Provider: - Institution: Institut National d'Histoire de l'Art - Data provided by Europeana Collections- s.d.- 18e siècle- Nombre de vues du document : 1- Date de numérisation : 2002- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Institut National d'Histoire de l'Art - Data provided by Europeana Collections- s.d.- 19e siècle- Nombre de vues du document : 1- Date de numérisation : 2002- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Date de numérisation : 2002- Nombre de vues du document : 1- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Date de numérisation : 2002- Nombre de vues du document : 1- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- El número 4 en la esquina superior derecha- La plancha del original de Vosterman se conserva en la Calcografía del Mueso del Louvre- ...Sin firmar. Copia de la cabeza del retrato hecho por Lucas Vosterman para la Iconografía de Van Dyck. El original es casi de cuerpo entero, con el brazo derecho apoyado sobre unos libros, según dibujo de Van Dyck- Pertenece a una serie de pequeños retratos numerados copiados de la Iconografía de Van Dyck- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Inscripción debajo del retrato: IOANNES LIVENS / PICTOR HVMANARVM MAIORVM LVGDVNI BATTAVORVM.- La plancha se conserva en la ...Calcografía del Louvre, 2343- En la parte inferior izquierda el nombre de Van Dyck como pintor y debajo el de L. Vorsteman como grabador- 4º estado según Hollstein- El nombre de Van den Enden como editor ha sido borrado. En la esquina inferior derecha: Cum privilegio- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
The Other Dutch Master
USA today (New York, N.Y.),
03/2009, Letnik:
137, Številka:
2766
Magazine Article
A child prodigy - whose talent was prized by connoisseurs and collectors in his native Leiden during his teenage years, and whose services were sought by princely patrons in The Hague and London ...before he reached age 25, and who later in life continued to receive important religious, civic, and portrait commissions in Antwerp, Amsterdam, and Berlin - Lievens barely registers today in the public consciousness. Because Lievens and Rembrandt Van Rijn were born in Leiden just over a year apart, studied with the same master, and lived near one another, their names forever are conjoined.
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9.
Out of Rembrandt's Shadow Gurewitsch, Matthew
Smithsonian,
03/2009, Letnik:
39, Številka:
12
Magazine Article
“While Rembrandt and Lievens were alive, admirers spoke of them in the same breath, and the comparisons were not always in Rembrandt’s favor. After their deaths, Lievens dropped out of sight—for ...centuries. Though the artists took quite different paths, their biographies show many parallels.” (Smithsonian) This article discusses the art of Jan Lievens, and compares it directly to his Dutch contemporary Rembrandt. “’Once the two artists left Leiden, Lievens becomes a very different, more international but shallower figure on the London and Antwerp stages.’ By the 19th century, Lievens had fallen into such deep obscurity as to be lucky to be mentioned at all, even as a pupil of Rembrandt’s, which he never was.”
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10.
Abraham und Isaak Lievens, Jan (1607-1674); Unger, William
1888
Image
Provider: - Institution: - Data provided by Europeana Collections- akwaforta- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public ...Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
