In the first decade of a new century, this collection of bilingual essays examines Camus's continuing popularity for a new generation of readers. In crucial respects, the world Camus knew has changed ...beyond all recognition: decolonization, the fall of the Iron Curtain, a new era of globalization and the rise of new forms of terrorism have all provoked a reconsideration of Camus's writings. If the Absurd once struck a particular chord, Meursault is as likely now to be seen as a colonial figure who expresses the alienation of the settler from the land of his birth. Yet this increasing orthodoxy must also take account of the reasons why a new community of Algerian readers have embraced Camus. Equally, once isolated because of his anti-Communist stance, Camus has been taken up by disaffected members of the Left, convinced that new forms of totalitarianism are abroad in the world. This volume, which ranges from interpretations of Camus's literary works, his journalism and his political writings, will be of interest to all those seeking to re-evaluate Camus's work in the light of ethical and political issues that are of continuing relevance today.
This handy guide places Albert Camus' The Stranger, one of the seminal texts of existentialism and twentieth-century literature in general, in the context of French and French-Algerian history and ...culture. In it, Patrick McCarthy examines the way the work undermines traditional concepts of fiction. In addition, he explores the parallels and the contrasts between Albert Camus's work and that of Jean-Paul Sartre. Overall, this account provides students with a useful companion to The Stranger. This second edition boasts a revised guide to further reading and a new chapter on Camus and the Algerian War.
Adopting an interdisciplinary approach, encompassing philosophy, literature, politics and history, John Foley examines the full breadth of Camus' ideas to provide a comprehensive and rigorous guide ...to his political and philosophical thought and a significant contribution to a range of debates current in Camus research. Foley argues that the coherence of Camus' thought can best be understood through a thorough understanding of the concepts of "the absurd" and "revolt" as well as the relation between them. The book includes a detailed discussion of Camus' writings for the newspaper Combat, a systematic analysis of Camus' discussion of the moral legitimacy of political violence and terrorism, a reassessment of the prevailing postcolonial critique of Camus' humanism, and a sustained analysis of Camus' most important and frequently neglected work, "Homme révolté" (The Rebel). Written with sufficient detail and clarity to satisfy both academic and student audiences, the book is an important discussion and defence of Camus' philosophical thought.
Prenant la suite du Professeur Hüseyin Gümüs (Université de Marmara, Istanbul), Rédacteur en chef de la revue Synergies Turquie de 2013 a 2018 que nous remercions tous chaleureusement pour ces six ...précieuses années, j'ai le plaisir et l'honneur de présenter ce douzieme numéro intitulé Textes littéraires : analyses et applications.
Avant-propos Delvallée, Bruno
Synergies Turquie,
01/2019
12
Journal Article
Recenzirano
Odprti dostop
Ce nouveau numro de la revue Synergies Turquie runit un ensemble de contributions dune grande richesse et livre au lecteur un large ventail darticles concernant les domaines linguistiques, ...littraires, socioculturels et pdagogiques regroups cette fois-ci sous la thmatique plurielle Textes littraires : analyses et applications.
The relationship between the thought of Albert Camus and Simone Weil has been partially explored by scholars since their deaths. However, current scholarship does not fully explain the influence ...Weil's life and work had on Camus' esthetics, a full treatment of which is necessary to truly understand the significance of Camus' adoption of the idea of the rebel as artist. Camus' thought progresses significantly from his early esthetics of the will in his Essay on Music, affirming art as fundamentally an egoistic act, to a later esthetics of transcendence, affirming the selflessness of artistic rebellion. This paper argues that Camus' development both mirrors Weil's own philosophical development and corresponds to Camus' exposure to and assimilation of Weil's thought on decreation, beauty, and the transcendent. By establishing that Camus' development in his esthetic and political theories corresponds to his exposure to and praise of Weil, I argue that Weil's influence on Camus explains his later turn away from Nietzsche and to the affirmation of human nature, beauty in the world, and selfless rebellion and creation.
Celotno besedilo
Dostopno za:
BFBNIB, DOBA, IZUM, KILJ, NUK, ODKLJ, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
This book deals with the linguistic treatment of tense-aspect-modal-evidential (TAME) expressions in translations of the French novel L'Étranger by Albert Camus into sixteen languages. It is strongly ...empirical in spirit, and uses the method of contrastive linguistics and multilingual comparison through the use of parallel corpora.
