V prispevku sta obravnavani ljudska in narodnozabavna glasba z vidika razvoja njunih simbolnih pomenov za ožjo in širšo skupnost. V središču opazovanja glasbenih zvrsti, ki v sebi združujeta številne ...dihotomije, je prav migriranje oz. prehajanje pomenov, moralnih in estetskih vrednot iz enega obdobja v drugega, iz ene skupnosti v drugo ali iz enega družbenega sloja v drugega. Če je v 20. stoletju ljudska glasba predstavljala eno ključnih narodnoreprezentativnih vsebin, pa je v zadnjih desetletjih ta vloga poleg nje začela pripadati tudi narodnozabavni glasbi, saj je slednjo v svojo agendo začela sprejemati državna politika in jo s tem legitimirala kot nacionalnoreprezentativni simbol.
Prispevek predstavlja spremembe, ki jih je inštrumentalna ljudska glasba doživljala med svetovnima vojnama skozi razvoj novih zvočnih medijev – gramofonskih plošč z 78 o/min in radia. S ...predstavljanjem inštrumentalne ljudske glasbe v medijih, njeno popularizacijo in komercializacijo se je oblikovala splošno veljavna podoba t. i. slovenske inštrumentalne ljudske glasbe, ki je recipročno vplivala tudi na ustvarjanje ljudskih godcev.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, UILJ, UKNU, UL, UM, UPUK
The publication focuses on the most important aspects of field research, documentation, archiving and preservation of folk music heritage: it contains elementary guidelines for fieldwork, provides ...the basics concepts of music and text transcriptions, and draws attention to the correct handling and preservation of unique field material, especially sound and written sources. It is intended to address those who are interested in the discovery and research of folk instrumental and vocal music, to support them with recommendations for their work, and thus to make them aware not only of the importance of discovering and collecting folk music in the field, but also of the importance of preserving documented field material. The bilingual Slovenian-Hungarian handbook Snemanje in arhiviranje ljudske glasbe / Népzene rögzítése és archiválása (Folk Music Recording and Archiving Handbook) is the result of the project “Folk Music Heritage: Exploration, study and dissemination of the common folk music heritage”, carried out in the framework of the Interreg V-A Slovenia Hungary cross-border cooperation in the years 2018-2021.
Bell ringing and bell chiming are presenting a valuable part of Slovenian cultural heritage, which is reflected in an extremely rich vocabulary that is part of our everyday reality and communication. ...The dictionary brings about 1035 expressions from the fields of amateur and professional engagement with bell ringing and bell chiming. It unveils the bells as a versatile musical instrument of cultural, ethnomusicological, artistic and also, in the case of older bells, of historical value. In addition to the modern terms, it contains some past terms, as well as many dialectal words, including the ones from vocabulary of Slovenians living in the neighboring countries. The monolingual design of the explanatory terminological dictionary is exceeded by the addition of English equivalents and the English-Slovene dictionary. This enables that also international scholars and bell experts gets acquainted with the special features of Slovenian bell ringing and bell chiming. The dictionary is intended for professionals from different fields of science, as well as for bell ringing experts, bell chimers, as well as everyone attracted by the sounds of our soundscapes. The authors of the dictionary would like to encourage new research of this kind, and especially would like that campanology gets appropriate position in the field of profession and science in Slovenia and abroad.
Članek na primeru slovenščine obravnava priljubljeno tematiko morebitnega medsebojnega vpliva glasbe in jezika, in sicer s primerjavo prozodije slovenskega govora in melodično-ritmičnih značilnosti ...slovenske ljudske pesmi. Analiza nakaže morebitne povezave med tonemskostjo in obsegom intervalov, predvidljivostjo naglasov in ritmičnimi poudarki ter, nasploh, povezanost različnih dialektov in njihove glasbene tradicije. Članek tako predstavi preliminarno raziskavo na področju opazovanih podobnosti med točno določenim jezikom in glasbo. Četudi je zaradi manka primerjalnih raziskav za ostale jezike težko zagotoviti, da rezultati niso le naključni, raziskava predstavlja obetaven prvi poskus takšne primerjave.
Razprava se posveča vlogi Vítězslava Nováka v okviru češke glasbe okoli 1900. Vítězslav Novák (1870–1949) sodi med tiste skladatelje, pri katerih se v številnih ozirih kažejo značilna nasprotja, ki ...jih je mogoče opisati s funkcijami centralno-obrobno, globalno-lokalno, heterogeno-homogeno. Nakazane kategorije pa niso kakšne naravno dane konstane. Prav tako ne predstavljajo kategorij, ki bi si jih Novák sam „predpisal“, temveč izhajajo iz diskurza o Nováku vsaj v češkem okolju.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, UILJ, UKNU, UL, UM, UPUK
Matija (Matt) Arko, known to family and friends as Hojer (Hoyer), was born in Slovenia. He emigrated to the States as a teenager, bringing alongside his love for music and the accordion. Music became ...an important part of his life and his Hoyer instrumental trio became extremely popular amongst Slovenians as well as emigrants of other nationalities. By mixing elements of Slovenian traditional music and various popular American genres of the time, he created the foundations of the polka music, the appeal of which crossed ethnic boundaries and later on achieved general popularity. Most of Matija Arko’s tunes have been recorded on gramophone records, which give us insight into his musical activities and the history of Slovenian music in the USA. Very little is known in his homeland about Matija Arko, known in the States as Matt Hoyer, and his musical endeavours. This publication (‘Music From Both Sides. Gramophone Records Made by Matija Arko and the Hoyer Trio’) aims to shed light on his activities and music.
Prispevek skuša začrtati oblike nastajanja ljudske glasbe v Bosni in Hercegovini, tiste, ki je bila izpostavljena vplivom orientalsko-islamske kulture v času turške vladavine. S prepričanjem lahko ...trdimo, da so bili orientalski vplivi ključni za razvoj instrumentalnega muziciranja, duhovne glasbe in oblikovanja urbane glasbene prakse v Bosni in Hercegovini.
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