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2.
Introduction to video content creation SAIKA, Kazuhiko
The Journal of Information Science and Technology Association,
2022/02/01, 20220201, Volume:
72, Issue:
2
Journal Article
With the widespread use of cameras and the low cost and widespread use of personal computers for editing and processing video files, video production has become more accessible and not just for ...professionals. At the same time, the expansion of online classes in the corona disaster has accelerated the production of video content for lectures in education, forcing many educators to become involved in video production. However, the scope of video production is wide and includes everything from multimillion-dollar Hollywood movies to short videos of less than a few tens of seconds such as TikTok, with a wide range of production ideas and methods. In this paper, I will explain the production flow and summarize the basic knowledge based on public relations (information) and lecture delivery, which are mainly intended for use in universities.
This 2-page publication of the UF/IFAS Department of Agricultural Education and Communication is about getting started in video production as part of a series on developing effective video production ...practices. This series also covers scriptwriting, video equipment and shot composition, and video editing. Minor revision by Ricky Telg and Peyton Beattie.
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded ...box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
From the perspective of user experience, the artificial intelligence video production platform has received widespread attention. The platform can provide video producers with many intelligent ...services, improving video production efficiency and quality. In this study, the basic concepts of the artificial intelligence video production platform were analyzed, and then from the perspective of user experience, the implementation method of the platform was proposed. Finally, the platform was tested. Through research, an artificial intelligence video production platform has been implemented, and the videos produced by the platform basically match the user's needs, so it can bring a good experience to the user.
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