V drami Herkul na Ojti (Hercules Oetaeus), Seneki pripisani dramski upodobitvi zgodbe o Herkulu in Dejanejri, zasledimo jasno razpoznavne poteze stoiške filozofije. Najbolj očiten pokazatelj tega je ...izpostavljen dramski položaj Herkulove apoteoze, s čimer ta drama pridobi izrazit metafizično-kozmični značaj. Toda kljub temu da je ta filozofska poanta bistveno bolj neposredno poudarjena kot v Sofoklovih Trahinkah, ki so nedvomno bile temeljni literarni zgled drame, ne smemo zanemariti psiholoških uvidov, povezanih predvsem z Dejanejrinim odzivom na Iolin prihod. Tu smo priče pravemu labirintu čustev, ki prihaja na dan v dolgih monologih in burnih dialogih, ki nam slikajo kompleksno Dejanejrino notranjost. V težkem bivanjskem položaju se je odločila za usodno dejanje in z njim zadala Herkulu smrtno rano. S tem pa ne umira samo njen mož, ampak, kot pravi sama, tudi rešitelj in branitelj sveta. Lik Herkula v drami namreč presega meje človeške individualnosti, saj povsem v skladu s stoiško mislijo v sebi povezuje posamezno in kozmično. Njegova zadnja in največja preizkušnja je soočenje z lastno smrtjo – to je poslednji preizkus njegovega herojstva, preizkus, ki mu naposled prinese apoteozo, po kateri je goreče hrepenel.
Il libro raccoglie i contributi presentati nel corso del primo Seminario internazionale METra (Mapping Epic in Tragedy – Epica e tragedia greca: una mappatura) svoltosi nel maggio del 2021 presso ...l’Università degli Studi di Verona. Il fine di questo volume – e del progetto da cui prende le mosse – è sondare i confini della ricca e frastagliata eredità dell’epica greca arcaica (in primis Omero) nel dramma attico. Tale eredità viene qui indagata secondo direttrici molteplici e multidisciplinari: dall’analisi linguistica e metrica all’esegesi filologica, stilistico-letteraria e drammaturgica, dalle prospettive della ricerca antropologica e storico-religiosa a quelle della storia culturale e delle idee. I saggi costituiscono – per quanto in modo inevitabilmente parziale – una prima, provvisoria ma già estesa mappatura delle fertili, continue e innovative rivisitazioni in chiave drammatica del patrimonio mitico, linguistico e culturale dell’epica messe in opera dai grandi tragediografi del V secolo a.C.
This chapter is focused, in the first part, on the character of Deianeira, especially on her relationship with Achelous, Nessus, and Heracles and how she deals with them. The consequences of these ...relations are negative, as her name implies (“killer of men”). They are defeated or killed. However, some authors exonerate Deianeira of culpability for Heracles’ death. The death of Heracles and his following apotheosis are examined in the second part. Once he is burned both by the poisoned tunic and the pyre, Heracles’ afterlife is located both in Hades (his mortal part) and with the gods (his immortal part), among whom he enjoys a second youth and a marriage to Hebe, as a prize for his worldly sufferings. Finally, the chapter ends with an analysis of Deianeira’s associations with magic.
This chapter briefly discusses aspects of the material culture of seventh-century
bce
Boiotia in general and makes specific reference to sites and areas of relevance in studying Hesiod, in particular ...Askra, Thespiai, the Valley of the Muses, Thebes, Plataiai, and Akraiphnia. It pays special attention to the sanctuary of Apollo on the Ismenion hill and to the Herakleion in Thebes, the sanctuary of the hero Herakles, who was worshipped there as an epichoric figure, and discusses inscriptions and finds from these two sites. The chapter also offers a view of Boiotia and of the environs of Thebes in particular as an early Greek center for artistic production during the time of Hesiod, as shown through vase painting, figurines, early writing, sculpture, and an artist’s signature.
Provider: - Institution: - Data provided by Europeana Collections- Dresden-Altstadt. "Entführung der Deianira durch den Kentaur Nessus" (A. Corradini), Hauptallee im Großen Garten- aus Kunststoff in ...schwarzweiß, quer- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Nessus raubt Dejanira Karpinski, Jürgen (Herstellung) (Fotograf)
1995 (Aufnahme)
Image
Provider: - Institution: - Data provided by Europeana Collections- Von allen Seiten schön. Bronzen der Renaissance und des Barock. Berlin, 1995. Kat.-Nr. 118 (Veröffentlichung)- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Merian, Matthäus <der Ältere>. Hercules und Antaeus, Deianeira, fünf Taten des Hercules, Hercules und der Flußgott Achelous als ...Stier. Illustration zu J. L. Gottfried: Textauszüge zu Metamorphosen des Ovid, S. 209. Radierung; ca. 13,6 x 9,1 cm. Frankfurt, 1641. Dresden: Kupferstich-Kabinett A 9596 in A 189 b, 2- in schwarzweiß, hoch- J. L. Gottfried: Textauszüge zu Metamorphosen des Ovid, S. 209 (Veröffentlichung)- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Nessos und Deianeira Kramer, Rudolph (Herstellung) (Fotograf)
1962 (Aufnahme)
Image
Provider: - Institution: - Data provided by Europeana Collections- Gemälde "Nessos und Deianeira" (um 1615, P. P. Rubens; Leinwand; 2,555 x 2,245 m; Stiftung Preußische Schlösser und Gärten ...Berlin-Brandenburg (SPSG))- in color, hoch- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Landesdigitalisierungsprogramm Sachsen: Altbestand Deutsche Fotothek (Digitalisierung)- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Landesdigitalisierungsprogramm Sachsen: Altbestand Deutsche Fotothek (Digitalisierung)- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
PDF
