V članku je na primeru doslej manj raziskanega mestnega urada prokuratorjev ali oskrbnikov koprske stolnice (Procuratore della Fabrica della Cattedrale di Capodistria) predstavljena vloga koprskega ...plemstva pri javnem umetnostnem naročništvu. Največji vpliv na izbiro arhitektov in izvajalcev umetnostnih naročil in s tem na končno podobo koprske stolnice v prvi polovici 18. stoletja so imeli prokuratorji Benvenuto markiz Gravisi (1679–1746), Alvise grof Tarsia (1697–1774) in Francesco Barbabianca (1695–1753). Pri izbiri arhitektov, kot sta Giorgio Massari (1687–1766) in Domenico Schiavi (1718–1795), so si pomagali z nasveti in povezavami koprskih izobražencev, kot sta Girolamo markiz Gravisi (1720–1812) in Gian Rinaldo grof Carli (1720–1795), ki so jih ti vzpostavili med študijem na univerzi v Padovi ali preko članstev v akademijah. Tako so se prokuratorji v letih 1748–1749 lahko v zvezi s prezidavo kora koprske stolnice posvetovali tudi s tedaj vodilno avtoriteto na arhitekturnem področju v Beneški republiki, Giovannijem markizom Polenijem (1683–1761), profesorjem eksperimentalne fizike na univerzi v Padovi.
V članku je na primeru doslej manj raziskanega mestnega urada prokuratorjev ali oskrbnikov koprske stolnice (Pro-curatore della Fabrica della Cattedrale di Capodistria) predstavljena vloga koprskega ...plemstva pri javnem umetno-stnem naročništvu. Največji vpliv na izbiro arhitektov in izvajalcev umetnostnih naročil in s tem na končno podobo koprske stolnice v prvi polovici 18. stoletja so imeli prokuratorji Benvenuto markiz Gravisi (1679–1746), Alvise grof Tarsia (1697–1774) in Francesco Barbabianca (1695–1753). Pri izbiri arhitektov, kot sta Giorgio Massari (1687–1766) in Domenico Schiavi (1718–1795), so si pomagali z nasveti in povezavami koprskih izobražencev, kot sta Girolamo markiz Gravisi (1720–1812) in Gian Rinaldo grof Carli (1720–1795), ki so jih ti vzpostavili med študijem na univerzi v Padovi ali preko članstev v akademijah. Tako so se prokuratorji v letih 1748–1749 lahko v zvezi s prezidavo kora koprske stolnice posvetovali tudi s tedaj vodilno avtoriteto na arhitekturnem področju v Beneški republiki, Giovan-nijem markizom Polenijem (1683–1761), profesorjem eksperimentalne fizike na univerzi v Padovi.
Extensive work is a result of four year research within the international project Women's Creativity since the Modern Movement, and brings new insights into women in architecture, construction, ...design, urban planning and landscape architecture in Europe and in the rest of the world. It is divided into eight chapters that combine 116 articles on topics: A. Women’s education and training: National and international mappings~B. Women’s legacy and heritage: Protection, restoration and enhancement~C. Women in communication and professional networks~D. Women and cultural tourism~E. Women’s achievements and professional attainments: Moving boundaries~F. Women and sustainability: City and Landscape~G. Women ‘as subjects’: Documentation, methodology, interpretation and enhancement~SG. Design drawings.
The article presents the experience in choosing and using WordPress in the rapid creation of a web portal within the Art History domain for the applied research project called "Modernist Nova Gorica ...and its contexts - Modmapng". An analysis of related projects has shown that the WordPress platform is often used in this domain. Moreover, our results and experiences are extremely positive, in particular, the web portal, along with its large set of add-ons, was easy to configure for both administrators and developers and it is easy to use for the end-users. Article additionally presents an analysis of extent to which authors followed the digitization model when establishing a web portal.
This publication is aimed to support two MoMoWo traveling exhibitions which will be presented in six European countries in two years (2016-2017): indoor exhibition catalogue “100 Works in 100 Years. ...European Women in Architecture and Design. 1918-2018”, and outdoor exhibition “Women’s Tale. A Reportage on Women Designers”.Exhibition catalogue 100 Works in 100 Years. European Women in Architecture and Design. 1918-2018 brings together a selection of some of the most significant and representative examples of European architecture and design created by 100 women from the end of the First World War up until today. The number of works is symbolic, as ‘one hundred’ could also mean ‘countless’ as in the Latin word centium.
The scapular confraternity of Our Lady of Carmel in the parish church of St George in Piran was established on 15 May 1614. On 4 May 1614 the contract for a new classicist stone altar of Our Lady of ...Carmel was signed with the stonecutter Bonfanto Torre. The altarpiece of the Virgin Mary handing over the scapular to St. Simon Stock was commissioned in Venice from Domenico Tintoretto (15601635) in 1624 and modelled on the picture by Pace Pace for the Venetian church of Carmelites. The upper part of the altar is adorned with several stucco figures. This sculptural decoration was until now thought to be from the same time as the altar itself; due to the lower quality of execution it was attributed to the workshop of Bonfanto Torre. Newly-discovered archival information confirms that it was commissioned in 1753 from Zadar stucco maker Giuseppe Monteventi. Publication Abstract
L’afflusso di maestranze lombarde nell’Austria Interna non è mai cessato dal XVI al XVIII secolo. Nella seconda metà del Cinquecento Graz divenne la meta degli architetti e capomastri lombardi ...itineranti, organizzati in gruppi composti dai membri della stessa famiglia. Oltre alle fortezze moderne costruite lungo il confine croato hanno cambiato la capitale dell’Austria Interna dalla città medievale in una moderna rinascimentale. Le regole della loro Arte sono diventate universali per tutte le province austriache. Nell’architettura locale hanno introdotto modelli nuovi e moderni che si erano affermati a Milano a poca distanza del tempo, fatto questo che conferma gli stretti contatti mantenuti con le terre d’origine anche quando si sono stabiliti con le famiglie nell’Austria Interna per sempre. Fino al Settecento sono rimasti alla testa dei cantieri più importanti e come nel caso della bottega de Donino di Lubiana, hanno potuto monopolizzare il campo edile della provincia.
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