A comprehensive series of essays exploring Peter C.
Phan's groundbreaking work to widen Christian theology beyond the
Western world
Peter C. Phan's wide-ranging contributions to theology and his
...pioneering work on religious pluralism, migration, and Christian
identity have made a global impact on the field.
The essays in Theology without Borders offer a variety
of perspectives across Phan's fundamental work in eschatology,
world christianity, interreligious dialogue, and much more.
Together, these essays offer a comprehensive assessment of Phan's
groundbreaking work across a range of theological fields. Included
in the conversation are discussions of world Christianity and
migration, Christian identity and religious pluralism, Christian
theology in Asia, Asian American theology, eschatology, and Phan's
lasting legacy.
Theology without Borders provides a welcome overview
for anyone interested in the career of Peter C. Phan, his body of
work, and its influence.
Peter C. Phan's contributions to theology and pioneering work on
religious pluralism, migration, and Christian identity have made a
global impact on the field. The essays in Theology without
Borders offer a variety of perspectives across Phan's
fundamental work, providing an overview for anyone interested in
his body of work and its influence.
Robert Boyer est économiste, anciennement directeur de recherche au CNRS et directeur d’études à l’EHESS. Il est l’un des principaux animateurs de l’école dite de la régulation, laquelle a été, à ...partir des années 1970, l’un des principaux courants d’analyse de la diversité des capitalismes, des logiques de l’accumulation, des régulations et des dispositifs institutionnels qui les organisent. Il est l’auteur de Économie politique des capitalismes (La Découverte, 2015) et vient de publier Les capitalismes à l’épreuve de la pandémie (La Découverte, 2020). Il revient ici sur cette trajectoire individuelle et collective.
In 1943, against utterly hopeless odds, the Jews of the Warsaw
Ghetto rose up to defy the Nazi horror machine that had set out to
exterminate them. One of the leaders of the Jewish Fighting
...Organization, which led the uprisings, was Yitzhak Zuckerman, known
by his underground pseudonym, Antek. Decades later, living in
Israel, Antek dictated his memoirs. The Hebrew publication of
Those Seven Years: 1939-1946 was a major event in the
historiography of the Holocaust, and now Antek's memoirs are
available in English. Unlike Holocaust books that focus on the
annihilation of European Jews, Antek's account is of the daily
struggle to maintain human dignity under the most dreadful
conditions. His passionate, involved testimony, which combines
detail, authenticity, and gripping immediacy, has unique historical
importance. The memoirs situate the ghetto and the resistance in
the social and political context that preceded them, when prewar
Zionist and Socialist youth movements were gradually forged into
what became the first significant armed resistance against the
Nazis in all of occupied Europe. Antek also describes the
activities of the resistance after the destruction of the ghetto,
when 20,000 Jews hid in "Aryan" Warsaw and then participated in
illegal immigration to Palestine after the war. The only extensive
document by any Jewish resistance leader in Europe, Antek's book is
central to understanding ghetto life and underground activities,
Jewish resistance under the Nazis, and Polish-Jewish relations
during and after the war. This extraordinary work is a fitting
monument to the heroism of a people.
Internati Militari Italiani dopo l’8 settembre 1943. Testimonianze di siciliani nei campi nazisti Nel 2006 ha conseguito la Laurea triennale in «Storia contemporanea» presso l’Università di Bologna; nel 2008 ha ottenuto un doppio titolo di Laurea Specialistica in «Storia d’Europa» e di Master 2 «Histoire et civilisations comparées» presso l’Università di Bologna e l’Université Paris VII – Denis Diderot. Tra il 2009 e il 2011 è stata borsista presso l’Ecole Française de Rome e visiting student presso l’University of Malta. Nel 2013 ha conseguito un dottorato di ricerca in cotutela in «Scienze storiche» presso l’Università di Padova e in «Histoire» presso l’Université de Nice Sophia-Antipolis, svolgendo una ricerca sull’irredentismo fascista in Corsica e a Malta negli anni tra le due guerre. Attualmente è assegnista di ricerca presso l’Università Ca’ Foscari di Venezia dove sta conducendo uno studio sulle politiche identitarie e sull’immaginario insulare nelle isole del Mediterraneo e del Baltico durante il XX e il XXI secolo. È autrice del libro Corsica fatal, Malta baluardo di romanità. L’irredentismo fascista nel Mare nostrum (1922-1942) (Firenze, Le Monnier, 2015).
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La vicenda degli Internati Militari Italiani dopo l’8 settembre in Germania è una pagina di storia su cui la storiografia ha taciuto per lungo tempo. Le ragioni sono molteplici e attengono al ...giudizio storico sugli anni del fascismo e sulla memoria della resistenza. Dare voce ai sopravvissuti, riportando le loro testimonianze orali, significa interrogarsi sui caratteri di quella zona grigia, la cui analisi deve partire dal rifiuto delle categorie dicotomiche fascismo antifascismo. Gli internati siciliani rappresentano un caso studio di grande interesse a causa dello status peculiare della loro terra d’origine. Liberata dagli Alleati, la Sicilia non prese parte al movimento resistenziale interno ma i deportati in Germania parteciparono a una forma resistenziale alternativa
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan ...Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
This text weaves reflections on the (im)possibility of foregrounding caste-subalterns’, specifically Dalits’ experiences and imaginations of the Bengal Famine of 1943. This text is in conjunction ...with, next to, between, and in/out of the film You deny my living and I defy my death. The film has emerged as a result of a collaborative-performative workshop between two caste-subalterns, initiated and organized in the context of a PhD in Artistic Practice. Just like the workshop, the film is also animated by the desire to complicate the dominant representational realm ascribed to Dalits, which often is either essentialising or reductive. The film explores methodological and aesthetical approaches to go beyond the default imaginaries. Constructed across multiple modes, genres, fragments, and layers, this text aims to expand, extend, inflect, and build on the key themes explored in the workshop and the film. Some text precedes the workshop and film, some emerged during the process, and some have come afterwards. Mobilising iterative and assemblage-style writing, this text anchors itself in the Bengal Famine of 1943 to critically engage with ideas around ‘critical presence’ and the ‘representation’ of Dalits. The text also aims to explore notions around malnutrition, hunger, starvation, and famine as categories, ‘recovery and representation’ of caste-subaltern histories in the context of famine, opacity and affect as aesthetic choices, and collaborative practices as a method.
This text weaves reflections on the (im)possibility of foregrounding caste-subalterns’, specifically Dalits’ experiences and imaginations of the Bengal Famine of 1943. This text is in conjunction ...with, next to, between, and in/out of the film You deny my living and I defy my death. The film has emerged as a result of a collaborative-performative workshop between two caste-subalterns, initiated and organized in the context of a PhD in Artistic Practice. Just like the workshop, the film is also animated by the desire to complicate the dominant representational realm ascribed to Dalits, which often is either essentialising or reductive. The film explores methodological and aesthetical approaches to go beyond the default imaginaries. Constructed across multiple modes, genres, fragments, and layers, this text aims to expand, extend, inflect, and build on the key themes explored in the workshop and the film. Some text precedes the workshop and film, some emerged during the process, and some have come afterwards. Mobilising iterative and assemblage-style writing, this text anchors itself in the Bengal Famine of 1943 to critically engage with ideas around ‘critical presence’ and the ‘representation’ of Dalits. The text also aims to explore notions around malnutrition, hunger, starvation, and famine as categories, ‘recovery and representation’ of caste-subaltern histories in the context of famine, opacity and affect as aesthetic choices, and collaborative practices as a method.
Questioning the resistance to change of the West in constant crisis, and framed by early writings of Max Horkheimer and others, John E. O'Brien's historical-materialist method explores the contested ...perspectives of Voltaire, Schiller, Baudrillard, Foucault, Eagleton and Hayden White.
Sería importante que la Catequesis tomara en serio los cambios socio-culturales y religiosos que provoca la tecnologización de música e imagen… Esta es la propuesta Vincent-Paul Toccoli, quien busca ...con su propio trabajo y creatividad, rescatar el espacio de la palabra, una vez entregado su mensaje. "Vincent Paul'Toccoli es narrador: le gustan las historias, le gusta contarlas, sabe contarlas de una manera viva. Cuando cuenta los relatos de la biblia, él arrastra, apasiona, conmueve. Ha dedicado sus últimos años, en su estudio en Niza (Jean Bosco Service International) a esa difícil tarea de transmitir la Buena Nueva a los jóvenes, de más de 28 nacionalidades, y de 17 confesiones diferentes, a través de la trialéctica cristiana: vida-muerte-bienaventuranza, a través del ingenioso método del auviclip, una secuencia sonora e icónica que despierta la palabra del espectoauditor.
The Work of Terrence Malick: Time-Based Ecocinema develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time. Current work on Malick's films emphasizes ...the spatial dynamics of his cinema, particularly as it pertains, from within a phenomenological framework, to the viewer's experience of films. This book redirects scholarly attention to the way Malick's directorial work shapes time and duration, laying new groundwork for the analysis of how films unsettle nature-culture binaries in modernity. The study performs this intervention through a rigorous engagement with Walter Benjamin's work on time, violence and technologies and the emergent figural approach to aesthetics in film studies. Each of these methods has important precedents in film studies and other fields. The combination of methods performed in this book contributes to understanding the relevance of a time-based approach to Malick's films and the practical implications of a time-based relation to history in contemporary ecocinema discourses.
