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Brlek, Tomislav
Dani Hvarskoga kazališta, 05/2017, Volume: 43, Issue: 1Paper
U radu se dokazuje kako neke općeprihvaćene ocjene o Baladama Petrice Kerempuha, napose o privilegiranju pučke naspram (malo)građanske vrijednosne perspektive i afirmaciji kajkavskog jezika, ne mogu izdržati tekstualnu provjeru, te se nastoji pokazati kako je, naprotiv, riječ o eminentno modernističkom tekstu koji binarnu opoziciju popularno vs. pučko razrješuje dijalektičkim načelom pjesničkog oblikovanja, kojem je svrha upravo satiričko razobličavanje čitateljskih predrasuda.
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