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Marques, Ângela Cristina Salgueiro
Kriterion, 04/2023, Volume: 64, Issue: 154Journal Article
RESUMO A partir das reflexões mais recentes de Rancière, realizadas, sobretudo entre os anos 2017 e 2020, o artigo sistematiza os principais eixos da construção de seu método, que consiste em articular singularidades heterogêneas em cenas originadas na confluência de sua escrita com o aparecer dissensual de sujeitos políticos. Argumentamos que Rancière elabora, através de uma escrita anti-hierárquica, um trabalho de perturbação da “máquina explicativa” (2016, p. 68) que sustenta discursos especializados e suas diferentes traduções em linguagens que insistem em manter uma ordem que controla quem pode aparecer sobre a cena, atualizando as separações entre espacialidades, temporalidades e corporeidades. Sua escrita e seu gesto metodológico podem auxiliar a compreender como a pesquisa baseada na montagem de cenas polêmicas assume o risco de produzir topografias igualitárias nas quais a palavra do pesquisador desliza entre as palavras de vários sujeitos, de vários textos e de várias experiências. ABSTRACT Based on Rancière’s most recent reflections, carried out mainly between 2017 and 2020, the article systematizes the main axes of the construction of his method, which consists of articulating heterogeneous singularities in scenes originated in the confluence of his writing with the dissenting appearance of political subjects. We argue that Rancière elaborates, through anti-hierarchical writing, a work of disturbing the “explanatory machine” (2016, p.68) that sustains specialized speeches and their different translations into languages that insist on maintaining an order that controls who can appear on the scene, updating the separations between spatialities, temporalities and corporeality. His writing and his methodological gesture can help understand how research based on the montage of controversial scenes takes the risk of producing egalitarian topographies in which the researcher’s words slide between the words of various subjects, of various texts and of various experiences.
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