FF, Osrednja humanistična knjižnica, Ljubljana - vsi oddelki (FFLJ)
-
Ekfrazno pesništvo pri Romanu Melodu in Pavlu SilentiarijuŠirca, Alen AlbinThe article about ekphrasis in Romanos the Melodist is based on the concept of ekphrasis in the context of Byzantine rhetoric and literature. In accordance with such a conception, which is basically ... the same as in ancient Greek rhetorical theory and practice, as explained in rhetorical textbooks, called progymnasmata, the simplest definition of ekphrasis is a speech that makes the subject matter vivid to the audience. As such, the current definition of ekphrasis, as the poetic description of a pictorial, sculptural or architectural work of art, is decidedly modern. After the introductory clarifications of the terminology, this article addresses the ekphrasis of Romanos the Melodist, the famous sixth-century Byzantine hymnographer who is the author of numerous kontakion. These can be considered as a kind of liturgical hymn, known for a number of poetic strategies, and are recognised as the pinnacle of Byzantine poetry. Romanos% use of ekphrasis in a biblical context is somewhat restrained. However, with the example of the naturalistic description of the Massacre of the Innocents, one that goes beyond the account in the Gospel of Matthew, and especially the thematization of rebuilding the Hagia Sophia, which is termed the Throne of God, Romanos sets the tone for Byzantine ekphrasis. A further architectural ekphrasis comes from another sixth century Byzantine poet, Paul the Silentiary. His most well-known work is the Descriptio ecclesiae Sanctae Sophiae. In particular in his description of the cupola of what was once the biggest church in Christendom, the Hagia Sophia, which is based on the interplay between light and darkness, we recognize that the phenomenon of light serves as an epiphanic experience: the Hagia Sophia thus becomes the material manifestation of divine revelation. Therefore, in Romanos, as in Paul, ekphrasis becomes a rhetorical device for expressing the unspeakable.Vir: Ekfraza = Ekphrasis (Letn. 11, št. 1, 2017, str. 63-74)Vrsta gradiva - članek, sestavni del ; neleposlovje za odrasleLeto - 2017Jezik - slovenskiCOBISS.SI-ID - 64834146
![loading ... loading ...](themes/default/img/ajax-loading.gif)
Vnos na polico
Trajna povezava
- URL:
Faktor vpliva
Dostop do baze podatkov JCR je dovoljen samo uporabnikom iz Slovenije. Vaš trenutni IP-naslov ni na seznamu dovoljenih za dostop, zato je potrebna avtentikacija z ustreznim računom AAI.
Leto | Faktor vpliva | Izdaja | Kategorija | Razvrstitev | ||||
---|---|---|---|---|---|---|---|---|
JCR | SNIP | JCR | SNIP | JCR | SNIP | JCR | SNIP |
Baze podatkov, v katerih je revija indeksirana
Ime baze podatkov | Področje | Leto |
---|
Povezave do osebnih bibliografij avtorjev | Povezave do podatkov o raziskovalcih v sistemu SICRIS |
---|---|
Širca, Alen Albin | 28568 |
Vir: Osebne bibliografije
in: SICRIS
Izberite prevzemno mesto:
Prevzem gradiva po pošti
Naslov za dostavo:
Med podatki člana manjka naslov.
Storitev za pridobivanje naslova trenutno ni dostopna, prosimo, poskusite še enkrat.
S klikom na gumb "V redu" boste potrdili zgoraj izbrano prevzemno mesto in dokončali postopek rezervacije.
S klikom na gumb "V redu" boste potrdili zgoraj izbrano prevzemno mesto in naslov za dostavo ter dokončali postopek rezervacije.
S klikom na gumb "V redu" boste potrdili zgoraj izbrani naslov za dostavo in dokončali postopek rezervacije.
Obvestilo
Trenutno je storitev za avtomatsko prijavo in rezervacijo nedostopna. Gradivo lahko rezervirate sami na portalu Biblos ali ponovno poskusite tukaj kasneje.
Gesla v Splošnem geslovniku COBISS
Izbira mesta prevzema
Gradivo iz matične enote je brezplačno. Če je gradivo na mesto prevzema dostavljeno iz drugih enot, lahko knjižnica to storitev zaračuna.
Mesto prevzema | Status gradiva | Rezervacija |
---|
Rezervacija v teku
Prosimo, počakajte trenutek.
Rezervacija je uspela.
Rezervacija ni uspela.
Rezervacija...
Članska izkaznica:
Mesto prevzema:
Poletni urniki