U ovom se tekstu daje prikaz Zbirke fotografija Iva Foretića, pohranjene u Arhivskom sabirnom centru Korčula-Lastovo. Približava se njezin stvaratelj, opisuje sadržaj, progovara o sređivanju zbirke i ...njezinoj digitalizaciji te se pokušava vrednovati njezin značaj u kontekstu arhivske i fotografske baštine.
U radu se analizira knjižnica blatskog župnika Franka Franulovića prema popisu sastavljenom 1827. godine s ciljem prikaza izgradnje knjižnice i područja koje građa u njoj pokriva. Bibliografsko ...istraživanje i sadržajno označavanje pokazali su da je knjižnica župnika Franulovića izgrađena vlastitim naporima tijekom školovanja i pastoralnog rada u drugoj polovici 18. i početkom 19. stoljeća. Po svom prevladavajućem religijskom sadržaju i broju djela odgovara potrebama jednog dobro obrazovanog župnika. Takva tematika je čini bližom institucionalnim, crkvenim knjižnicama nego ostalim privatnim knjižnicama na Korčuli i u Dalmaciji, a inicijalni rezultati istraživanja ukazuju na zaseban karakter župničkih knjižnica u kontekstu privatnih knjižnica 18. i 19. stoljeća.
The geographic position, climate and history of the island of Korčula are described in the introduction. The island was settled from the early Stone, Bronze and Iron Age. Illyrians, Greeks and Romans ...settled the island. The Greeks of Knidos established a settlement on the western part of the island, and the Greeks of Issa (today’s Vis) established a settlement on the eastern part of the island, probably near the place of today’s Lumbarda. The Lumbarda Psephisma was discovered on the neighbouring hill Koludrt near Lumbarda. The stone indicates the conclusion of the assembly to establish and distribute land parcels to colonists. The contract was made between the Greeks of Issa (Vis) and the domestic Illyrians at the beginning of the 4th or 3rd century BC. The Lumbarda Psephisma is written in Greek. This is one of the oldest written monuments in Croatia. At the same time, it is a monument about the distribution of land to the Greek colonists in Croatia. It is therefore also very significant to Croatian geodesists and jurists.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
In this article the author analyzes the positions of the intellectuals from
the former Yugoslavia, gathered around Praxis journal, toward nationalism, as
well as nationalists? critiques of them, ...mainly from Croatia and Serbia. The
analysis covers up the period from the beginning of Praxis to the first
decade of this century.
Autor analizira stavove intelektualaca s podrucja bivse Jugoslavije,
okupljenih oko casopisa Praxis, prema nacionalizmu, kao i kritike koje su im
upucivali nacionalisti, pre svega iz Hrvatske i Srbije. Analiza obuhvata
period od pojave Praxisa do prve decenije dvadeset prvog veka.
Kameni ciborij iznad glavnog oltara korčulanske katedrale je remek-djelo najvećega
korčulanskog klesara i graditelja Marka Andrijića, s proporcijama zlatnog reza
i elementima pravog renesansnog ...stila. Potkraj 18. stoljeća četvrti, završni
kat krova ciborija je uklonjen, a neki dijelovi su nestali. Donji dio ciborija je
besprijekorno isklesan, dok je osmerostrani krov izrađen znatno lošije, s
brojnim nedovršenostima, pogreškama, preklesavanjima i skraćivanjima. Na
temelju detaljne analize tragova klesarskog alata i promjena geometrije kamenih
elemenata, te studije izvornog ugovora o gradnji, donesen je zaključak da je
donji dio ciborija izradio Marko Andrijić sa svojom radionicom, a gornji dio
klesari koji nisu razumjeli njegov nacrt, odnosno konvenciju prikazivanja
projekcije kosih površina u skraćenju. Srećom, iako je radi ispravka klesarske
pogreške gornji dio ciborija malo sužen i snižen, ukupna proporcija nije se
zbog toga bitno promijenila, pa je nakon restauracije izvornog stanja to
najbolje djelo korčulanske renesanse ponovo zasjalo izvornim sjajem.
The most prominent member of a large family of
stonemasons, and certainly the greatest stonemason and builder from Korčula,
Marko Andrijić learned his trade not only in the workshop of his father, the
famous stonemason Andrija Marković, but also working on numerous commissions
throughout Dalmatia and all the way to Italy. In his home town of Korčula, he
gained fame by working on the modernization of the city fortifications and the
cathedral, which is why the Venetian government appointed him lifelong
protomaster of all public buildings. His work on the completion of the bell tower on
the Cathedral of St. Mark stands out, because he did it in an unprecedented
way, combining an octagonal loggia with a dome, lantern and promenade
surrounded with a balustrade that served as an observatory. In addition to the
bell tower, Andrijić transformed the entire cathedral: he placed vaults above
the side aisles and galleries above them, raised the nave, and decorated the
upper part of the façade with richly carved stonework. He added a sacristy to
the cathedral, a ciborium over the main altar, and a bridge over the street
towards the bishop's court, and built a tomb for Bishop Malumbra. In 1486,
Andrijić agreed to design and build a magnificent ciborium above the main altar
of the cathedral. The extraordinary proportions and brilliantly executed
details of the ciborium, combining the Gothic and Renaissance styles, surpass
local significance. This was the first time that a classical pillar with
entasis and genuine Corinthian capitals, as well as composite capitals with
dolphin and siren motifs, had appeared in Croatian art. The ciborium's
appearance was significantly changed during the complete redesign of the
cathedral’s interior in the Baroque style, undertaken by Bishop Josip Kosirić
at the end of the 18th century. In order for a sculpture of the
Risen Christ to be placed on top, the upper tier of the ciborium roof was
replaced with awkward, curved stone elements that belonged to older church
furniture and had been re-carved to fit the ciborium. Joško Belamarić found the
final tier of Andrijić's ciborium roof in the lapidary of the abbey collection,
turned upside down and converted into a baptismal font. This discovery made it
possible to make an ideal reconstruction of the original appearance by
completing the natural sequence of four openings in the surface of the first-tier
of the ciborium roof to one opening the surface of the fourth-tier. In order to
re-establish the integrity of Andrijić's masterpiece, and taking into account
the angle of parts of the roof on the ciborium and its proportions, a draft was
made with the reconstructed missing elements: eight segments of the third-tier
roof and the small dome. After the upper part of the ciborium was
disassembled to preserve the stone and consolidate the structure, all the stone
elements, holes for fixing metal joints, traces of masonry tools, damage, re-carving
and shortening were inspected and analysed in detail. A stonemason's mark was
found on the upper surface of the architrave, which determined the position of
the elements of the first tier of the roof, which, according to the original
design, should have been about 9 cm wider on all sides. It was concluded that
the perfectly carved lower part of the ciborium was made by Marko Andrijić in
his workshop, and the inferior roof was made by stonemasons who did not
understand his design. In order to understand what exactly happened and to be
able to make the right conservation decision on how to restore the ciborium, it
was necessary to return to the original construction contract, kept in the
Zadar State Archives. A complete transcription and translation of the contract,
with the payments written in the margins, was made. Master Marko Andrijić
committed to carving a ciborium of stone from Vrnik and based on the design he
had made, in the following two years for the price of one hundred and fifteen
ducats. If he failed to complete the ciborium within the agreed time, the
master had to pay a fine, but he was allowed to let other master stonemasons
complete the work in that case. Judging by the recorded payments, the
construction of the ciborium took six years instead of two, and Marko did not
pay a fine, and he even received about seven ducats more than the agreed price.
The excess payment probably relates to the statues of the Annunciation, which
had to be contracted subsequently with an annex that has not yet been found.
After about two-thirds of the ciborium was complete, the work was stopped, and
after more than two years, work was continued, probably by one of Marko's
brothers, but he was not up to the task. Due to an error in transferring the
dimensions and angle of inclination of the roof surfaces from the draft, the
replacement masters had to re-carve the already-executed elements of the first-tier
roof and improvise to fill the resulting cavities. As a result of these errors,
the roof of the ciborium was narrowed and lowered. However, viewed as a whole,
the proportional system of the ciborium, consisting of four rectangles of the
golden ratio placed one above the other, is not significantly affected by a
small but proportional reduction in the dimensions of the roof. Between 2014 and
2019, the Croatian Conservation Institute repaired the damaged elements, carved
the missing parts, and re-assembled and connected the upper part of the
ciborium with metal clamps filled with lead, with all the necessary
reinforcement of the structure. After more than two centuries, the best work of
Korčula's architectural and stoneworking art was once again made whole.
Hodočasnički putopisi rijetka su svjedočanstva pogleda stranaca na našu obalu u XV. i XVI. stoljeću. Korčula je bila jedna od važnijih luka na dužobalnoj jadranskoj ruti od Venecije do Krfa. Iako je ...većina zapisa o Korčuli kratka i usputna, dvojica hodočasnika, jedan u XV., a drugi u XVI. st., ostavili su zanimljive opservacije o gradu i otoku Korčuli u ranom novom vijeku.
Donosi se ugovor iz 1564. za klesanje kamena nove lože u Zadru s Jerolimom Bokanićem pok. Ivana te Petrom Crešaninom. Za katedralni zvonik u Trogiru pokazuje se, da mu je drugi kat bio podignut tek ...krajem 16. st., po nacrtu Mlečanina prota Anzola, a u izvedbi radionice Bokanić, te da mu je završetak doista izveden prema projektu majstora Tripuna. U Hvaru se Tripunu i radionici pripisuju konzole na kućama Stajlić, Pervaneo i Machiedo, te eventualno projekt nadogradnje južne kuće Stajlić, a u Korčuli ranija katedralna krstionica, i konzole kuće u ulici Arneri.
Gajo Petrovic’s Praxis Jaksic, Bozidar
Filozofija i društvo (Zbornik radova),
2007, Letnik:
18, Številka:
2
Journal Article
Recenzirano
Odprti dostop
The author?s approach is based on three premises: 1. that Gajo Petrovic?s Praxis was an outstanding phenomenon in Croatian, Yugoslav and European culture, a challenge of freedom in a repressive ...society; 2. that there has never been such a thing as "Praxis group", "philosophers of practice" or "Praxis philosophers" with a unified philosophical and socio-theoretical orientation; and 3. that political and ideological attacks on Praxis were part of the repressive system that targeted every instance of cultural and scientific dissent. The political leadership of Tito?s regime, its ideological and propaganda apparatus systematically disseminated allegations, denunciations and accusations against Praxis and Gajo Petrovic. The same style has survived through radical historical changes from the appearance of Praxis until today. The attackers have often been the same persons, with the difference that in earlier times they denounced Praxis and Gajo Petrovic as enemies of "socialism" and the "socialist self-management system", and in the changed political fashion as "servants" of Tito?s authoritarian rule. The fate of Praxis in the former regime has been triumphantly interpreted as a "family quarrel". This paper attempts a sociological analysis of the political destiny of Praxis. The analysis is essentially determined not by old and new political and ideological questionings of Praxis, but by Gajo Petrovic?s fundamental belief that there is no freedom without the human or humanity without freedom. .
Osnovu autorovog pristupa cine tri stava: 1. da je Praxis Gaje Petrovica bio izuzetna pojava u hrvatskoj, jugoslovenskoj i evropskoj kulturi, izazov slobode u drustvu represije; 2. da ne postoji tako nesto kao "praxis-grupa", "filozofi prakse" ili "praxis filozofi" koji bi imali jedinstvenu filozofsku ili drustveno-teorijsku orijentaciju; 3. da su politicka i ideoloska osporavanja Praxisa bila deo represivnog sistema kojem je bilo podvrgnuto svako neistomisljenistvo u kulturi i nauci. Politicki vrh Titovog rezima, njegov ideoloski i propagandni aparat sistematski su sirili insinuacije, denuncijacije i optuzbe o Praxisu i Gaji Petrovicu, da bi taj manir u bitno promenjenim istorijskim okolnostima, trajao od pojave Praxisa do danasnjeg dana. Cesto su i akteri napada bile iste osobe, samo sto su nekada osporavali Praxis i Gaju Petrovica kao neprijatelje "socijalizma" i "sistema socijalistickog samoupravljanja", a u promenjenoj politickoj modi kao "sluge" Titove autoritarne vladavine. Sudbinu Praxisa u prethodnom rezimu slavodobitno su tumacili kao "obracun u obitelji". Rad je pokusaj socioloske analize politicke sudbine Praxisa, koju ce bitno odrediti temeljno uverenje Gaje Petrovica da nema slobode bez coveka ni ljudskosti bez slobode, a ne stara i nova politicka i ideoloska osporavanja Praxisa. .
Autor je istražio najranije spomene Vele Luke u zapisima Arhiva stare korčulanske komune koji se čuva u Državnom arhivu u Zadru. Poznata je činjenica da je Vela Luka kao zasebna administrativna ...cjelina formirana tek početkom 19. st, pa se postavljalo pitanje nije li to područje i ranije uživalo u barem donekle izdvojenom položaju unutar okruga sela Blata. Pregledom arhivalija konstatirano je da se je širi prostor Vele Luke vrlo rijetko spominjao i to isključivo kao toponim koji administrativno pripada Blatu. Najraniji spomen odnosi se na godinu 1375., a od tada do prvih desetljeća 15. st., Vela Luka i njoj pripadajući predjeli (Lučica, Žukova, Vela spila…), nekoliko danas neubiciranih položaja (Grubinjanine lazi, Vatasa laz, Jurja Veloevića las…), kao i otočići vezani uz zaljev, spominju se više puta, ali ne tako često kao ostali toponimi na zapadnom dijelu otoka. Posebnu vrijednost čine osobna imena vezana uz, najčešće, sudske isprave, pa su na taj način postala poznata najstarija velolučka imena.
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