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Tkalčić Simetić, Mirna; Gulin Zrnić, Valentina
Narodna umjetnost, 06/2024, Volume: 61, Issue: 1Journal Article, Paper
Ovaj rad bavi se hodanjem kao etnografskom tehnikom, oblikom spoznavanja, temeljnim načinom bivanja u svijetu te kao ulaznom niti u razumijevanje ritmova i načina kretanja tranzitnim javnim prostorima (ulicama i pločnicima). U okviru višegodišnjeg kulturnoantropološkog istraživanja Zagreba oslanjamo se, između ostaloga, na hodajuću etnografiju grada koju u ovome radu predstavljamo kroz nekoliko oblika: sušetački intervjui, solitarne šetnje te suistraživački sušetački razgovori. Fokus na hodanje proširuje domene epistemološke pozicije, temeljno usidrene u mogućnostima spoznavanja hodajućeg misaonog tijela kroz (multi)percipiranje sa sustvaranjem. Rasprava se dalje konkretizira uvidima iz istraživanja kretanja središtem Zagreba u poslijepotresnom razdoblju, pri čemu su susreti s izmijenjenom materijalnošću grada i nužne promjene kretanja i ritma hodanja međupovezani s promjenama doživljaja grada, mogućnostima zamišljanja njegove budućnosti i transformacijom političkog subjektiviteta. This paper deals with walking as an ethnographic technique, a way of knowing and being in the world, and as an entry point into understanding the rhythms and ways of moving through transit public spaces (streets and sidewalks). In our long-term cultural anthropological research of Zagreb, we rely, among other methods, on a walking ethnography of the city. In this paper, we present several of its constituents: co-walking interviews, solitary walks, and co-researcher co-walking conversations. The focus on walking expands the domain of the epistemological position, fundamentally grounded in the possibilities of the walking thinking body to know through (multi)perception with co-creation. The discussion relies on insights gained from walking through the center of Zagreb in the post-earthquake period, where encounters with the transformed materiality of the city and the necessary adjustments in movement and rhythm of walking are intertwined with changes in experiencing the city, the possibilities of imagining its future and the transformation of political subjectivity.
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