This book advances that history by exploring stories, images and discourses across a worldwide range of geographical, cultural and confessional contexts. Its twelve authors not only enrich our ...understanding of the significance of the contextual method, but also produce a new range of original ways of doing theology in contemporary situations. The authors discuss some prioritised thematic perspectives with an emphasis on liberating paths, and expand the ongoing discussion on the methodology of theology into new areas. Themes such as interreligious plurality, global capitalism, ecumenical liberation theology, eco-anxiety and the anthropocene, postcolonialism, gender, neo-pentecostalism, world theology, and reconciliation are examined in situated depth. Additionally, voices from Indigenous lands, Latin America, Asia, Africa, Australia, and Europe and North America enter into a dialogue on what it means to contextualise theology in an increasingly globalised and ever-changing world. Such a comprehensive discussion of new ways of thinking about and doing contextual theology will be of great use to scholars in Theology, Religious Studies, Cultural Studies, Political Science, Gender Studies, Environmental Humanities, and Global Studies.
Theology has a rich tradition across the African continent, and has taken myriad directions since Christianity first arrived on its shores. This handbook charts both historical developments and ...contemporary issues in the formation and application of theologies across the member countries of the African Union.
Written by a panel of expert international contributors, chapters firstly cover the various methodologies needed to carry out such a survey. Various theological movements and themes are then discussed, as well as biblical and doctrinal issues pertinent to African theology. Subjects addressed include:
Orality and theology
Indigenous religions and theology
Patristics
Pentecostalism
Liberation theology
Black theology
Social justice
Sexuality and theology
Environmental theology
Christology
Eschatology
The Hebrew Bible and the New Testament
The Routledge Handbook of African Theology is an authoritative and comprehensive survey of the theological landscape of Africa. As such, it will be a hugely useful volume to any scholar interested in African religious dynamics, as well as academics of Theology or Biblical Studies in an African context.
Many of Scottish composer James MacMillan's most essential works are influenced by his Catholic faith, and thematically focused on a theological expression of Incarnation and suffering worked out ...through a dissonant musical style. MacMillan has developed a robust public discourse that includes statements about his faith and the way it informs his music, and his forthright demeanor has often provoked tension with various figures and groups. This article suggests that these two forms of conflict-discordance in his composition, and elements of conflict in his public dialogue-are both driven by a Marian theology of Incarnation that provides the impetus both for what he says, and what he composes. Employing both an extended examination of instances of conflict of MacMillan's public discourse, as well as close musical analysis of motivic devices in two of MacMillan's sacred works, Seven Last Words from the Cross and St Luke Passion, this article unveils the robust Marian theology driving all of MacMillan's forms of communication. It provides a new clarity to MacMillan's life and work, not subdividing his public engagement from his creative expression, but seeing both as driven by the same theological lodestar, and a desire to communicate that theology through any available medium, creative or otherwise.
The two-fold task of A Symphony of Distances is to provide
an overview of Hans Urs von Balthasar's use of distance imagery
with regard to personal distinctions in the Holy Trinity and to
offer a ...critical analysis of him as a modern Catholic theologian. A
metaphor of "distance" integrates all of Balthasar's theological
thought as a primary cipher for the many symbols through which he
reads the Christian theological tradition in a trinitarian and
eschatological mode. The book follows a chronological, four-stage
development of Balthasar's trinitarianism through the lens of this
distance metaphor as it occurs across representative texts. The
critical analysis employs the conceit of a symphony of four musical
movements that correspond to four varieties of theological
distance. These distances show certain correspondences of God's
creation and redemption of the world-marked by the first two
"distances"-with the relations of the divine persons to each other
in the economy of salvation and in the eternal Trinity
itself-marked by the third and fourth distances. "Listening" to the
four movements of Balthasar's theological distances enables his
readers to "hear" the themes of all four movements in the ascending
order of richness, complexity, and inclusivity over the long
development of his thought. This fundamentally positive approach of
A Symphony of Distances allows for a thorough critique of
the internal consistency of Balthasar's applied method, of the
controversial use of gendered trinitarian notions in his
speculations on divine pathos, and of his adequacy to the tasks of
modern theology. The final judgment is that Balthasar's theology of
distance can be accepted, with reservations, as a positive element
of his contribution to contemporary trinitarian theology. The book
can thus serve as a critical reference for readers who find
Balthasar's notion of trinitarian distance, and indeed his
trinitarianism as a whole, to be compelling, confusing, or
frustrating.
When I attended my first Society of Biblical Literature (SBL) Annual Meeting in November of 1987 after having begun seminary teaching earlier that fall, there was no Book of Psalms program unit. Here ...are his words from his volume's "Implications for Further Work": Reading individual psalms via their Sitz im Leben, though useful, speculates on one historical slice of the Psalms and fails to grasp its role in the larger programmatic message as we have shown. ...I would date the end of the dominance of form criticism not to Wilson's 1985 work, but rather to the 1968 SBL presidential address by James Muilenburg, "Form Criticism and Beyond," in which he suggested that form criticism, while it could remain useful, "has outrun its course. Spieckermann wants interpreters to attend to the "individuality of every single psalm," and this is precisely what Muilenburg and Alonso Schökel were advocating.9 As Muilenburg put it, "What I am interested in, above all, is understanding the nature of Hebrew literary composition, in exhibiting the structural patterns that are employed for the fashioning of a literary unit, whether in poetry or prose, and in discerning the many and various devices by which the predications are formulated and ordered into a unified whole.
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9.
The Far Invisible Jacobs, Alan
The Hedgehog review,
07/2023, Volume:
25, Issue:
2
Journal Article
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