The article focuses on the relationship between image and text in children's illustrated books. Some classics of Latin American literature adapted for children are analyzed in the framework of the ...Biblioteca Billiken published in Argentina, between the 1940s and 1980s of the 20th century, especially designed for girls. The pedagogical and protective vocation of the collection and its conservative orientation within the Argentine publishing scene seems to be attenuated thanks to the presence of the illustrations, which gives rise to a potential way of reading less linked to the order of the discourse.
Environmental education is gaining more and more significance, not only because of the wasting of natural sources but also because of the polluting of the environment. The aim of environmental ...education is not only the knowledge or a line of facts which a child should learn about the environment, but also building proper attitudes and a positive relation towards the environment. It’s important to practice literature to develop an ecological conscience. It’s possible to accomplish a connection of literature and education on three levels: on the basic, on some higher and on the highest one. On the basic level, picture books and illustrated books for children process ecological themes more from the cognitive and less (or almost not at all) from the poetical point of view appeared. Exactly because of that, they are called a cognition type of picture books or illustrated books for children. The aim of this paper is to describe picture books with ecological themes and also to analyse functions of each picture book taken in the account. Six books were selected:
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Cet article interroge la réception et la diffusion par le livre illustré du projet du musée de l’Histoire de France de Versailles, ouvert en 1837. Il s’intéresse en particulier à deux types de ...publications d’esthétique romantique, parues après l’inauguration du musée : le catalogue illustré en treize volumes de Charles Gavard (soutenu par l’État) et le guide de voyage et de visite illustré d’Alexandre de Laborde. Ces deux ouvrages sont destinés à toutes les catégories sociales de la population française, et tentent de transcrire par le livre le message, le format et la matière du musée, dont le but est d’établir par l’image le récit national, vu par le roi Louis-Philippe. Les auteurs s’emparent du propos versaillais, dans des buts différents, mais tous deux pour livrer une réflexion intellectuelle et onirique parfois servie par une certaine fantaisie graphique.
This paper examines the reception and diffusion, by way of the illustrated book, of plans for the Musée de l’Histoire de France at Versailles, which opened in 1837. It focuses on two types of Romantic book, published after the inauguration of the museum: the illustrated catalogue in thirteen volumes by Charles Gavard (sponsored by the French government) and the illustrated guide by Alexandre de Laborde. The books were aimed at all social categories in France, and tried to convey the message, size and materiality of the museum, whose goal was to illustrate the national narrative as seen by Louis-Philippe. The authors took up the Versailles narrative – with different objectives – to deliver an intellectual and dreamlike reflection served by a certain graphic inventiveness.
The following were found, after over viewing planar composition mainly the decoration of the floor of the 51 target materials on illustration of the green tea ceremony. The planar composition of ...green tea ceremony room can be classified into 14 types. Period Characteristics: Until the early Meiji period, the main focus was on tea ceremony, but in the latter half of the Meiji, people's interest shifted to the app.reciation of tools. Along with this, the plan with the shelf is adopted from the Toko-only plan. And original designs have come to be preferred in themselves. Area Characteristics: In Tokyo, there were many exhibition, and the emphasis was placed on the app.reciation of the tools rather than the tea ceremony, and shelf was preferred. On the other, in Kyoto, it was emphasized to enjoy the tea ceremony, and Because the subject of the tea ceremony can be expressed clearly, the Toko-only plan was preferred. In Osaka has a wide variety of kinds and planar configurations, and the composition of the tea ceremony is interesting.
A literatura infantil contribui para a formação psíquica da criança, por isso proporcionar o encontro dos pequenos e das pequenas com o objeto livro literário torna-se direito fundamental da ...infância. Na atualidade temos à disposição uma diversidade de obras produzidas por diferentes autores e autoras. Muitas dessas são exemplos de textos intertextuais produzidos a partir de narrativas clássicas. É interessante observar as transformações sociais ocorridas nessas histórias que são contadas ao longo do tempo, nos mais distintos lugares e por diferentes escritores e escritoras. É isso que ocorre no livro ilustrado Uma Chapeuzinho Vermelho escrito e ilustrado pela francesa Marlonaine Leray. Conhecer essa narrativa nos levou a produzir o presente artigo, cujo objetivo é analisar a representação feminina na obra Uma Chapeuzinho Vermelho. Analisamos tanto os elementos verbais quanto não verbais da obra e os resultados apontam uma transformação no modo de representar a figura feminina. Se antes, nas versões clássicas, tínhamos uma menina frágil e necessitada da proteção masculina, agora invertem-se os papéis e Leray nos apresenta uma personagem decidida, forte, corajosa e astuta, capaz de superar por si só os seus problemas.
Green tea became popular during the mid-Edo period through early Showa period, thus many tea ceremonies were held. Among the tea ceremony articles published in addition to the event, with 51 ...illustrated book of the green tea ceremony as records, this is the first of the study of clarifying the characteristics of the green tea ceremony room. The following were found, after bibliographic consideration of the targeted 51 records of the bibliography of illustrated book of the green tea ceremony. The authors of the bibliography were often hosts of the green tea ceremony, whom centered around literati in Edo period, antique dealers and politicians after the Meiji period in urban area, and local potentates in rural area. Composition and form of illustrated books are thought to have passed down and spread through literati and antique dealers who often attended the green tea ceremony. Most of the bibliography were published during the Meiji period, in cities in Osaka, Kyoto, Tokyo, and Aichi. Green tea were especially popular in these 4 areas, and from there the culture spread all over the nation.
À luz da imagem associada ao Waiting for Godot de Samuel Beckett, em set designs, cartazes e capas de livros, o presente artigo examina as ilustrações de Tom Phillips para a edição Folio Society de ...Waiting for Godot (2000). Considerando que as imagens de Phillips incorporam um estilo particular em forma e estrutura, funcionando como elementos pictóricos que relembram contextos, imagens e relações, propomos que o artista preveja seu trabalho na premissa de que os leitores terão contato prévio com a peça em performance ou como um texto.
The followings were found about the venues of the green tea ceremonies after over viewing the 51 target materials on illustration of the green tea ceremony. Temples, home of Shinto priests, personal ...houses and restaurants were often chosen as venues. Buildings with enjoyable views from upper floor such as Funauro and Nakamuraro were preferred. Picturesque scenery from each areas, especially waterfronts were popular places to hold the ceremonies. For example, Seiwan’s Amijima in Osaka, neighborhoods of Maruyama and Nanzenji-temple in Higashiyama, Kyoto, and along the streams of Sumidagawa-river and Ueno’s Shinobazuike-pond (Lake Kosai) in Tokyo. Various venues were used in order to produce an elaborate ceremonies. For example, by hosting at a tile flooring and grass-roof house, or arranging on the deck of the boat.
Cet article explore le parcours artistique du graveur Jérôme David entre France et Italie. À la fin de l’année 1625, Jérôme David s’établit dans la République de Venise, où il se met au service des ...nombreux lettrés membres de l’Académie des Incogniti. Cette collaboration lui permet de s’affirmer dans l’illustration de la littérature savante. Le rapport privilégié que David entretient avec les Incogniti avantage sa carrière, tant italienne que française : c’est probablement toujours grâce au système de recommandation mis en place par les académiciens qu’il travaille à Aix-en-Provence dans l’entourage de Nicolas-Claude Fabri de Peiresc, lui-même proche correspondant des Incogniti.
A few years ago Iwona Chmielewska, Torunian artist and creator of the picturebooks could speak that the hardest thing is to be a Prophet in his own country. She was the author much more known on the ...publishing market in South Korea than in Poland. However, her books gradually accustom Polish publishers and readers to their ineptitude, ingenuity, poetry and creativity. An article is a short analysis of the selected (including unpublished yet in Poland) books by Chmielewska for creative workshop of their author: ideas for an intriguing content, poetic image and the specific architecture of the whole picturebook as artifact.
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