New Music at Darmstadt explores the rise and fall of the so-called 'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the ...Darmstadt New Music Courses and the slow development and subsequent collapse of the idea of the Darmstadt School, showing how participants in the West German new music scene, including Herbert Eimert and a range of journalistic commentators, created an image of a coherent entity, despite the very diverse range of compositional practices on display at the courses. The book also explores the collapse of the seeming collegiality of the Darmstadt composers, which crystallised around the arrival there in 1958 of the most famous, and notorious, of all post-war composers, John Cage, an event Carl Dahlhaus opined 'swept across the European avant-garde like a natural disaster'.
Introduction : listening to the archives : Black lesbian literature and queer memory -- Desirous mistresses and unruly slaves : neo-slave narratives, property, power, and desire -- Small movements : ...queer blues epistemologies in Cherry Muhanji's Her -- "Mens womens some that is both some that is neither" : spiritual epistemology and queering the Black rural South in the work of Sharon Bridgforth -- "Make it up and trace it back" : remembering Black trans subjectivity in Jackie Kay's Trumpet -- What grace was : erotic epistemologies and diasporic belonging in Dionne Brand's In another place, not here -- Epilogue : grieving the queer : anti-Black violence and black collective memory
Touching on the role and destiny of Haiti in the Americas, Haiti Unbound engages with long-standing issues of imperialism and resistance culture in the transatlantic world. Glover's timely project ...emphatically articulates Haiti's regional and global centrality, combining vital 'big picture' reflections on the field of postcolonial studies with elegant close-reading-based analyses of the philosophical perspective and creative practice of a distinctively Haitian literary phenomenon. Providing insightful and sophisticated blueprints for the reading and teaching of the Spiralists' prose fiction, it will serve as a point of reference for the works of these authors and for the singular socio-political space out of and within which they write.
Søren Kierkegaard is a fascinating author. Living shortly after the dawn of modernity in the Enlightenment, he restates classical Christianity in dynamic fashion. His Lutheran heritage is vital here ...as he places ‘faith’ over ‘reason’. Yet Kierkegaard also holds decidedly pre-modern epistemological presuppositions that are supportive of his endeavour. After an initial chapter on Kierkegaard's intellectual milieu, the book expounds with reference to the philosophical and historical context of seven of his major texts, ranging across theological, ethical, social and political questions. A final chapter, on an autobiographical text, allows for an estimate of Kierkegaard as a person. The book does not however simply depict Kierkegaard. In the ‘Critique’ with which each chapter concludes, the book carries on a lively debate with Kierkegaard. Questions range from his indifference to biblical historical criticism, his lack of a sense for causality and for the regularity of nature, and his early a-political outlook. Whatever one's theological evaluation, Kierkegaard has insights that are abiding; into the nature of the self in relation to God, the manner of according dignity to others, and the need to prioritise rightly in life.
When Cleopatra expresses a desire to die 'after the high Roman fashion', acting in accordance with 'what's brave, what's noble', Shakespeare is suggesting that there are certain values that are ...characteristically Roman. The use of the terms 'Rome' and 'Roman' in Julius Caesar, Antony and Cleopatra or Jonson's Sejanus often carry the implication that most people fail to live up to this ideal of conduct, that very few Romans are worthy of the name. In this book Chernaik demonstrates how, in these plays, Roman values are held up to critical scrutiny. The plays of Shakespeare, Jonson, Massinger and Chapman often present a much darker image of Rome, as exemplifying barbarism rather than civility. Through a comparative analysis of the Roman plays of Shakespeare and his contemporaries, and including detailed discussion of the classical historians Livy, Tacitus and Plutarch, this study examines the uses of Roman history - 'the myth of Rome' - in Shakespeare's age.
This book analyzes William of Ockham's early theory of property rights alongside those of his fellow dissident Franciscans, paying careful attention to each friar's use of Roman and civil law, which ...provided the conceptual building blocks of the poverty controversy.
An intriguing portrait of Israel’s “Generation X,” and the perceived decline in Zionism among contemporary urban Israeli youth between the Palestinian uprisings that began in 1987 and 2000
In a series of articles published inTait's Magazinein 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor ...Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? InPlagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.
Carnival and crisis in three stories by Nathaniel Hawthorne -- Oppositionality in Fielding's Tom Jones -- Carnival diminished : the secret springs of Tristram Shandy -- Non-carnivalesque ...oppositionality : Jane Austen and the golden mean -- Checks and balances : Charles Dickens's A tale of two cities -- Across the boundaries of the self : George Eliot's Daniel Deronda -- Carnival reversals : Thomas Hardy's The mayor of Casterbridge -- Morphology of crisis : non-contact measurement of self in Conrad's "The secret sharer" -- Carnivalization : throwaways in Joyce's Ulysses -- Discourse of Lent : Kafka's "A hunger artist" and Shalamov's "The artist of the spade".
