This article examines depictions of problem drinking in Emile Zola's 1877 L'Assommoir, situating the novel within contemporaneous writings about alcoholism. While criticism has long found in Zola's ...novel the ruinous effects of hereditary degeneration, I propose that L'Assommoir also illuminates the flaws in nineteenth-century French medical thinking about alcoholism. One curious point about L'Assommoir is that this most famous work of French literature to deal with alcoholic drinking never uses the word alcoholism or alcoholic. Underneath that very elision, though, is a surprising amount of clarity and modern nuance about the realities of the disease. In the context of a contemporaneous French medical discourse that argued for the feasibility of moderation in drinking, that overwhelmingly counted wine as part of the solution, and that underscored the damning role of heredity, this novel is clear about the variance among constitutions, even among people in the same demographic and with similar family histories. It indicates that individual compulsion, not solely choice, and not solely heredity, drives the problem drinker. It also indicates that an alcoholic compulsion can be nourished through wine. In this manner, Zola was more aligned with the modern disease model of alcoholism than the prevailing French wisdom of his time.
Paris est Paris, mais les connotations et associations avec cette ville varient selon le temps, le quartier et la personne. Ainsi, en 1877 paraissent deux livres qui représentent deux capitales ...françaises diamétralement opposées. La métropole splendide et prestigieuse qui ressort du manuel scolaire Le Tour de la France par deux enfants (1877) est un monde aux antipodes du Paris moins connu des faubourgs populaires que peint Emile Zola. Dans L’Assommoir (1877), l’auteur fait le portrait émouvant d’une de ces banlieues du nord-est, la Goutte d’Or. Ce témoignage littéraire, à une époque charnière, a marqué et même constitué, la mémoire des Français, jusqu’à nos jours.
This thesis examines the character of the unhappy bride in three French novels of the 19th century: Le Lys dans la vallee (1836) by Honore de Balzac, Madame Bovary (1857) by Gustave Flaubert and ...L'Assommoir (1877) by Emile Zola. It compares the heroines' tragic destinies based on the following points: childhood; education; marriage; the philosophy of love and psychology; and escapism and death. We are shown that it is education that leads to the philosophy of love, which is filled with ideas of platonic love, and that unhappy marriages involve compensation. Research by psychoanalyst Karen Horney is applied to the characters found in the novels to explain their deviant behaviour (masochism, bovarism, narcissism, detachment). Each heroine demonstrates a tendency towards the ideal and illusions inherited from romanticism. Their fates are sealed with the failure of their dreams and the victory of reality over fantasy.
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