Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties ...problema. Parodoma, kad dionisiškasis džiaugsmas yra susijęs su aukščiausia tragiškojo meno verte. Tragiškasis jausmas kyla iš pačios būties (Dioniso, vienio, gamtos) ir suteikia metafizinę paguodą, jog bus įveiktas individualumas, pasaulis susigrąžins vienovę.
The article focuses on an analysis of the death and rebirth of tragedy in Nietzsche's philosophy. Nietzsche says that the poet Euripides, believing that the light of reason should illuminate all ...important things, turned to a new voice in Greek life: the powerful inquiring spirit of the philosopher Socrates. Socrates represents a rational optimism which declares that all things can and must be known. The optimism of reason is the death of tragedy. But, according to Nietzsche, logic can never lead the human mind to the ultimate secrets of all things. In various ways Nietzsche repeatedly suggests that the rebirth of tragedy is accomplished in “Thus Spake Zarathustra”. Nietzsche holds this work to be “involuntary parody”. So tragedy is redeemed as parody. Nietzsche, then, is laughing at himself, his doctrine of eternal reccurrence and tragedy. This irony displaces any attempt to secure a new truth on the basis of his works.
The article focuses on an analysis of the death and rebirth of tragedy in Nietzsche’s philosophy. Nietzsche says that the poet Euripides, believing that the light of reason should illuminate all ...important things, turned to a new voice in Greek life: the powerful inquiring spirit of the philosopher Socrates. Socrates represents a rational optimism which declares that all things can and must be known. The optimism of reason is the death of tragedy. But, according to Nietzsche, logic can never lead the human mind to the ultimate secrets of all things. In various ways Nietzsche repeatedly suggests that the rebirth of tragedy is accomplished in “Thus Spake Zarathustra”. Nietzsche holds this work to be “involuntary parody”. So tragedy is redeemed as parody. Nietzsche, then, is laughing at himself, his doctrine of eternal reccurrence and tragedy. This irony displaces any attempt to secure a new truth on the basis of his works.
Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties ...problema. Parodoma, kad dionisiškasis džiaugsmas yra susijęs su aukščiausia tragiškojo meno verte. Tragiškasis jausmas kyla iš pačios būties (Dioniso, vienio, gamtos) ir suteikia metafizinę paguodą, jog bus įveiktas individualumas, pasaulis susigrąžins vienovę. Prasminiai žodžiai: tragedija, tragiškasis jausmas, dionisiškasis džiaugsmas. AN INTERPRETATION OF THE TRAGIC SENCE IN F. NIETZSCHE'S PHILOSOPHY Aušra Polovikaitė Summary The article deals with our response to tragic drama as a problem in the philosophy of art. Why do we enjoy the dramatic portrayal of vice, deceit, human corruption, and death? Nietzsche's writings on tragedy are primarily devoted to deciphering this classic problem. The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. The loss of the self in Nature produces the tragic joy. For the later Nietzsche, the relation between appearance and the Oneness is replaced by the relation between fictitious unities (values, forms, laws) and the chaotic multiplicity of forces which constitute the Will to Power. Keywords: tragedy, tragic sense, Dionysian joy.
Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties ...problema. Parodoma, kad dionisiškasis džiaugsmas yra susijęs su aukščiausia tragiškojo meno verte. Tragiškasis jausmas kyla iš pačios būties (Dioniso, vienio, gamtos) ir suteikia metafizinę paguodą, jog bus įveiktas individualumas, pasaulis susigrąžins vienovę. Prasminiai žodžiai: tragedija, tragiškasis jausmas, dionisiškasis džiaugsmas. AN INTERPRETATION OF THE TRAGIC SENCE IN F. NIETZSCHE'S PHILOSOPHY Aušra Polovikaitė Summary The article deals with our response to tragic drama as a problem in the philosophy of art. Why do we enjoy the dramatic portrayal of vice, deceit, human corruption, and death? Nietzsche's writings on tragedy are primarily devoted to deciphering this classic problem. The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. The loss of the self in Nature produces the tragic joy. For the later Nietzsche, the relation between appearance and the Oneness is replaced by the relation between fictitious unities (values, forms, laws) and the chaotic multiplicity of forces which constitute the Will to Power. Keywords: tragedy, tragic sense, Dionysian joy.
Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties ...problema. Parodoma, kad dionisiškasis džiaugsmas yra susijęs su aukščiausia tragiškojo meno verte. Tragiškasis jausmas kyla iš pačios būties (Dioniso, vienio, gamtos) ir suteikia metafizinę paguodą, jog bus įveiktas individualumas, pasaulis susigrąžins vienovę. Prasminiai žodžiai: tragedija, tragiškasis jausmas, dionisiškasis džiaugsmas. AN INTERPRETATION OF THE TRAGIC SENCE IN F. NIETZSCHE'S PHILOSOPHY Aušra Polovikaitė Summary The article deals with our response to tragic drama as a problem in the philosophy of art. Why do we enjoy the dramatic portrayal of vice, deceit, human corruption, and death? Nietzsche's writings on tragedy are primarily devoted to deciphering this classic problem. The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. The loss of the self in Nature produces the tragic joy. For the later Nietzsche, the relation between appearance and the Oneness is replaced by the relation between fictitious unities (values, forms, laws) and the chaotic multiplicity of forces which constitute the Will to Power. Keywords: tragedy, tragic sense, Dionysian joy.
Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties ...problema. Parodoma, kad dionisiškasis džiaugsmas yra susijęs su aukščiausia tragiškojo meno verte. Tragiškasis jausmas kyla iš pačios būties (Dioniso, vienio, gamtos) ir suteikia metafizinę paguodą, jog bus įveiktas individualumas, pasaulis susigrąžins vienovę. Prasminiai žodžiai: tragedija, tragiškasis jausmas, dionisiškasis džiaugsmas. AN INTERPRETATION OF THE TRAGIC SENCE IN F. NIETZSCHE'S PHILOSOPHY Aušra Polovikaitė Summary The article deals with our response to tragic drama as a problem in the philosophy of art. Why do we enjoy the dramatic portrayal of vice, deceit, human corruption, and death? Nietzsche's writings on tragedy are primarily devoted to deciphering this classic problem. The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. The loss of the self in Nature produces the tragic joy. For the later Nietzsche, the relation between appearance and the Oneness is replaced by the relation between fictitious unities (values, forms, laws) and the chaotic multiplicity of forces which constitute the Will to Power. Keywords: tragedy, tragic sense, Dionysian joy.
Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties ...problema. Parodoma, kad dionisiškasis džiaugsmas yra susijęs su aukščiausia tragiškojo meno verte. Tragiškasis jausmas kyla iš pačios būties (Dioniso, vienio, gamtos) ir suteikia metafizinę paguodą, jog bus įveiktas individualumas, pasaulis susigrąžins vienovę. Prasminiai žodžiai: tragedija, tragiškasis jausmas, dionisiškasis džiaugsmas. AN INTERPRETATION OF THE TRAGIC SENCE IN F. NIETZSCHE'S PHILOSOPHY Aušra Polovikaitė Summary The article deals with our response to tragic drama as a problem in the philosophy of art. Why do we enjoy the dramatic portrayal of vice, deceit, human corruption, and death? Nietzsche's writings on tragedy are primarily devoted to deciphering this classic problem. The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. The loss of the self in Nature produces the tragic joy. For the later Nietzsche, the relation between appearance and the Oneness is replaced by the relation between fictitious unities (values, forms, laws) and the chaotic multiplicity of forces which constitute the Will to Power. Keywords: tragedy, tragic sense, Dionysian joy.
Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties ...problema. Parodoma, kad dionisiškasis džiaugsmas yra susijęs su aukščiausia tragiškojo meno verte. Tragiškasis jausmas kyla iš pačios būties (Dioniso, vienio, gamtos) ir suteikia metafizinę paguodą, jog bus įveiktas individualumas, pasaulis susigrąžins vienovę. Prasminiai žodžiai: tragedija, tragiškasis jausmas, dionisiškasis džiaugsmas. AN INTERPRETATION OF THE TRAGIC SENCE IN F. NIETZSCHE'S PHILOSOPHY Aušra Polovikaitė Summary The article deals with our response to tragic drama as a problem in the philosophy of art. Why do we enjoy the dramatic portrayal of vice, deceit, human corruption, and death? Nietzsche's writings on tragedy are primarily devoted to deciphering this classic problem. The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. The loss of the self in Nature produces the tragic joy. For the later Nietzsche, the relation between appearance and the Oneness is replaced by the relation between fictitious unities (values, forms, laws) and the chaotic multiplicity of forces which constitute the Will to Power. Keywords: tragedy, tragic sense, Dionysian joy.
Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties ...problema. Parodoma, kad dionisiškasis džiaugsmas yra susijęs su aukščiausia tragiškojo meno verte. Tragiškasis jausmas kyla iš pačios būties (Dioniso, vienio, gamtos) ir suteikia metafizinę paguodą, jog bus įveiktas individualumas, pasaulis susigrąžins vienovę. Prasminiai žodžiai: tragedija, tragiškasis jausmas, dionisiškasis džiaugsmas. AN INTERPRETATION OF THE TRAGIC SENCE IN F. NIETZSCHE'S PHILOSOPHY Aušra Polovikaitė Summary The article deals with our response to tragic drama as a problem in the philosophy of art. Why do we enjoy the dramatic portrayal of vice, deceit, human corruption, and death? Nietzsche's writings on tragedy are primarily devoted to deciphering this classic problem. The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. The loss of the self in Nature produces the tragic joy. For the later Nietzsche, the relation between appearance and the Oneness is replaced by the relation between fictitious unities (values, forms, laws) and the chaotic multiplicity of forces which constitute the Will to Power. Keywords: tragedy, tragic sense, Dionysian joy.
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