Moved by love Sheriff, Mary D
2004., 2008, 2004
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In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was thought this same passionate enthusiasm, if taken to ...unreasonable extremes, could also lead to sexual deviance, mental illness—even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so. Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification for their deviance. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statue through the making of art. He became a model for creative artists, living happily with his statue come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with erotomania their art could not quench. Even so, Sheriff demonstrates, the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for creative women took full advantage of them. Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth- century French culture.
In Abelard and Heloise, a dual intellectual biography of Peter Abelard (1079–1142) and Heloise (d. 1164), I argue that there is a fundamental continuity to the evolution of Abelard’s thought from his ...early concern with dialectic, to his growing interest in theology in the 1120s and in ethical questions in the 1130s. Heloise was much more than the disciple and lover of Abelard. She emerges as a distinct thinker in her own right, deeply versed in classical ideals of friendship and ethics, which she wished to apply to her relationship to Abelard. While they have both functioned as mythic figures in the western imagination, I argue that both participated in a broader 12th-century renewal of interest in both classical literature and in religious reform. I examine Abelard’s dialectic as a theory not just about universals, but about language as a whole. Tracing the maturing of his dialectic from his earliest glosses to the Logica ‘Ingredientibus’, written after his early affair with Heloise (1115–17), I argue that Abelard was initially unable to come to terms with the ethical questions presented by Heloise in her side of messages (Epistolae duorum amantium) they exchanged during those years. After Abelard became a monk at St Denis, he started to write about theology. I trace the evolution of his theological interests, from his early concern with linguistic concerns to increasing preoccupation with the Holy Spirit and divine goodness, as manifest in Jesus. After Heloise, abbess of the Paraclete from 1129, responded to his Historia calamitatum and demanded he pay greater attention to the community he had founded, Abelard started to devote much more attention to commenting on Scripture and to reflecting on the ethical questions with which she had always been concerned. Accusations spread by St Bernard that Abelard promoted heresy distort the true character of his contribution to theology, on which Heloise exercised a profound influence.
The autobiographical and confessional writings of Abelard, Heloise and the Archpoet were concerned with religious authenticity, spiritual sincerity and their opposite - fictio, a composite of ...hypocrisy and dissimulation, lying and irony. How and why moral identity could be feigned or falsified were seen as issues of primary importance, and Peter Godman here restores them to the prominence they once occupied in twelfth-century thought. This book is an account of the relationship between ethics and literature in the work of the most famous authors of the Latin Middle Ages. Combining conceptual analysis with close attention to style and form, it offers a major contribution to the history of the medieval conscience.
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