In the first critical study wholly devoted to Joseph Conrad's use of techniques associated with the literary tradition of romance, Katherine Isobel Baxter argues that Conrad's engagement with the ...genre invigorated his work throughout his career. Exploring the ways in which Conrad borrows from, alludes to, and subverts the tropes of romance, Baxter suggests that Conrad's ambivalent relationship with popular forms like the adventure novel is revealed in the way he uses romance conventions to disrupt narrative expectations and make visible ethical problems with Europe's colonial project. Baxter examines not only familiar novels like Lord Jim but also less-studied works such as Romance and The Rover, using Robert Miles's model of the 'philosophical romance' to show that for Conrad, romance is also philosophically engaged with issues of ideology. Her study enables a new appreciation of the ways in which Conrad continued to experiment, even in his later fiction, and of the ethical import of that aesthetic experimentation.
Contents: Introduction; Part 1 'Heart of Darkness' and Lord Jim: 'Heart of darkness' and the modern quest; Lord Jim: other words, other worlds. Part 2 Romance, Nostromo, and Chance: Anti-philosophical Romance; Nostromo: not the man; Power, gender and laughter in Chance. Part 3 Victory, The Rescue, and The Rover: Victory: 'damned tricks' and girls; Theatre and incomprehension in The Rescue; The Rover: reconciliation of sorts; Bibliography; Index
Our Conrad is about the American reception of Joseph Conrad and its crucial role in the formation of American modernism. Although Conrad did not visit the country until a year before his death, his ...fiction served as both foil and mirror to America's conception of itself and its place in the world. Peter Mallios reveals the historical and political factors that made Conrad's work valuable to a range of prominent figures—including Fitzgerald, Faulkner, Richard Wright, Woodrow Wilson, and Theodore and Edith Roosevelt—and explores regional differences in Conrad's reception. He proves that foreign-authored writing can be as integral a part of United States culture as that of any native. Arguing that an individual writer's apparent (national, gendered, racial, political) identity is not always a good predictor of the diversity of voices and dialogues to which he gives rise, this exercise in transnational comparativism participates in post-Americanist efforts to render American Studies less insular and parochial.
This book explores the interaction between corpus stylistics and translation studies. It shows how corpus methods can be used to compare literary texts to their translations, through the analysis of ...Joseph Conrad’s Heart of Darkness and four of its Italian translations. The comparison focuses on stylistic features related to the major themes of Heart of Darkness. By combining quantitative and qualitative techniques, Mastropierro discusses how alterations to the original’s stylistic features can affect the interpretation of the themes in translation. The discussion illuminates the manipulative effects that translating can have on the reception of a text, showing how textual alterations can trigger different readings. This book advances the multidisciplinary dialogue between corpus linguistics and translation studies and is a valuable resource for students and researchers interested in the application of corpus approaches to stylistics and translation.
This study argues that Conrad portrays Marlow and his relationships with a psychological depth that is unsurpassed in literature. In Youth, Heart of Darkness and Lord Jim, he is a ...continuously-evolving character whose thoughts, feelings, and behaviours are expressions of his personality and experience.
A sequel to A Portrait in Letters: Correspondence to and about Joseph Conrad (Rodopi, 1995), this volume collects and annotates letters to Joseph Conrad by his family, friends, admirers, and ...publishers. An indispensable companion to the writer's own letters, it restores the quality of exchange, interaction, and debate that belongs to a major correspondence. It also leads to a fuller, more rounded picture of Conrad in his personal and professional dealings: both of the mutualities and rituals that underpinned his close friendships and of the terms underlying his mutual disagreements with others. Familiar names are here - Arnold Bennett, John Galsworthy, Edward Garnett, Ford Madox Ford, Bertrand Russell, and H. G. Wells - although in largely unfamiliar form, through unpublished or inaccessible materials. Another notable feature of the volume is the newly recovered correspondence relating to the implementation, by Henry Newbolt and William Rothenstein, of the Royal Bounty Fund grant awarded during one of Conrad's most severe financial crises (1904-06). An essential resource for the scholar, this vivid collection can also be read with pleasure by the general reader for the light it throws on Conrad the man and writer and the rich context in which he moved.
Testimony on trial Artese, Brian
Testimony on trial,
c2012, 20121231, 2017, 2012, 2011, 2012-12-31, 2011-12-01
eBook
"Who is a more authoritative source of information -- the person who experiences it firsthand, or a more 'impartial' authority? In the late nineteenth century, testimony became a common feature of ...literary works both fact and fiction. But with the rise of new journalism, the power of testimony could be undermined by anonymous, institutional voices -- a Victorian subversion which continues to this day."
"Testimony on Trial examines the conflicts over testimony through the eyes of two of its major combatants, Joseph Conrad and Henry James. Brian Artese finds an overlooked yet direct inspiration for Heart of Darkness in the anti-testimonial scheming of Henry Morton Stanley and the New York Herald. Through new readings of works including Lord Jim and The Portrait of a Lady, Artese demonstrates how the cultural conditions that worked against testimony fed into a nascent conflict about the meaning of modernism itself."--pub. desc.
The essays in this collection examine Conrad's engagement with specific lexical sets and terminology - maritime language, the language of terror, and abstract language; issues of linguistic ...communication - speech, hearing, and writing; and his relationship to specific languages.
Conrad's Lord Jim Stape, J. H; Sullivan II, Ernest W
2011, Letnik:
5
eBook
Written in 1899-1900, Lord Jim is one of the key works of literary Modernism. A novel of immense power, it has never been out of print, attracting readers for over a century and variously influencing ...the development of twentieth-century fiction. This page-by-page transcription of the surviving manuscript and fragmentary typescript offers a privileged glimpse into the writer's workshop, allowing a reader to follow closely the evolution of character, narrative technique, and themes. Accompanying the transcription of the novel (about half of which survives) are supplementary materials that contribute to the story of its history: a new transcription of "Tuan Jim" (the Ur-version of the opening chapters) and the draft version of Conrad's 1917 "Author's Note" to the novel. Lord Jim: A Transcription of the Manuscript makes available for the first time material housed in far-flung archives and encourages genetic approaches to a work acclaimed for its polished style, virtuoso effects, and narrative complexity. A "must have" in the library of any scholar of late-Victorian and Modernist fiction, this volume will attract all readers with a serious interest in the art of fiction.
In this comprehensive analysis, Richard Ruppel, a former president of the Joseph Conrad Society of America, reveals the radical contingency of the politics in Conrad's major fiction. A Political ...Genealogy of Joseph Conrad is the first full-length analysis of Conrad's politics since the 1960s.
