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Exibitions as a form of visual address : the history of exhibiting in Slovenia in the twentieth centurySosič, SarivalRaznolikost sodobne umetnosti lahko spoznavamo preko razstav, saj pomenijo tisto ključno dejanje, ki zaokrožuje ustvarjanje likovnega umetnika. Niso samo prikazovanje umetniških del, projektov in ... njihovih udeležencev, pač pa so zapleteni sistemi ter diskurzi umetnosti, ki zahtevajo razmišljanje o postavitvenih načinih in soustvarjanju umetnosti. Izdelani modeli razstavljanja običajno pomenijo sklenjene celote, z izrazitim poudarkom na samostojnem vizualnem nagovoru oziroma sporočilu razstave. Skozi pregled postavitev razstav 20. stoletja v Sloveniji, ko se razstave dokončno organizirajo kot celoviti vizualni organizmi z določenimi značilnostmi, lahko ugotavljamo, kako se razvija komunikacija med javnosti izpostavljeno umetnostjo in obiskovalci. Postavitev razstave v galeriji je gotovo že od nekdaj pomenila privilegiran način recepcije, ko se gledalec neposredno sooči z umetniškim delom in prav za ta neposredni stik je pomembna postavljenost eksponatov v razstavnem prostoru. Razpravljanje o postavitvah razstav torej nakazuje na spremembe v razumevanju umetnosti, saj le-ta s poudarjanjem postavitve in oblikovanja razstav spreminja odnos do umetnin, ki sedaj postajajo del soodvisnih medsebojnih povezav in ne več le individualne ustvarjalne energije.Source: Slovene studies : journal of the Society for Slovene Studies. - ISSN 0193-1075 (Vol. 34, no. 1/2, 2012, str. 15-38)Type of material - article, component part ; adult, seriousPublish date - 2012Language - englishCOBISS.SI-ID - 53665378
Author
Sosič, Sarival
Topics
razstave |
postavitev razstave |
slovenske galerije |
20. st. |
exibitions |
history of exibition |
Slovene galleries |
2oth century
source: Slovene studies : journal of the Society for Slovene Studies. - ISSN 0193-1075 (Vol. 34, no. 1/2, 2012, str. 15-38)
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Sosič, Sarival | 91875 |
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