The historic imaginary Fogu, Claudio
The historic imaginary,
c2003, 20031002, 2003, 2014, 2003-01-01, 20030101
eBook
Focusing on both ritual and mass-visual representations of history in 1920s and 1930s Italy,The Historic Imaginaryunveils how Italian Fascism sought to institutionalize a modernist culture of ...history. The study takes a new historicist and microhistorical approach to cultural-intellectual history, integrating theoretical tools of analysis acquired from visual-cultural studies, art history, linguistics, and reception theory in a sophisticated examination of visual modes of historical representation - from commemorations to monuments to exhibitions and mass-media - spanning the entire period of the Italian-fascist regime.
Claudio Fogu argues that the fascist historic imaginary was intellectually rooted in the actualist philosophy of history elaborated by Giovanni Gentile, culturally grounded in Latin-Catholic rhetorical codes, and aimed at overcoming both Marxist and liberal conceptions of the relationship between historical agency, representation, and consciousness. The book further proposes that this modernist vision of history was a core element of fascist ideology, encapsulated by the famous Mussolinian motto that "fascism makes history rather than writing it," and that its institutionalization constituted a key point of intersection between the fascist aesthetization and sacralization of politics. The author finally claims that his study of fascist historic culture opens the way to an understanding and re-evaluation of the historical relationship between the modernist critique of historical consciousness and the rise of post-modernist forms of temporality.
Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly ...convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-à-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.
Fascists presents a theory of fascism based on intensive analysis of the men and women who became fascists. It covers the six European countries in which fascism became most dominant - Italy, ...Germany, Austria, Hungary, Romania and Spain. It is a comprehensive analysis of who fascists actually were, what beliefs they held and what actions they committed. The book suggests that fascism was essentially a product of post World War I conditions in Europe and is unlikely to re-appear in its classic garb in the future. Nonetheless, elements of its ideology remain relevant to modern conditions and are now re-appearing, though mainly in different parts of the world.
Esta investigación estudia la influencia que las ideas incorporadas por el monarquismo autoritario en la doctrina de la Hispanidad tuvieron en la configuración del pensamiento del fascismo español en ...el contexto de la Segunda República. La Hispanidad como interpretación neotradicionalista de la historia y proyecto político antiliberal fue recogida en su práctica totalidad por los nacientes grupos cercanos al fascismo, que de esta forma sirvió como enlace ideológico con una derecha radical de la que, no obstante, les separaban diferencias fundamentales. En este estudio hemos señalado las dos principales discordancias entre el concepto de Hispanidad del neotradicionalismo, representado en gran medida por el grupo contrarrevolucionario de Acción Española, y los diversos movimientos representantes del fascismo español: el elemento católico como esencia indisociable del ser de España y las aspiraciones imperiales. Para desarrollar esta idea y demostrarla nos hemos servido de un conjunto de fuentes entre las que destacan las obras ensayísticas y publicaciones periódicas de la época en las que estas concepciones fueron formuladas y difundidas.
FASCISM IN ITALIAN CULTURE: 1945-2023 Bartolini, Guido; Burdett, Charles; IV, Charles L. Leavitt ...
Annali d'italianistica,
01/2023, Volume:
41
Journal Article
ABSTRACT
The countless public speeches Ernst Toller gave during his six‐year exile from Nazi Germany included a particularly controversial one in 1938 at the newly founded Queens College, in New York ...City. The controversy stemmed from the fact that it almost did not take place: two days after receiving what he understood to be an invitation to speak at a symposium, Toller learned that the college could not host him after all because of his well‐known anti‐Nazi stance and the danger that it might offend German‐Americans throughout the borough of Queens. Eventually the college heeded widespread criticism, including in the New York press, and Toller did address the college audience. This article compares Toller's ‘Queens College affair’ to other examples of the collision between fascism, anti‐fascism, and free speech in New York City in the 1930s, including the German‐American ‘Bund’ rally at Madison Square Garden in February 1939. The article considers what bearing these historical controversies have on current debates about free speech, including on college campuses.
Zusammenfassung
Ernst Toller hielt zahllose Reden im Laufe seines sechsjährigen Exils, darunter eine sehr kontroverse im Jahre 1938 am neugegründeten Queens College in New York City – kontrovers dahingehend, dass die geplante Rede fast nicht stattfand: zwei Tage nach der vermeintlichen Einladung erfuhr Toller, dass das Queens College ihn wegen seiner bekannten antinazistischen Haltung, die New Yorker deutscher Abstammung unter Umständen beleidigen könne, nun doch nicht empfangen wolle. Schließlich reagierte das Queens College aber auf die weitreichende Kritik in der New Yorker Presse und Toller konnte seine Rede vor Ort halten. Diese Affäre lässt sich mit anderen Events vergleichen, die den Zusammenstoß zwischen Faschismus, Antifaschismus und Redefreiheit im New York der 1930er Jahre verdeutlichen, unter anderem mit der Massenversammlung des Amerikadeutschen Bundes, die im Februar 1939 am Madison Square Garden stattfand. Abschließend werden die Zusammenhänge zwischen diesen historischen Kontroversen und der heutigen Debatte um die Redefreiheit an Colleges und Universitäten aufgezeigt.
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8.
Tiresias to Plath Gallo, Louis
Pennsylvania literary journal,
10/2022, Volume:
14, Issue:
3
Journal Article
Peer reviewed
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9.
Istoria ca reper Dan Mihalache
Polis (Bucharest, Romania),
09/2022, Volume:
X, Issue:
37
Journal Article
Open access
Analiza fenomenului fascismului și a ideologiei care l-a animat nu este (și nu ar trebui să fie) doar un demers academic. Mai întâi, pentru că regimurile fasciste au fost, prin natura lor, ...propagatoare de ură și violență, energii care, în cele din urmă, au stimulat cea mai mare conflagrație a secolului XX, în urma căreia și-au pierdut viața zeci de milioane de oameni.
