Children as readers of picture books and the ways they respond to, and make meaning from, such texts are the focus of this article, which reports on a small-scale study undertaken in Norway and Wales, UK. The theoretical framing of the research draws on concepts of the multimodal ensemble in picture books and of the reading event as part of a social practice. The research design was developed from the team’s analysis of two texts, Pappa by Svein Nyhus ( 1998 ) and What does Daddy Do ? by Rachel Bright ( 2009 ). Twenty-four children, who were 7 and 8 years old, took part in the study. This was built around two reading events for each book, staged as an immediate response and as a guided response. The data subsequently collected were analysed according to three overarching organisational principles, as book world , real world and play world . For both Daddy and Pappa , the first reading event showed the children’s responses were mainly directed towards exploring the book world . On the second reading event, references to the real world predominated for Daddy , while for Pappa the book world was again dominant. Across both reading events and for both books, the play world revealed those occasions when the children expanded the meaning of the story, demonstrating an inventive ability to play with the text. Overall, the children’s responses moved fluidly across the three worlds, showing them to be energetically making connections between the reading, their experience of books and their own lives.