Este estudo é uma análise do processo composicional intertextual de Alfred Schnittke no seu Quarteto de Cordas nº 3 (1983). O objetivo da análise é compreender como Schnittke abstrai elementos ...musicais de obras de outros compositores (“textos”) para reutilizá-los em seu Quarteto, especificamente o tema da Grande Fuga op. 133 de Beethoven, um motivo do Stabat Mater de Orlando Di Lasso e o monograma DSCH de Dmitri Shostakovich. Para tanto, este estudo discorre sobre: o uso de citações e alusões segundo Schnittke; a gênese e a estrutura do Quarteto de cordas nº 3; e a forma como os textos apropriados por Schnittke são resignificados em sua obra. A análise demonstrou que Schnittke realiza diversas transformações nos textos abstraídos para adaptá-los ao contexto sonoro e estrutural do Quarteto de cordas nº 3.
This is an analytical study of intertextual procedures in Alfred Schnittke's Third String Quartet (1983). The study intends to demonstrate how intertextual compositional elements (“texts”) are ...appropriated by the composer in the creation of his work. The texts are: the main theme of Beethoven’s Great Fugue op. 133, a motif of Orlando Di Lasso's Stabat Mater and Shostakovich’s DSCH monogram. To this end, this study discusses: the use of citations and allusions according to Schnittke; the genesis ans stricture of the String Quartet n° 3; and the way in which the texts approprieted by Schnittke are reframed in his work. The analysis demonstrated that Schnittke performs several transformations in the texts to adapt them to the structural context of Third String Quartet.
The prestigious publishing house Artes, from the capital of Moldova, offered the general public a work which encompasses studies written by the Luminița Duțică starting from her student years, going ...through all the professional and teaching stages of her musical career as a teacher at secondary and tertiary level, until she became Professor at “George Enescu” National University of Arts Iași. The volume contains exceptional research, benefiting from many musical well-chosen examples accompanied by detailed analysis, but also a rich reference list which entails the investigation in detail of many areas of the sonorous art. The clear and comprehensive writing is very well-suited to the pedagogical dimension of the volume, is reflected in all of the specialized writings published by an author with a vocation for teaching.
Astor Piazzolla deixou-nos uma obra peculiar com um estilo musical que combina os elementos do tango argentino com os da música clássica e do jazz americano que viria a marcar as décadas de 50 a 70 ...do século XX. Este estudo debruça-se sobre uma coleção de seis estudos escritos originalmente para flauta solo em 1987, designados por Astor Piazzolla Tango-Études. Na passagem do centenário do seu nascimento, assinalam-se os dois concertos que realizou em Portugal, o contexto e o impacto que tiveram na época nas cidades de Lisboa e Porto, onde atuou.
In the music higher education, the appearance of a concept of incompatibility between the performance practice and the studentsʼ theoretical and analytical training is a phenomenon with multiple ...consequences on their training, on the way of organizing a curriculum and a hierarchical deformed attitude on the different subjects in the curriculum.This study summarizes some of the arguments that emphasize the role played by the study of the Music Analysis in developing the musicianʼs ability to understand music from the perspective of the compositional conception, to discover its importance as a stage in the formation of an original performance concept while highlighting the advantages of a collaborative approach between the two areas of training of the musician.
Music data mining Li, Tao; Ogihara, Mitsunori; Tzanetakis, George
c2012., 2012, 2011, 2011-07-12T00:00:00, 2011-07-12, Letnik:
21
eBook
The research area of music information retrieval has gradually evolved to address the challenges of effectively accessing and interacting large collections of music and associated data, such as ...styles, artists, lyrics, and reviews. Bringing together an interdisciplinary array of top researchers, Music Data Mining presents a variety of approaches to
This article presents a desktop application which purpose is to help ethnomusicologists, music specialists and researchers in managing better the possible results of a field folklore investigation. ...Because a field investigation in ethnomusicology, ethnology and ethnography domain generates a huge video or audio material, it can be extremely difficult and time spending for specialists to handle with it, to extract all the information needed, to organize and to make a specialized analysis for a report or for a specific study in a traditional manner. At the same time, computer programming and database practice can have a major impact on musical and literary analysis of folklore songs, especially when they are put together within an application. The purpose of this article is to suggest and to describe such a computer application.
Signal Processing Methods for Music Transcription is the first book dedicated to uniting research related to signal processing algorithms and models for various aspects of music transcription such as ...pitch analysis, rhythm analysis, percussion transcription, source separation, instrument recognition, and music structure analysis. Following a clearly structured pattern, each chapter provides a comprehensive review of the existing methods for a certain subtopic while covering the most important state-of-the-art methods in detail. The concrete algorithms and formulas are clearly defined and can be easily implemented and tested. A number of approaches are covered, including, for example, statistical methods, perceptually-motivated methods, and unsupervised learning methods. The text is enhanced by a common reference and index.
INTERPRETATIVE ANALYSIS: ATTEMPT AT DEFINITION MELNIC, VICTORIA; ANDRIEȘ, VLADIMIR
Studiul Artelor şi Culturologie: istorie, teorie, practică (Online),
03/2022, Letnik:
41, Številka:
4(41)
Journal Article
Recenzirano
Odprti dostop
The phrase interpretative analysis is composed of two terms – analysis and interpretation, bohh seemingly simple and clear at a first glance, but complex and vague (if not confusing) in an attempt at ...defi nition and understanding. Related to the scientifi c study, analysis defi nes a research method based on the examination of the whole, divided in advance in parts or elements, in order to understand them and explain the relationships that exist between these parts or elements. The two words that defi ne the process of sound reproduction of a musical score – performance and interpretation are seen in certain contexts as equivalent synonyms, however more oft en they defi ne different approaches, attitudes and results. The first is limited to an adequate reproduction of the score, to the very process of singing a musical work with the voice or an instrument, while the second involves something more – an artistic embodiment of a work that gives it a certain meaning. Starting from these essential differences, in this article, we try to defi ne the concept of interpretive analysis.
No último capítulo do tratado intitulado Musica Poetica (1606) de Joachim Burmeister, o autor formula a análise musical de um moteto de Orlando di Lasso, com o objetivo de ensinar a compositores ...iniciantes as possibilidades de estudo do repertório vigente, colocando em evidência os fundamentos do processo criativo musical para torná-los acessíveis para imitação. Essa análise é considerada pela musicologia moderna como uma das primeiras iniciativas do gênero, conforme afirmam Rivera (1993), Palisca (2001), Dunsby e Whittall (1988), por exemplo; e há consenso quanto a seu valor histórico e pedagógico. No entanto, seu valor técnico, ou seja, seu reconhecimento como ilustração das formas de acesso ao repertório antigo é controverso, uma vez que apresenta respostas para perguntas que podem não ter sentido para os analistas e críticos de hoje. De fato, ela foi concebida para atender a demandas de formação musical próprias do início do século XVII e respondem a questões emergentes desse contexto. Considerando que o distanciamento histórico entre nosso tempo presente e seu passado de origem é também um distanciamento cultural, reconheço que o estudo dessa análise em seus próprios termos nos possibilita recuperar conceitos, ideias, técnicas, processos, procedimentos e modos de escuta e reflexão ocultos por esse distanciamento, superando anacronismos e contribuindo para a renovação de sua compreensão hoje.
PDF
