Crtež dvojnog ljetnikovca Kaboga-Zec iz serije Diversa Cancellariae Državnog arhiva u Dubrovniku iz 1508. godine najraniji je sačuvani vizualni prikaz dubrovačke ladanjske arhitekture te donosi niz ...likovnih i tekstualnih podataka značajnih za razumijevanje njezina razvoja na prijelazu 15. i 16. stoljeća. Osim udvostručenog pročelja s gotičkom triforom i bočnim biforama, to se posebice odnosi na element ugaone lođe, poput lođa kakve se u simetričnom paru pojavljuju na pročeljima dvaju dubrovačkih ljetnikovaca kasnog 16. stoljeća (Sorgo-Natali i Mleci), dok je znatno ranija lođa ljetnikovca Kaboga-Zec oblikovno i funkcionalno donekle usporediva s bočnim “prohodnim” lođama ranoga 16. stoljeća. Srodnosti s objema vrstama lođa ukazuju na prijelazni oblik, odnosno na moguće najraniji primjer ugaone lođe u korpusu dubrovačke ladanjske arhitekture, a time i na lokalno podrijetlo ovoga arhitektonskog motiva.
In Miroslav Krleža’s manuscript collection preserved at the National and University Library in Zagreb, there is an unpublished travel diary entitled A Journey to Liburnia (1948). The article ...interprets Krleža's manuscript, which, apart from being a contribution to the research of the writer's "alternative" bibliography, provides new biographical insights into his travels along the eastern Adriatic in the post-war years. Through a comparative analysis of the content and genre features of the text, as well as private correspondence, the essay attempts to describe Krleža's journey, the horizon of cultural-historical interests of the diarist-traveler, and the process of creation and intertextual use of the unpublished manuscript. A selection of fragments from A Journey to Liburnia is included in the appendix.
The argument deals with the unpublished drama manuscript by Miroslav Krleža, dedicated to the renowned Spanish painter Francisco Goya. Attempting to provisionally date the manuscript, the article ...offers an interpretation which intends to highlight similarities between the unpublished autograph and Krleža’s essay “Francisco José Goya y Lucientes” from 1926. An appendix contains the complete transcription of the unedited manuscript
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