Provider: - Institution: - Data provided by Europeana Collections- Collection : Italian books before 1601 ; 171.1- Collection : Italian books before 1601 ; 171.1- Ouvrages avant 1800- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Textos en inglés, italiano y español- All metadata published by Europeana are available free of restriction under the Creative ...Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Collection : Italian books before 1601 ; 272.6- Collection : Italian books before 1601 ; 272.6- Ouvrages avant 1800- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Collection : Italian books before 1601 ; 3.4- Collection : Italian books before 1601 ; 3.4- Ouvrages avant 1800- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Thème : Littérature- Illustration- All metadata published by Europeana are available free of restriction under the Creative Commons ...CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Appartient à l’ensemble documentaire : RsAlis000- All metadata published by Europeana are available free of restriction under the ...Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Appartient à l’ensemble documentaire : RsAlis000- All metadata published by Europeana are available free of restriction under the ...Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Gassier (1975) lo situa hacia 1802-1805 (¿quizá 1795?), añade que Goya pudo conocer los dibujos de Flaxman grabados por Piroli en ...Roma, en 1793 en la 1ª ed. impresa, poco difundida, por lo que cree que este grupo de dibujos de Goya podría situarse en 1795, apoyándose además en el dibujo del Museo del Prado fechado (Tres grupos de figuras, D04161); en caso de que Goya hubiera conocido la 2ª ed., habría que situarlos a partir de 1802- Madrid, 1922; Madrid, BN, 1946; Basilea, 1953; Granada, 1955; París, 1961; Ingelheim am Rheim, 1966; Hamburgo, 1966; Madrid, BN, 1978- Barcia lo considera obra de Goya, lo relaciona con la serie de dibujos conservados en la BNE inspirada en la obra de Flaxman para La Divina Comedia, y destaca la similitud con el Capricho n. 8: Que se la llevaron- X. de Salas (1970) corrobora la autoría y relaciona el grupo de dibujos de la BNE con un dibujo del Museo del Prado (Tres grupos de figuras, D04161), fechado en 1795- Gassier y J. Wilson (1970) lo incluyen entre la obra de Goya según Flaxman, aprecian proximidad con alguna plancha para Los Caprichos (plancha 8) y con otras para Los Desastres (plancha 24 y 56), y lo fechan hacia 1800-1808- Gassier (1975) lo incluye en el grupo de dibujos de Goya según Flaxman, pero se pregunta finalmente si es obra de Goya o de otro artista que le imite- Barcia y Lafuente Ferrari lo consideran el dibujo más goyesco de la serie de Flaxman- Tít. tomado de Barcia- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
