The bass Julij Betetto is considered one of the most important Slovenian and Yugoslav musical performers of the twentieth century, also leaving a deep impression on the history of European operatic ...singing. In an artistic career spanning over half a century he appeared in more than three thousand operatic performances, interpreting 175 roles in 140 different operas. The article looks at Betetto’s artistic career and expands previous knowledge about his thirty-six-year-long collaboration with the Ljubljana Opera, emphasizing his pedagogical influence and importance for that institution.
Sopranistka Milka Gerbič sodi med najpomembnejše slovenske operne in koncertne poustvarjalke 19. stoletja. Kot profesionalno šolana pevka je imela ključno vlogo pri postavljanju temeljev slovenskega ...gledališča in je s svojo vsestransko osebnostjo pustila viden pečat v slovenski glasbeni kulturi. Prispevek predstavlja prvo poglobljeno študijo o njenem umetniškem udejstvovanju v slovenskem prostoru.
The aim of this study was to determine the influence of music teachers' professional experience on ICT use in Slovenian primary education before and after the proclamation of the COVID-19 epidemic. ...We collected data using an online questionnaire; eighty-three music teachers participated. We divided them into three groups with different professional experiences. The results show that music teachers with less professional experience used ICT more and had fewer problems than those with more professional experience. The creative ICT use of music teachers in primary schools today has a significant impact on the quality of learning objectives, motivation and efficiency.
Slovenian bass Julij Betetto (1885–1963) undoubtedly left a deep mark on Croatian opera and concert performance in the first half of the 20th century. A cosmopolitan, but a patriot by heart, he ...interpreted around 175 roles in 140 operas and participated in more than 173 concerts. In total, he gave more than 3241 performances, from which more than 60 took place on Croatian opera and concert stages. The article deals with his important contribution in the artistic field as well as indirectly in the pedagogical field – many of his students successfully enriched the 20th-century Croatian operatic scene with their roles. The article looks at a selection of Betetto’s opera and concert performances in Croatia and their critical responses, pointing out also some of his Slovenian students who famously characterized the Croatian opera scene in the 20th century, including bass Marjan Rus and tenors Rudolf Francl and Josip Gostič.
Namen raziskave je bil ugotoviti raven digitalne pismenosti in izkušnje učiteljev glasbene umetnosti v osnovnošolskem izobraževanju s poučevanjem na daljavo v obdobju pred razglasitvijo epidemije ...covid-19 in po njej. Izsledki potrjujejo dvig ravni digitalne pismenosti v navedenem obdobju in kažejo na pozitivne izkušnje z uporabo informacijsko-komunikacijske tehnologije v praksi.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, UILJ, UKNU, UL, UM, UPUK
Jakob Jež as an expert in the possibilities of human voice and the functioning of the vocal apparatus has dedicated a great number of his works to vocal music. The composer working mainly in music ...education showcases his artistic inspiration and music teaching knowledge in its fullness in music for children's and youth choirs. Being an important researcher and expert on the vocal works of Marij Kogoj, he continues to compose and stylistically expand the music for such choral ensembles. Moreover, he has enriched some of Kogoj's youth choirs with expressive piano accompaniment. Jakob Jež has always strived for quality lyrics. He has arranged numerous traditional songs, publishing them individually in magazines or collections, frequently by subject matter. For two decades, he was the editor of the Grlica magazine, which, under his guidance, became the most important music teaching magazine in Yugoslavia. With his professional approach as an editor, he has had a considerable impact on generations of Slovenian music teachers and choral conductors. He actively promoted contemporary repertoires in Slovenian choirs, both in school performances as well as in stage productions and competitions. Jakob Jež is beyond doubt one of the most important and representative Slovenian composers for children and the youth.
U prvoj polovini 20. stoljeća oblikovanju hrvatskog opernog i koncertnog stvaralaštva znatno je pridonio slovenski bas Julij Betetto (1885. – 1963.). U hrvatskom je prostoru nastupio više od šezdeset ...puta, pretežno u razdoblju između dvaju svjetskih ratova. Kao gost se predstavio u karlovačkoj, zagrebačkoj i riječkoj operi, u nekoliko hrvatskih gradova kao koncertni stvaralac i kao član ljubljanske Opere, koja je više puta gostovala u Dubrovniku, Splitu, Osijeku i Šibeniku. Kozmopolit koji je četrnaest godina radio u bečkoj Dvorskoj operi (1907. – 1922.) te dvije sezone u bavarskoj Operi u Münchenu (1930. – 1932.) svojim je europskim iskustvima znatno utjecao na kvalitetu izvedbe hrvatskih opernih ansambala. Hrvatska publika i kritika prihvaćale su Betettovo operno i koncertno stvaralaštvo s oduševljenjem, a uprava zagrebačke Opere čak ga je htjela angažirati kao solista, no kao osviješteni domoljub ostao je u Ljubljani i redovito gostovao na hrvatskom tlu. Julij Betetto bio je priznat ne samo kao eminentan operni i koncertni reproduktivac, već i kao izvrstan pjevački pedagog. Na osnovi svojih bogatih iskustava i stečenoga znanja te pod utjecajem priručnika uvaženih autora oformio je vlastitu školu pjevanja, u okviru koje se pokazao kao odličan profesor. Kao pedagog radio je gotovo četrdeset godina te je izravno utjecao i na hrvatski prostor kako su brojni učenici niz godina uspješno sudjelovali na različitim opernim podijima Hrvatske, među mnogima i slovenski umjetnici bas Marjan Rus, tenori Rudolf Francl i Josip Gostič. Betettova škola pjevanja prepoznata je kao kvalitetna i na hrvatskom i širem jugoslavenskom prostoru, no danas je u aktualnoj pjevačkoj pedagoškoj praksi više nije moguće pronaći. Uzroke treba tražiti u činjenici da su samo rijetki pojedinci postali pjevački pedagozi. Julij Betetto bez dvojbe je jedan od najvećih slovenskih opernih pjevača svih vremena, koji je kao umjetnik i pedagog ostavio neizbrisiv trag i na hrvatskom prostoru.