ’n samevattende beskrywing van Schoeman se drieluik Verliesfontein, Hierdie lewe en Die uur van die engel wees, maar spesifiek in Verliesfontein is musiek en dans so met die vertellinge verweef dat ’n andersoortige koor van stemme opklink oor die stryd tussen goed en kwaad en oor die verlies wat gely word. Dit is egter die manier waarop Schoeman ’n literêre en ’n musiekteks integreer en waardeur hy die ontwikkelinge op die gebied van musiek aan die begin van die 20ste eeu verreken, wat uitstaan. Om dit te illustreer is twee kort uittreksels gekies en ontleed.
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