In her article "Children's Literature in South East Europe" Milena Mileva Blai? begins with an introduction to Maria Nikolajeva's 2000 book From Mythic to Linear: Time in Children's Literature in ...which a theoretical framework of thematics is defined, systematized, and categorized. Nikolajeva's framework for children's literature suggests attention to characteristics through which the maturation process of becoming adult is accomplished. Following the introduction and application of Nikolajeva's concepts, Blai? first applies the frame to selected texts published in South-East Europe, followed by lists of children's book published in Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Macedonia, Montenegro, Romania, and Serbia.
Ljubljana je že od svojega nastanka povezana s književnostjo; nastanek Emone, ki po mitskem izročilu sega v 13. stoletje pr. n. št., je npr. povezan z mitom o Argonavtih, Jazonu in iskanju zlatega ...runa. V procesu literarne recepcije je antični mit postal tudi pravljični tip ATU 513A po H.-J. Utherjevem motivnem indeksu pravljic. Motiv zlatega runa je prek mitskega pomena živali (zlata volna) postal nadčasovni simbol iskanja (nedosegljivega) v slovenski (J. V. Valvasor, A. T. Linhart, F. Prešeren, R. Rehar, J. Olaj, J. Kastelic, M. Jesih, J. Rode) in slovenski mladinski književnosti (npr. J. Jalen: Bobri), predvsem v slikaniški knjižni obliki (D. Zajc: Argonavti, A. Komat: Vila Jezerka, D. Muck: Kokoš velikanka), z različnimi pomeni in v kombinaciji z različnimi mitskimi, pravljičnimi in realističnimi simboli živali.
Pogledi na slikanico Blažić, Milena Mileva
Jezik in slovstvo (Tiskana izd.),
11/2023, Letnik:
68, Številka:
3
Journal Article
Recenzirano
Odprti dostop
Članek prikaže izbrane slovenske in tuje opredelitve slikanice, njene klasifikacije in teorije. Predstavi literarnozgodovinski in -teoretični razvoj slikanice na Slovenskem, pri čemer se opiramo na ...tuje (M. Nikolajeva, S. Beckett, B. Kümmerling-Meibauer) in slovenske (M. Kobe, D. Haramija in J. Batič) raziskovalke. Slikanico skušamo predstaviti kot predmet preučevanja, zato preverimo razvoj vključevanja slikanic v slovenski šolski sistem preko učnih načrtov.
Pričujoči tematski sklop je posvečen multimodalnim umetnostnim besedilom, ki bralca nagovarjajo preko besedilnega in ilustrativnega koda, »vsebinsko-oblikovni odnos« (Batič in Haramija 2014: 5) med ...obema kodoma pa v slikanicah vzpostavlja posebno interakcijo. Branje kot simbolno drugo rojstvo pripomore k iznajdevanju in sopostavljanju lastne identitete z drugimi, je pravzaprav stvariteljski in komunikacijski proces, ki posredno vpliva na preoblikovanje vseh deležnikov v bralnem dogodku. Gostujoči urednici sva k sodelovanju povabili avtorice, ki naslovno temo osvetljujejo z različnih zornih kotov.
The article deals with the puppet play by the painter Alenka Gerlovič (1919–2010), entitled Jurček in trije razbojniki (Jurček (George/Georgie) and the Three Thieves). The play premièred at the ...Partisan Puppet Theater in 1944 and was published in 1950, with pictures from the puppet show. It is an expression of the author‘s ethical attitude towards Fascism and Nazism and the horrors of war. As the analysis shows, Alenka Gerlovič‘s play places her among the world‘s leading youth writers who have commented on the events of the war. Alenka Gerlovič uses Jurček to create an "imaginary screen" that allowed the audience to maintain a distance from the atrocities in the wartime situation and at the same time to be part of the anti-fascist struggle, also as a symbolic weapon and ethical act.
The article presents the authors of literary creation, based on the theory of Julia Kristeva Tales of Love,1987andMarie Nikolajave Reading for Learning, 2015. Trial is the author of medieval ...trobairitz, enlightenment préciosité, romanticwomen fairy tale writersto contemporary trobairitz. The texts of the authors of the intertextual, dominated by emotional motifs (love, trust, loyalty), supported by actions (Love test) reflect the symbols (garden fountain, wall). Central emotionalekphrasis -love the emotion that has similar symptoms as anxiety (expectation,call andmeeting). The authors express themselves with metaphors, often asliterary parallelism -externalization of the inner landscape -literal and emotional winter. The authors are suggestible translate visuals into verbal world -songs(Azalais de Porcairagues, Comtessade Dia, Maria de Ventadorn), memories (Helena Kottanner), fairy tales (Jeanne Marie Leprince de Beaumont).
The article presents the authors of literary creation, based on the theory of Julia Kristeva ‘Tales of Love’, 1987 and Marie Nikolajave ‘Reading for Learning’, 2015. Trial is the author of medieval ...‘trobairitz’, enlightenment ‘préciosité’, romantic women fairy tale writers to contemporary trobairitz. The texts of the authors of the intertextual, dominated by emotional motifs (love, trust, loyalty), supported by actions (Love test) reflect the symbols (garden fountain, wall). Central ‘emotional ekphrasis’ - love the emotion that has similar symptoms as anxiety (expectation, call and meeting). The authors express themselves with metaphors, often as literary parallelism -externalization of the inner landscape - literal and emotional ‘winter’. The authors are suggestible translate visuals into verbal world - songs(Azalais de Porcairagues, Comtessa de Dia, Maria de Ventadorn), memories (Helena Kottanner), fairy tales (Jeanne Marie Leprince de Beaumont).
V prvem delu članka je predstavljena folkloristična teorija Stitha Thompsona in njegov indeks motivov, ki je sestavljen iz dvaindvajsetih osnovnih motivov in številnih podmotivov. V drugem delu ...Thompsonovo teorijo apliciram na motivno-tematsko analizo zbirke Slovenske ljudske pravljice, ki vsebujejo več kot sto besedil slovenskega ljudskega izročila (pravljice, pripovedke, umetne pravljice, basni legende).
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