The research workshop on new performative forms led by Patrice Pavis in November 2019 and organized by the Institute of Theatrical and Multimedia Research of the University of Arts in Târgu-Mureș ...gave rise to a number of theoretical questionings. The objective was to offer the participants/actors an opportunity for systematized reflections taking as object this type of artistic forms and practices. The sponsorship of this eminent researcher in the performing arts, a specialist in the question of staging and its analysis, brought rigor and methodology to the whole thanks to the use of his reading grids and other conceptual tools. If certain epistemological ruptures and proposed illuminations could be seized on the moment in all clarity, it is afterwards that influences on my own field of research appeared and unquestionably an enrichment in the apprehension of the complexity of the phenomenon could emerge.
Résumé: Cet article présente la mise en perspective d'une recherche d'une dizaine d'années, faisant croiser le regard sur le texte dramatique porteur de représentations corporelles, et l'examen de ...formes scéniques actuelles où la présence du corps est indéniable. S'il est impossible de limiter le théâtre au texte, notre position est qu'il est aussi impossible d'y échapper. La première partie met en perspective une analyse textuelle d'un corpus de textes contemporains européens révélant nombre de représentations corporelles. La seconde partie interroge la chair des mots car la parole est une matérialité tangible, porteuse d'une originalité particulière. La troisième partie est consacrée enfin aux formes performances émergeantes sur les scènes européennes où le corps acquiert toute sa densité et sa force.
AU PRISME DU SPECTACLE Roques, Sylvie
Revue d'histoire littéraire de la France,
11/2022, Letnik:
122, Številka:
4
Journal Article
Recenzirano
Les adaptations de Verne au Châtelet marquèrent durablement les esprits de toute une génération de spectateurs. Ces fééries scientifiques renouvellent l’espace étroit de la scène, en installant sur ...le plateau les machines, les animaux, les phénomènes cosmiques, les ethnies éloignées. On tente ici d’en montrer le contexte, l’importance, l’originalité. Tous les éléments existent pour faire d’une telle réalisation un événement intellectuellement séduisant autant que culturellement stimulant.
Adaptations of Verne at the Châtelet left a lasting impression on a whole generation of theater goers. These scientific fairy tales reinvigorate the narrow space of the stage by placing machines, animals, cosmic phenomena, and distant ethnic groups onstage. An attempt is made in this article to show their context, importance, and originality. All the elements exist to make such a realization an intellectually seductive and culturally stimulating event in equal measures.
The research workshop on new performative forms led by Patrice Pavis in November 2019 and organized by the Institute of Theatrical and Multimedia Research of the University of Arts in Târgu-Mureș ...gave rise to a number of theoretical questionings. The objective was to offer the participants/actors an opportunity for systematized reflections taking as object this type of artistic forms and practices. The sponsorship of this eminent researcher in the performing arts, a specialist in the question of staging and its analysis, brought rigor and methodology to the whole thanks to the use of his reading grids and other conceptual tools. If certain epistemological ruptures and proposed illuminations could be seized on the moment in all clarity, it is afterwards that influences on my own field of research appeared and unquestionably an enrichment in the apprehension of the complexity of the phenomenon could emerge.
Dans nombre de propositions artistiques performantielles, l’acteur n’y est plus que matérialité sensible, individu englué, émiettement d’instants et de singularités. Il est un corps placé au centre ...du plateau, exposé et souvent mis en danger. Ici plus qu’un corps esthétisé ou normé c’est un corps qui « éprouve » et s’abîme qui nous est donné à voir. Le corps des performers devenu « corps-relieur » se fait médiateur entre l’individu et la société. Tour à tour présenté comme un objet submergé, malmené, attaqué, meurtri, il se fait emblématique d’une période mêlant outrage et outrance (excès, provocation, défi). Ces mises en jeu corporelles manifestent par leur exacerbation les revendications d’un corps qui se dit de part en part aliéné et soumis aux pouvoirs. Reflétant les excès d’une société qui les secrète, de telles pratiques se veulent dénonciatrices des abus en assumant de nouvelles formes de création.
Résumé: Cet article présente la mise en perspective d'une recherche d'une dizaine d'années, faisant croiser le regard sur le texte dramatique porteur de représentations corporelles, et l'examen de ...formes scéniques actuelles où la présence du corps est indéniable. S'il est impossible de limiter le théâtre au texte, notre position est qu'il est aussi impossible d'y échapper. La première partie met en perspective une analyse textuelle d'un corpus de textes contemporains européens révélant nombre de représentations corporelles. La seconde partie interroge la chair des mots car la parole est une matérialité tangible, porteuse d'une originalité particulière. La troisième partie est consacrée enfin aux formes performances émergeantes sur les scènes européennes où le corps acquiert toute sa densité et sa force.
Resumo: O artigo coloca em perspectiva uma pesquisa de cerca de dez anos, cruzando um olhar sobre textos dramáticos que contêm representações do corpo, e o estudo de formas cênicas atuais nas quais a presença do corpo é evidente. Considerando que é impossível limitar o teatro ao texto, afirmamos que também é impossível evitá-lo. A primeira parte do artigo coloca em perspectiva uma análise textual de um corpus de textos contemporâneos europeus que apresentam diversas representações corporais. A segunda parte questiona o aspecto carnal das palavras, pois a fala é uma materialidade tangível, portadora de uma originalidade particular. A terceira parte trata das performances emergentes nas cenas europeias nas quais o corpo assume completamente sua densidade e sua força.
Abstract: This article presents a research for decade making cross the look on the expanding dramatic text of physical representations and the examination of current scenic forms where the presence of the body is undeniable. If it is impossible to limit the theater to the text, our position is that it is also impossible to escape it. The first part puts in perspective a textual analysis of a corpus of revealing contemporary texts a number of physical representations. The second part questions the flesh of the words because the word is a tangible materiality, a carrier of a particular originality. The third part is dedicated to the forms emerging performances on the European stages where the body acquires all its density and its strength.
ABSTRACT - Performative Body: the stakes in the contemporary stages - This article presents a research for decade making cross the look on the expanding dramatic text of physical representations and ...the examination of current scenic forms where the presence of the body is undeniable. The first part puts in perspective a textual analysis of a corpus of revealing contemporary texts a number of physical representations. ABSTRACT - Performative Body: the stakes in the contemporary stages - This article presents a research for decade making cross the look on the expanding dramatic text of physical representations and the examination of current scenic forms where the presence of the body is undeniable. The first part puts in perspective a textual analysis of a corpus of revealing contemporary texts a number of physical representations. L'artiste se fait performer car le rôle supposé incarné est mis à distance et l'acteur devient celui qui, "... dans un temps éphémère et en un lieu particulier, agit et parle, chante et danse, ostensiblement et en son nom propre" (Biet, 2013, p. 25). Un versant central de la performance théâtrale est bi- en là: exprimer le tout dans un immédiat sans distance, donner à la présence de chair, à sa densité la plus tangible, la valeur d'un dire sans parole.
O artigo coloca em perspectiva uma pesquisa de cerca de dez anos, cruzando um olhar sobre textos dramáticos que contêm representações do corpo, e o estudo de formas cênicas atuais nas quais a ...presença do corpo é evidente. Considerando que é impossível limitar o teatro ao texto, afirmamos que também é impossível evitá-lo. A primeira parte do artigo coloca em perspectiva uma análise textual de um corpus de textos contemporâneos europeus que apresentam diversas representações corporais. A segunda parte questiona o aspecto carnal das palavras, pois a fala é uma materialidade tangível, portadora de uma originalidade particular. A terceira parte trata das performances emergentes nas cenas europeias nas quais o corpo assume completamente sua densidade e sua força.
An emerging hypothesis suggests that cytokines could play an important role in cancer as potential modulators of angiogenesis and leucocyte infiltration.
A novel multiplexed flow cytometry technology ...was used to measure the expression of 17 cytokines (IL-1beta, IL-2, IL-4, IL-5, IL-6, IL-7, IL-8, IL-10, IL-12 p70, IL-13, IL-17, granulocyte colony-stimulating factor CSF, granulocyte-macrophage CSF, IFN-gamma, monocyte chemoattractant protein MCP-1, macrophage inflammatory protein MIP-1beta, tumour necrosis factor TNF-alpha) at the protein level in 105 breast carcinoma. B lymphocyte, T lymphocyte and macrophage levels were determined by immunohistochemistry.
Fourteen of the 17 cytokines were expressed in breast carcinoma, whereas only nine cytokines could be detected in normal breast. Most cytokines were more abundant in breast carcinoma than in normal breast, with IL-6, IL-8, granulocyte CSF, IFN-gamma, MCP-1 and MIP-1beta being very abundant. IL-2, IL-6, IL-8, IL-10, IFN-gamma, MCP-1, MIP-1beta and TNF-alpha, and to a lesser extent IL-1beta and IL-13 exhibited levels of expression that were inversely correlated to oestrogen receptor and progesterone receptor status. Most cytokines were not correlated with age at cancer diagnosis, tumour size, histological type, or lymph node status. However, IL-1beta, IL-6, IL-8, IL-10, IL-12, MCP-1 and MIP-1beta were more abundant in high-grade tumours than in low-grade tumours. In addition, IL-8 and MIP-1beta were expressed to a greater degree in HER2-positive than in HER2-negative patients. The expression of most of the studied cytokines was correlated to levels of activator protein-1, which is known to regulate numerous cytokines. Overexpression of MCP-1 and MIP-1beta were linked to B lymphocyte, T lymphocyte and macrophage infiltration, whereas high levels of IL-8 were correlated with high macrophage content in tumour. Moreover, IL-8 positive tumours exhibited increased vascularization.
We found that multiple cytokines were overexpressed in oestrogen receptor negative breast carcinoma, and that the three major cytokines--MCP-1, MIP-1beta and IL-8--were correlated with inflammatory cell component, which could account for the aggressiveness of these tumours.
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