El presente estudio se yergue sobre el concepto de resistencia pasiva, también denominada desobediencia no violenta, y el empleo de estas estrategias dentro del arte contemporáneo. Devolvemos la ...mirada a Oriente para revisar la perspectiva existencial del taoísmo y su defensa del hacer sin hacer o wu wei. Analizamos cómo este modelo de pensamiento ha permeado de una manera particular en el pensamiento occidental y se ha filtrado en la práctica artística contemporánea, planteando una vicisitud entre resistir ante aquello que nos agota o abandonarnos a una suerte de cansancio colectivo que pueda servir como aglutinante de nuestra comunidad de fatigados. Numerosos ejemplos dentro del arte contemporáneo se levantan ante la eminente capitalización del descanso y la instrumentalización del sueño, reflexionando sobre las posibilidades políticas de la inacción, en una defensa de ese descanso unificador, donde los y las durmientes se constituyen como agentes de la resistencia pasiva.
Knowledge Beside Itself: Contemporary Art's Epistemic Politics de l'historien de l'art et commissaire berlinois Tom Holert propose une réponse qui prend la forme d'un appel a la vigilance. S'il est ...subversif et contre-institutionnel, il peut produire d'autres conditions pour la pensée au lieu de faire du savoir une force économiquement productrice. Benoit Jodoin Sternberg Press Berlin, 2020, 271 p. Benoit Jodoin Doctorant en histoire de l'art a l'Université du Québec a Montréal et a l'École des hautes études en sciences sociales (Paris), Benoit Jodoin s'intéresse a la présence des mots dans l'art, aux lectures des artistes, aux rapports entre art et savoir, a la recherche-création et aux pratiques paracuratoriales.
Todos los indicadores que auguraban un rápido cambio climático debido al calentamiento global provocado por los gases de efecto invernadero producto de la quema de combustibles fósiles por parte de ...la maquinaria humana se han cumplido. Este siglo XXI inaugurado, probablemente, en un mercado de Wuhan, se enfrenta a un reto mayúsculo, tan grande como definitorio: construir un mundo sin emisiones de CO2 antes de 2050 para atenuar, que no detener, un proceso que, en caso de no alcanzarse los objetivos climáticos, supondría el fin de la civilización tal y como la conocemos. Con el respaldo de algunos interesantes proyectos expositivos celebrados en los últimos cinco años, este estudio se acerca a las propuestas de algunos creadores actuales ante una emergencia de proporciones nunca vistas.
El presente artículo pretende mostrar la complejidad de la conservación restauración del arte contemporáneo, a través de reflexiones, planteamientos, criterios, entrevistas con artistas y soluciones ...planteadas en torno a la recuperación de varias obras pertenecientes a los fondos del MACVAC.
This document is a continuation of the reflections on issues related to the phenomena surrounding the reception of contemporary art, initiated in the scientific study Around Art Reception. A Model of ...Empirical Cognition of Early School Education Teachers’ Attitudes to Modern Art – A Project Study. The article presents basic assumptions regarding the exploration of attitudes of early school education teachers towards contemporary art, and its main part is an attempt to present the author’s research tool in the form of a measure to identify the attitudes of early school education teachers towards contemporary art in the early school education process. The presented research tool consists of 50 test positions grouped in three dimensions: thoughts and beliefs about the characteristics of the object of an attitude, sensations and emotions associated with the object of an attitude, as well as actions and behaviours towards the object of an attitude, aimed at determining the attitudes of early school education teachers towards contemporary art in the early school education process within the following system: acceptance – ambivalence – rejection. The projected research tool is the initial proposal for further attempts by researchers of the subject to create their original tools for identifying audiences’ attitudes towards contemporary art.
The article examines the term «contemporary artistic practices», which is used in scientific research and literature on contemporary art to refer to diverse artistic processes. Quite vague in its ...essence, the term nevertheless attracts authors and accurately characterizes current trends in art and design. The purpose of the work is to analyze the origins of the term, views on its understanding, and characteristic features that distinguish it from the traditional understanding of artistic creativity.
This article examines the relationship between contemporary art spaces and 'Do-It-Yourself' (DIY) music in Glasgow. It demonstrates the continuity and interconnectedness of DIY music and art ...practices by considering the transition of galleries from 'white cubes' to music venues and spaces for social interaction. Following a brief overview of Glasgow's urban renewal and cultural regeneration, it traces the emergence of the Centre for Contemporary Arts (CCA) and Transmission and provides an outline of their organisational structure and policies. It then explores ethnographically how they have facilitated the cross-pollination between DIY music and contemporary art after the 2008 financial crisis. Approaching art galleries as social spaces that provide a platform for DIY musicians invites a holistic understanding of the reciprocal relationship between DIY music and contemporary art institutions in Glasgow. Therefore, the article considers in turn how these spaces were influenced by the ethics of DIY music. The malleability of contemporary art spaces and their relationship to the DIY ethos demonstrate that cultural policies should aim to strengthen the existing grassroots communities that form the bedrock of the city's cultural scenes. This necessitates a move beyond the labels 'post-industrial' and 'creative city', thus decoupling cultural activities from the discourse of urban competition and Glasgow's economic goals.
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