Ex titulis parietariis, qui in novis supplementis 4.2 et 4.3 Corporis Inscriptionum Latinarum voluminis IV collecti sunt, altero a. 2020, altero nuperrime a. 2023 edito, multi nomina vel verba ...praebent quae nova videntur, sive etiam iuncturas vel structuras adnotatione dignas. Cum autem lectio titulorum graphio exaratorum non semper certa sit, cavendum est ne quidquid fallax in lexicon Latinum perveniat. Semper ergo vigilandum est in novitatibus eligendis et diligenter aestimandum utrum facultates variae lectionis vel explicationis exstent necne. Hoc modo tantum exhibita sunt quae certa videntur, verba et elocutiones novae linguae "vulgaris" sane, sed etiam atque etiam Latinae.
Vandalismus an Kunstwerken und darauf folgende Versuche, deren Originalzustand wieder herzustellen, sind so alt wie die Kunst selbst. Selten aber wurde die Restaurierung eines beschädigten Kunstwerks ...so umfangreich dokumentiert wie bei Mark Rothkos „Black on Maroon“ (Schwarz auf Maronenbraun). Das Gemälde wurde 2012 mit Graffiti‐Farbe verunstaltet und hängt heute wieder, scheinbar unversehrt, in der Londoner Tate Gallery of Modern Art. Verfolgen wir die aufwendige Wiederherstellung des Kunstwerks und erfreuen uns an diesem Beispiel, wie die Chemie zur Erhaltung unseres kulturellen Erbes beigeträgt.
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Vandalismus an Kunst
Chemie in unserer Zeit,
08/2021, Volume:
55, Issue:
4
Journal Article
Peer reviewed
Die verunstaltende Graffiti‐Botschaft ”Vladimir Umanets, A Potential Piece of Yellowism 12“ eines Verwirrten auf einem Gemälde von Mark Rothko in der Londoner Tate Gallery of Modern Art kann mit ...einer optimierten Falschfarbendarstellung für unsere Augen besonders kontrastreich darstellt werden. Die äußerst schwierige und aufwendige Restaurierung des Gemäldes mit einem Schätzwert von rund 10 Millionen Euro dauerte eineinhalb Jahre und demonstriert, wie erfolgreich die Chemie zur Erhaltung unseres kulturellen Erbes beiträgt.
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Perhaps another resident would drive by, roll down a window, and challenge Poppy's right to be on the private road, and then she could inquire about the riddle of the rolling rock. Was the boulder ...placed by some indecisive landscaper who was trying different spots? A flip-flopping, head-scratching hardscaper? Curiously, though, several paintings were defaced with graffiti, and one was slashed. Amber sat across in a deformed armchair and put the wine and glasses on the millstone coffee table between them. Featured was one of the paintings that stood in the room, but without the ugly graffiti.
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Participants will learn the purpose of Google-alerts and how to activate them for gang research and investigative purposes. The instructor will demonstrate how to use them for purposes of gang ...research and for investigative assignments as a graffiti and gang specialist.
Sociologias, em sua linha editorial, compartilha essa orientação destacando a importância dos conhecimentos produzidos no Sul Global para a resolução dos graves problemas que o novo século nos ...coloca, o que nos levou a esta parceria com o CES. José Alberto Simões e Ricardo Campos, no artigo “Articulações entre a rua e o digital nas práticas culturais juvenis” examinam as práticas juvenis do rap de protesto e do graffiti buscando compreender em que medida as novas mídias digitais contribuem para produzir as práticas representativas dessas subculturas juvenis e para promover novas formas de participação. Com os densos debates desse número convidamos nossos leitores a refletir sobre nosso lugar no mundo atual e a contribuição que podemos dar, desde o Sul, para uma sociedade em que o devir contenha sustentabilidade natural e inclusão social.
Scribbling Through History Ragazzoli, Chloé; Harmansah, Ömür; Salvador, Chiara ...
2018, 2018-05-31
eBook
For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th ...century and has been embraced by modern street culture: graffiti have been left on natural sites and public monuments for tens of thousands of years. They mark a position in time, a relation to space, and a territorial claim. They are also material displays of individual identity and social interaction. As an effective, socially accepted medium of self-definition, ancient graffiti may be compared to the modern use of social networks. This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history.
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