In this article, I analyse the creative opus by the Serbian composer and academician Vlastimir Trajković (1947-2017) through the lens of his 'tributes' to several of his favourite composers and ...musicologists, including Maurice Ravel, Claude Debussy, Olivier Messiaen, and Manuel de Falla. However, Trajković also made a conscious effort to include at least two Serbian musical figures in this 'Pantheon' of greats: his own grandfather, Miloje Milojević (1884-1946), whose modernist and decidedly 'antiromantic' style, strongly influenced by impressionism, had a profound impact on Trajković's own stylistic choices, and Dragutin Gostuški (1923-1998), whose seminal book Vreme umetnosti The Time of Art influenced Trajković's entire poetics. I argue that Trajković built his own artistic identity with the ultimate goal of honouring his 'heroes', while also aiming to broaden the affirmation and acknowledgment of Serbian art music, recognising it as a constitutive element of European musical legacy.
Celotno besedilo
Dostopno za:
BFBNIB, DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
Este artículo trata de reconstruir las puestas en escena en los estrenos parisino (1923) y neoyorkino (1925) del Retablo de Maese Pedro de Manuel de Falla. Ampliamente analizada desde el punto de ...vista musical y literario, esta obra aún carece de suficientes fuentes sobre su escenografía. Previa reflexión sobre la estética y los componentes narrativos, aportamos información sobre las puestas en escena y los artistas que la llevaron a cabo basándonos en fuentes como correspondencia, prensa histórica y consulta con especialistas, con el fin de alumbrar y proporcionar datos para futuras investigaciones y representaciones en vísperas de su centenario.
