Emotional states and their representations are gaining increasing attention in the historical study of mysticism. Building on the notion that mystical texts ca.n be utilized to form a relation with ...the divine, in the current article I explore the intersection of emotional expressions, auditory elements, and devotional traditions as central praxes in Ottoman society. While focusing on a late offshoot of the Sabbatean movement, the Ma'aminim of Salonica, a contextualized analysis of previously unexplored sources demonstrates that during the first half of the nineteenth century the Sabbateans reshaped their communal practices according to contemporary cultural conventions in the Ottoman sphere. This study suggests that viewing mystical texts as generators of affect and sensorial ritual draws the focus from the spiritual world of a mystic-author to the experiences of community members, and it proves that neighboring soundscapes and appropriation of popular culture may serve as fundamental components in the historicization of religious phenomena.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
Research on the secret internal communal writings of the Sabbatian "Ma'aminim" of Salonica—known derogatorily in Turkish as "Dönme"—has to date mostly been focused on intra-Jewish questions. The ...initial and partial research on the Sabbatians' interaction with their non-Jewish environment, as reflected in their writings, invites a complementary, systematic, and cross-cultural analysis. This is especially true concerning a corpus of hundreds of songs, contained in five manuscripts, which are a precious and rare source for the study of the secret community of the Ma'aminim. This essay focuses on incipits appearing in manuscripts of the Sabbatian songs; these incipits indicate the title of the Ottoman Turkish song according to whose melody each Sabbatian song is to be sung. I analyze the incipits to illustrate various aspects of cultural appropriation and interpretation, and to uncover from them historical information that contributes to a more accurate periodization of specific Sabbatian texts and poets. Taking the Ottoman sources of inspiration of the Sabbatian songs into consideration illuminates them in terms of their ideas and poetic characteristics, performance, and cultural-historical context.
Celotno besedilo
Dostopno za:
BFBNIB, DOBA, IZUM, KILJ, NMLJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK, ZRSKP
Emotional states and their representations are gaining increasing attention in the historical study of mysticism. Building on the notion that mystical texts can be utilized to form a relation with ...the divine, in the current article I explore the intersection of emotional expressions, auditory elements, and devotional traditions as central praxes in Ottoman society. While focusing on a late offshoot of the Sabbatean movement, the Ma'aminim of Salonica, a contextualized analysis of previously unexplored sources demonstrates that during the first half of the nineteenth century the Sabbateans reshaped their communal practices according to contemporary cultural conventions in the Ottoman sphere. This study suggests that viewing mystical texts as generators of affect and sensorial ritual draws the focus from the spiritual world of a mystic-author to the experiences of community members, and it proves that neighboring soundscapes and appropriation of popular culture may serve as fundamental components in the historicization of religious phenomena.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
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