The present article offers an art-historical analysis of the indulgence letter issued in Avignon on 6 November 1347 for the monastery of Kostanjevica in present-day Slovenia. It is believed that a ...workshop responsible for writing and decorating indulgence letters was organized in Avignon after the Popes moved there from Rome, and several iconographic and stylistic affinities speak in favour of the Kostanjevica charter being decorated precisely in this work environment. The Avignon workshop supposedly expanded in the 1340s, which presumably led to the division of labour within the workshop, meaning that one charter’s decoration could be the result of a joint effort. The present article discusses possible evidence to corroborate or reject this statement in the case of the Kostanjevica indulgence letter.
A recent slip-rate of an active fault is a very important seismotectonic parameter, but not easy to determine. Idrija fault, 120 km long, is a prominent geomorphologic feature with large seismogenic ...potential, still needed to be researched. Measurements of tectonic micro-displacements can provide insight into its recent activity. The Učja valley extends transversally to the Idrija fault and was therefore selected for the installation of TM 71 extensometer. Measurements on the crack within its inner fault zone are conducted from the year 2004. In 14 years of observations a systematic horizontal displacements with average rate of 0.21 mm/year and subordinate vertical displacements of 0.06 mm/year were established, proving the activity of this fault. An overview of methods of displacement measurements related to active faults and of newer interdisciplinary investigations of the Idrija fault is given. Displacement rates are beside for geodynamic interpretations important for improvement of seismotectonic models and thus for better seismic hazard assessment.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, UILJ, UKNU, UL, UM, UPUK
The present article offers an art-historical analysis of the indulgence letter issued in Avignon on 6 November 1347 for the monastery of Kostanjevica in present-day Slovenia. It is believed that a ...workshop responsible for writing and decorating indulgence letters was organized in Avignon after the Popes moved there from Rome, and several iconographic and stylistic affinities speak in favour of the Kostanjevica charter being decorated precisely in this work environment. The Avignon workshop supposedly expanded in the 1340s, which presumably led to the division of labour within the workshop, meaning that one charter’s decoration could be the result of a joint effort. The present article discusses possible evidence to corroborate or reject this statement in the case of the Kostanjevica indulgence letter.
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Cviček se ne boji EU. Z vstopom Slovenije v Evropsko unijo bo na slovenskem trgu še več evropskih vin, kot jih je sedaj. V Kmečki zadrugi Krško se te konkurence ne bojijo - njihov cviček se namreč doma z lahkoto prodaja, kljub temu pa so se že pripravili, da bi bolj odločno stopili tudi na skupni evropski trg.- Information:- The town of Krško: Cviček (a sort of wine) is entering the EU market. Statements by Anton Planinc, manager of Kmečka zadruga Krško (Krško Agricultural Co-operative); and Janez Živič, quality controller at KZ Krško.- Original language summary:
Krško: cviček vstopa na evropsko tržišče: izjavi Anton Planinc, direktor Kmečke zadruge Krško in Janez Živič, predstavnik vodstva za kakovost KZ Krško.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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EXTENDED DESCRIPTION: Forma viva v Kostanjevici.
Takole se oglašajo te dni dleta kiparjev - udeležencev Forme ...vive v senci kostanjeviških grajskih zidov. Pet umetnikov iz Avstrije, Anglije, Japonske, Romunije in Jugoslavije se je zagrizlo v hrastova debla Krakovske hoste, da bi iz njih izvabilo likovni trenutek, ki ga doživljajo vsak v svojem delu sveta in v tem izjemnem okolju zapustilo sled svoje vizije življenja. Čeprav je morda preuranjeno, kateremukoli delu izmed petih nastajajočih dajati prednost pred drugim, pa je vendar moč trditi, da je profesor za likovno umetnost na Colledgu blizu Londona Ian Walters najbolj angažiran umetnik. Svojo skulpturo je zasnoval kot organizem, pripet na najbolj revolucionarno človekovo odkritje - kolo. Z njo želi izraziti svoj odpor proti vsakršnemu nasilju. Svobodni ustvarjalec iz Avstrije Karl Kessler upodablja vdor civilizacije v naravo kot nujno posledico človeškega razvoja. Svojo plastiko iz poliestra bo komponiral v rastoče drevo ob potoku in sicer tako, da ne bo ovirala rasti, morda stoletnega starca. Marsikomu je težko z besedami izraziti sporočilo stvaritve. Iskanje novih oblik in prostora v času je značilno tako za Romuna Marianova iz Temišvara kot tudi za Japonca Shimada Koichiro iz Tokia. Oblikovanje primerjajo z glasbo, dojemanje umetnine pa kot pravico in možnost posameznika, ki ob soočanju odkriva njeno sporočilo. Za nas je še posebej zanimiv Slovenec Janez Zorko, ki že deset let živi v Parizu, koder se je prebil med kiparsko elito, saj je postal predavatelj na Inštitutu za umetnost na Sorboni, kjer predava kiparsko realizacijo. Svoje pedagoško delo je posvetil že 300 učencem in se uvrstil med najbolj zveneča imena pariške likovne umetnosti. Njegovo iskanje je usmerjeno v čistost oblike in snovi iz katere jo izvablja. Ni dvoma, da postaja Kostanjevica na Krki nekakšna Meka uveljavljenih imen likovnega sveta, saj ji je svoja kiparska dela darovalo že 68 umetnikov in s tem odprlo edinstveno galerijo v lesu. Dandanes obišče ta kraj že 100.000 ljudi vsako leto. Pri uveljavljanju policentrizma v slovenski kulturi je torej zarezala globoko brazdo v naš prostor. Nikakor ni moč mimo dejstva, da se ob dolenjskem festivalu sredi podeželja zvrsti še okrog 20 kulturnih prireditev, od dramskih, opernih in baletnih predstav, do koncertnih nastopov z izbranim sporedom. Kulturni skupnosti uspeva s posluhom delovnih organizacij vzdrževati ekipo 20 delavcev, ki kos za kosom obnavljajo samostan iz 13-ega stoletja in ga počasi spreminjajo v funkcionalno ustanovo kulturnega žarišča. Jeseni bodo odprli še hotelski trakt. Sloves in perspektivo pa so pod zelene Gorjance prav gotovo prinesli zvoki kladiv in dlet, ki v poletnih mesecih dolbejo hrastova debla in vanje rišejo svet sodobnega človeka.
Forma Viva is an international project of 'live' sculptures in the open-air that involves sculptors from all over the world, and who have enriched the cultural treasures of Slovenia with around 300 sculptures, just as in Kostanjevica with more than 100 sculptors, where they all are exhibited in natural surroundings within the gardens of a former monastery and in the very heart of the city and surrounding areas. Five artists from Austria, England, Japan, Romania and Yugoslavia have participated this year (1974) at Forma Viva in Kostanjevica. With the carving of oak trunks and leaving behind an artistic sculpture, artists are expressing their current perception of art and projecting their vision of life. There is no doubt that Kostanjevica na Krki established its name as an artistic part of the world as in 1974 the number of its visitors reached 100,000 people and 68 artists donated their sculptures to it, which led to the opening of a unique wood gallery. At the same time a number of cultural events, from drama, opera and ballet performances to concert performances with the selected schedule are also taking place. The sounds of hammers and chisels, with which the sculptors create their visions of the world during summer months, have undoubtedly put this part of Slovenia to the art map.- Information:- Forma Viva in Kostanjevica is an international project of 'live' sculptures in the open-air that involves sculptors from all over the world.- Original language summary:
Posnetek prikazuje utrinke s Forma Vive, mednarodnega kiparskega delovnega srečanja kiparjev na prostem.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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Kostanjevica na Krki: šelmarija, tradicionalni pustni karneval; šelmarji v sprevodu, občni zbor Perfoncenhaus, ...izjava Milan KUPLENIK, konjska vprega in jezdeci, bakle, pogreb, zažiganje pusta.- Kostanjevica na Krki: the traditional Carnival Festival.- Original language summary:
Kostanjevica na Krki: tradicionalni pustni karneval.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Božidar Jakac Art Museum, Kostanjevica na Krki, 2016- All metadata published by Europeana are available free of restriction under ...the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Mirko Zrinšćak, Sculptures exhibition Božidar Jakac Art Museum, Kostanjevica na Krki- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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