The paper focuses on the analysis of literary critical reception of Slovak-language Vojvodina literature in Slovakia written in the second half of the 20th century and the early 21th century. It ...examines the literary critical articles written by Slovak authors that were published in Slovakia´s literary magazines (Slovenské pohľady, Slovenská literatúra, Romboid etc.) and also partly in the Slovak-language magazine Nový život published in Serbia, as well as in some critics´ compilation books. The great emphasis is placed on the reconstruction of the causes, the methods and the pace of, as well as the people involved in restoring the severed relations between the two forms of the same literature, i.e. that written in Slovak language, while what is mainly analysed is the changes in the status of Slovak-language Vojvodina literature (from that in the region to that in the enclave) and their impact on the relations between Slovak-language Vojvodina literature and all-Slovakia literature. Close attention is paid to the authors who did or have done literary critical research into Slovak-language Vojvodina literature in the most systematic way (Peter Andruška, Viliam Marčok, Dalimír Hajko, Oliver Bakoš, Etela Farkašová) and who did or have done their share in the full integration of Slovak-language Vojvodina literature into the all-Slovakia literary context.
For many decades, popular literature, including crime and detective fiction, was viewed only in opposition to high literature and as unworthy of scholarly attention. This study proposes an approach ...that recognizes this discourse, yet shifts the focus to consider indicators of the popularity of the Kriminalroman during the Weimar era through additional evidence of its reception, production, and consumption. Even as these sources acknowledge the persistent stigma of crime and detective fiction, they also present a complex, multivalent notion of its popularity as the bourgeoisie increasingly participated in writing, reading, and commenting on crime and detective fiction. This re-visioning of the popularity of the Kriminalroman situates the genre within the particular cultural and social context of the Weimar era to an extent that has been largely absent from the scholarship to date.
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Peter Ackroyd's writing is obsessed with the defining heterogeneity of London - its rich diversity of human experience, mood, and emotion, of actions and events, and of the tools through which all of ...this heterogeneity is represented and reenacted. But for Ackroyd, one of the foremost of the so-called 'London writers,' this energizing heterogeneity also has a sinister side, largely originating outside social norms and mainstream pathways of cultural production. Touching on everything from occult practices to the plotting of radical groups, crime and fraud, dubious scientific experiments, and popular, dramatic forms of ritual and entertainment, Ackroyd contends that these forces both contest prescribed cultural modes and supply the city with its characteristic dynamism and capacity for spiritual renewal.
La función de la literatura Infantil y Juvenil en la vida del niño y del joven es revalorizada hoy en día, numerosos trabajos la han abordado como objeto de estudio, tomando en cuenta la ...funcionalidad formativa de la misma. En nuestro caso nos orienta el poder simbólico del discurso literario infantil para fundar universos, recrearlos y generar un espacio en el niño, por tal razón nos interesamos en indagar la Recepción de la Literatura, un tema trabajado con profundidad en el marco de la literatura para adultos, pero no tan examinado en la literatura para la infancia.
Provider: Czech digital library/Česká digitální knihovna - Institution: Academy of Sciences Library/Knihovna Akademie věd ČR - Data provided by Europeana Collections- Der Autor unterscheidet vier ...Rezeptionsphasen des Werkes von J,. Kochanowski in Böhmen. In der ersten Phase, die die zweite Hälfte des 16. Jahrhunderts und die Jahre des Dreißigjährigen Krieges umfasst, ist insbesondere die Bedeutung Jan Paprockýs von Hlohol hinsichtlich der Kenntnis des Kochanowskischen Werkes in Böhmen zu betonen; in der zweiten Phase, in der Zeit der nationalen Wiedergeburt, insbesondere das Interesse F. L. Čelakovskýs und die Übersetzungen J. K. Chmelenskýs und F. J. Vacek-Kamenickýs. In der zweiten Hälfte des 19. Jahrhunderts ist in Böhmen kein größeres Interesse an Kochanowski zu erkennen. Erst zu Beginn des 20. Jahrhunderts erscheinen die Übersetzungen E. Chalupnýs, die Studie J. Svítils und die Bewertung von Kochanowski in den "Slavischen Literaturen" J, Máchals und im Jahre 1930 der Vortrag J. Horáks, der die Rezeption von Kochanowski im böhmischen Milieu zusammenfasst.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: Czech digital library/Česká digitální knihovna - Institution: Academy of Sciences Library/Knihovna Akademie věd ČR - Data provided by Europeana Collections- Biografii jednoho z ...nejvýznačnějších českých básníků dvacátého století Vladimíra Holana (1905-1980) z pera francouzského bohemisty překladatele, profesora pařížské Sorbonny Xaviera Galmiche, vydanou v původním znění pod názvem Vladimír Holan, le bibliothécaire de Dieu: Prague 1905-1980 (Paris, Institut d’études slaves 2009), hodnotí recenzent jako inspirativní a zdařilou. Autor se vydal nejen cestou syntetizující analýzy jeho díla a podrobné interpretace některých jeho textů, ale i rekonstrukce kontinuity jeho básnické dráhy v historickém kontextu. Nosný pilíř propojující tyto dvě roviny přitom našel v rozboru žánrových proměn Holanovy tvorby. Jeho společnská role podle něj oscilovala mezi polohami „básníka revolty“ a „básníka na cestě za spásou“. Za interpretačně odvážné, ale podnětné a vyargumentované považuje recenzent Galmichovo hodnocení Holana jako velkého barokního básníka moderní doby, který sice po určitou sdílel komunistické přesvědčení své generace, svým duchovním založením ale tíhl ke katolicitě.- autor recenze Jiří Křesťan.- Obsahuje bibliografii- The book under review, originally published as Vladimír Holan, le bibliothécaire de Dieu: Prague 1905-1980 (Paris, Institut d’études slaves, 2009), is a biography of one of the most notable Czech poets of the twentieth century, Vladimír Holan (1905-1980). The author, Xavier Galmiche, is a French scholar of Czech language and literature, a translator, and a professor at the Sorbonne. The publication, the reviewer argues, is an inspiring success. According to him, the author has set out not only to provide a comprehensive analysis of Holan’s works and an in-depth interpretation of some of his writing, as well as a reconstruction of the continuity of his career as a poet in the historical context. These two levels are supported by an analysis of the changing genres of Holan’s work. His social role, according to the reviewer, oscillated between being a ‘poet of revolt’ and a ‘poet on the road to salvation’. According to the reviewer, Galmiche’s assessment of Holan as a great Baroque poet of modern times, who for a while shared the Communist convictions of his generation but was eventually drawn by his spiritual disposition to Roman Catholicism, is bold but inspiring and well-argued.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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