Abstract The question of parallelism of past events and their account in literary discourse, legitimation of oral accounts as historical facts and appreciation of oral preservation of antiquities has ...been studied on the literary text Last days in the life of Nikola Zrinjski Jr., Croatian Viceroy, written as a historical narrative by Franciscan Robert Kauk (Vukovar, 1848 – Zagreb, 1900). We observed traces of fact and degree of referencing of what has been written relying on the positivist and mimetic approach to text and the dominating rationalist tradition. Then we continued with observing traces of fiction with non-historical elements referring to the achievements of narratology and linguistic inversion which place the center of interpretation on the role of language and narration, thus unburdening referential verification and text value, and emphasizing the narrative identity and symbolic structure of the story. The different ending of Kauk’s story, as a deviation from the official story of the death of Nikola Zrinski in a boar hunt near Čakovec on November 18, 1664, indicates an awareness that the textual legacy contains historical and linguistic structures indicating differences between faction and fiction. Key words: faction; fiction; historiographic discourse; literary discourse; narratology. ---SažetakNa književnom tekstu napisanom u žanru historičke pripovijetke pisca franjevca Roberta Kauka (Vukovar, 1848. – Zagreb, 1900.) Zadnji dani života Nikole Zrinjskoga mladjega, hrvatskoga bana, objavljenom u Vukovaru 1879., razmatrat ćemo pitanje poklapanja prošloga događaja i njegova prikaza u književnom diskursu, legitimiranja usmene predaje kao povijesne činjenice, kao i uvažavanja usmenoga čuvanja starine. Promatrat ćemo trag činjeničnoga stanja i stupanj referencije zapisanoga s osloncem na pozitivistički i mimetički pristup tekstu te dominirajuću racionalističku tradiciju, a potom trag fikcije s nepovijesnim elementima pozivajući se na postignuća naratologije i lingvističkoga obrata koji težište interpretacije stavlja na ulogu jezika i pripovijedanja, čime rasterećuje referencijsku verificiranost i vrijednost teksta te stavlja naglasak na narativni identitet i simboličku strukturu priče. Drukčiji zasvršetak Kaukove priče kao otklon od službene priče o pogibiji Nikole Zrinjskoga u lovu na veprove u šumskoj okolici Čakovca 18. studenoga 1664. upućuje na spoznaju da su u tekstualnoj ostavštini pohranjene historijske i lingvističke strukture koje upućuje na razlike između faktičnoga i fiktivnoga. Ključne riječi: fakcija; fikcija; historiografski diskurs; književni diskurs; naratologija.
Jelčićeva matošiana Bilić, Anica
Radovi Zavoda za znanstveni i umjetnički rad u Požegi,
2023, Letnik:
12, Številka:
12.
Journal Article, Paper
Odprti dostop
U znanstveno-istraživačkom radu akademika Dubravka Jelčića jedno od važnih mjesta zauzima Antun Gustav Matoš te će intencija ovoga rada biti prikaz njegovih mnogovrsnih pristupa Matoševu liku i ...djelu. Fokusirat ćemo se ponajprije na Jelčićev monografski portret i biografsku studiju Matoš (1984.), potom na njegova književnoznanstvena interpretativna čitanja i paralele (Matoševe polemike, Proslov o Matošu, A. G. Matoš i Francuska), književnopovijesno situiranje u Povijesti hrvatske književnosti (1997.), iscrpno opisno bibliografsko istraživanje (Literatura o Antunu Gustavu Matošu 1896. – 2009., 2001.), uredničke probire i priređivačka sabiranja Matoševih djela (Putopisi, 1976., Dragi naši savremenici, 1973., Oko Zagreba i po Hrvatskoj, 1999., Kristali duha, Misli i pogledi, 2004., Pogledi iz zagrebačkoga života, 2018.). Istraživačkim marom propituje se Jelčićevo bavljenje Matošem u biografskoj monografiji, člancima, književnoj povijesti, bibliografiji, uredničkim knjigama i memorijalnoj kući te mu je cilj ukazati na status kojeg je u njegovu radu zauzimao pročitani, interpretirani, valorizirani, sabrani i udomljeni Matoš, jedan od stožernih hrvatskih književnika. Jelčićeva književna matošiana kronološki obuhvaća gotovo pola stoljeća te se proteže i na muzejsko i kulturno-memorijsko područje. Obnašajući od 2010. do smrti dužnost predsjednika Odbora za izgradnju Kuće A. G. Matoša – kulturnoga centra, Jelčić upotpunjuje svoju matošianu aktivnostima na muzealizaciji i revitalizaciji u kulturnom životu u sklopu projekta Spomen-kuće Antuna Gustava Matoša u Tovarniku.
In this article we shall compare the literary work Slavonian forest by Josip Kozarac with
Adolf Waldinger’s oil painting Slavonian forest, including his drawings and pictures of
a Slavonian forest ...and forest details. Comparison is made primarily on the basis of their
resemblance. Not only do both of these works have the same inspiration and structure, but in
terms of content they also elaborate the motifs and themes of the forest landscape, leaning
toward realistic formation, and both represent works of anthological value. In other words,
Waldinger’s Slavonian forest is one of his best works and an excellent work in the field
of Croatian forest painting, while Kozarac’s work finds itself at the anthological peak of
Croatian descriptive literature.
Arheološki nalazi potvrđuju da je hrvatska Panonija (Slavonija, Baranja, Srijem1) naseljena praktički malo poslije početka sjediteljskoga načina života, prije oko 10 000 godina, kada su prvi ...poljodjelci pristigli dolinom Dunava iz međurječja Eufrata i Tigrisa, kada je na lijevoj obali Bosuta na području Vinkovaca podignuto najstarije naselje (grad) Europe, suvremenik Jerihona. Netom poslije toga u Srijemu niče napredna i bogata vučedolska kultura, koja uz poljoprivredu poznaje lijevanje bronce i kalendar. Možete li predočiti da je vučedolski majstor – ljevač na stolu imao kalendar!? Tu su postavljeni temelji europske kulture.2 Od tada do danas mijenjali su se brojni osvajači tih prostora (Mongoli, Huni, Avari, Normani, Osmanlije…). U radu raščlanjujemo tragove u književnosti od osmanlijskoga povlačenja, kada je Slavonija još uvijek terra incognita, nastavljamo s razdobljem života u obilju koje uz marljive ruke daje bogato tlo, a to područje postaje poželjno useljeničko odredište podatno za oblikovanje stereotipa raspojasane Slavonije, do ratnim pustošenjem devastiranoga prostora ‘90-ih godina 20. stoljeća, s pogledom na izvjesnu i poželjnu sutrašnjicu, a završava s razložnom sjetom i brigom zbog porazne demografske slike koju pružaju podatci Popisa stanovnika iz 2021. godine. Koristeći književne tekstove probranih hrvatskih pisaca i djela ruralne tematike od 18. stoljeća do danas, raščlanit ćemo temu načina uzgoja bilja (oranice, livade, vrtovi, nasadi) i slavonskoga tla obrađenu u književnim djelima.
Kako važno mjesto u razvoju imaju bogata baština i kulturna dobra kao izvor gospodarskoga kapitala, pozornost u radu skrećemo na teme iz hrvatske književnosti posvećene selu – ruralnom i kulturnim oblicima koji se u njemu reprezentiraju kao identitetska mjesta, ponajprije tlo3 (zemlja), način uzgoja bilja i stoke, oblici tradicijskoga odijevanja, enogastronomija, krajobrazna privlačnost i posebnost Slavonije, Baranje i Srijema, brojnim stihovima opjevane zemlje ratara i bećara.
Primjenom teorije kapitala francuskoga sociologa, antropologa i filozofa Pierea Bourdieua pratit ćemo prelijevanje gospodarskoga (ekonomskoga) kapitala u kulturni i simbolički kapital te naglasiti potrebu za kulturnim identitetom prostora u postmodernom društvu, u kojemu je, zahvaljujući na prvom mjestu potrošačkoj kulturi, moguće na različite načine kulturni kapital pretvoriti u gospodarski kapital, pokretač gospodarskih djelatnosti.
Our interpretation of Kolo gorah iliti pozdrav veseli prastaromu i veleslavnomu od Požege gradu i velenarodnim njegovim vilam, a composition in verse by Oto Šijaković (Ilok, 1823 – Bač, 1878), a ...Franciscan priest and poet, written and performed in 1851 in Požega and published in Zagreb in 1862, focuses on the space in which the action takes place. As pozdrav, a greeting, is part of social behavior, Kolo gorah is first analyzed as a speech act according to John Austin’s speech act theory. The analysis of the ideologemic aspect, with reference to Russian semiotic theorists, namely Lotman and Toporov, confirms that the landscape can be turned into a symbol and, as a literary space, it can express non-spatial relations and form social, political and ideological aspects of one’s worldview. Since the landscape in Kolo gorah is formed as an idealized and national space, the analysis is focused on the way this work fits into the literature of Croatian Romanticism and its role in national integration processes which took place in the 19th century. Being based on theories of nations and nationalism by Benedict Anderson, Eric Hobsbawm and Anthony D. Smith, the role of this work in the shaping of the national identity has been analyzed from the following thematic aspects: collective past, present and future, mutual space, mutual culture and national man. Although referring to concrete geographical locations and hills surrounding Požega, the literary space in Kolo gorah is idyllic and in it Oto Šijaković incorporates a historical and cultural dimension, political ideas and worldviews, and then spiritualizes it by introducing mythical creatures and perceiving it as part of God's announcement. In the shaping of the literary space, the author uses idealizations in the form of a glorious past, beautiful present and joyful future on the time axis, and in the form of positive people living in an ideal state and church community on the social axis.
The comparative and interpretational reading in the article determines the different attitudes toward the biblical text and the motifs in the two poems written by Silvije Strahimir Kranjčević and ...Janko Polić Kamov, both entitled Moses. Kranjčević’s and Kamov’s Moses establish an intertextual relationship with the biblical text for creation of their new texts. For Kranjčević, the biblical text is a symbol of old material suitable for modification. For Kamov, the biblical text is a polemic opponent
and an object of dispute and disproval. Kranjčević gives new meanings to Moses, in addition to whose contained in the biblical text, and extends him by ascribing a symbolic meaning to him. Kamov renounces Moses’ holiness and prophet role, perceiving him in a different way, under the principle of contrast. Both poets establish an intertextual relationship with the biblical text to innovate. Kranjčević’s Moses (1893) starts a dialog with the biblical text to say something about the world, reality, the chosen individual and the tragic of the leader. Kamov’s Moses (1905) enters into a major debate with the biblical text, which results in his dispute and negation, and even desecration and dethroning of the Jewish prophet. Intertextuality typical of fin de siècle was used in Kranjčević’s text, offering a new view of the Christian tradition, unlike the former view. Intertextuality characteristic for avant-garde was used in Kamov’s text, which debates not just the Christian cultural value system, but the cultural value system as well, treating it in a destructive and subversive manner. The application of the theory of quotation authenticates the illuminative type of quotation in both poems.
The study is based on a relatively small number of poems written by Franciscan friar Oto Siakovic (1830–1878), a lesser known and forgotten occasional poetry author. With several occasional poems,he ...joined the predominant literary trend in the 19th century poetic practice in Latin and Croatian.In the corpus analysis of our study, occasional poems were taken as a popular and affirmed type of social and literary communication in the 18th and 19th centuries. We have found that the communicative function in these poems is more clearly expressed since the language, in establishing a reference to reality, is focused on extralinguistic context. The poetic function is, on the other hand,mirrored in the stylized speech embellished with rhetorical figures.Our conclusion is that 19th century occasional poems, including those written by Oto Siakovic,which represented the predominant type of social and literary communication in the mentioned period,exist today only as a written record of communicative act devoid of the original context, thus being a reminder of centuries past, a keepsake, and a collection of literary and non-literary data relating to the time when odes and panegyrics were used to publicly address the contemporaries.
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