Te paper reconstructs the genesis of the ‘Centro di iniziativa giuridica Piero Calamandrei’ Foundation, from the initiative of the Radical Party to its progressive autonomy. After outlining the ...characteristic features of its statutory purposes, the Author highlights the main actions of the Foundation, among which the very recent publication in open access of the ten hard-to-find volumes of Calamandrei’s Opere giuridiche, edited by Mauro Cappelletti, stands out.
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Alcuni visitatori si aggirano nella rotonda - sala 1 - del Palazzo delle Esposizioni di Roma ammirando la ...grande scultura de "L'Arcangelo" di Alberto Gerardi, collocata al centro, e il gruppo scultoreo in gesso "Pinocchio e la fata" di Emilio Greco; un gruppo di visitatori discute in una delle sale espositive; due visitatori passano davanti ad una parete con, esposti, bassorilievi, ceramiche di soggetto religioso - probabilmente si tratta delle ceramiche di Angelo Biancini esposte nella sala 24; i due si soffermano davanti ad un altorilievo della suddetta sala, dalle forme arcaiche, raffigurante un episodio cristologico; una coppia in visita osserva un crocifisso bronzeo con una sottile, stilizzata figura di Cristo; un visitatore, con il catalogo in mano, osserva una fantasiosa scultura: "Acrobati" di Franco Cannilla; persone si aggirano in una sala con dipinti alle pareti e, al centro, una scultura raffigurante due ciclisti; messa a fuoco della suddetta scultura dal vibrante modellato; due uomini ammirano le sculture astratte in ferro di Franchina, fra cui "Araldica", al centro della sala 40; sulla parete di fondo pitture di Corpora; un uomo, seduto su una poltrona tra due sculture, getta un occhio sul catalogo della mostra e guarda i quadri esposti nella sala; una parete con due dipinti di un nitido realismo di Trombadori; l'artista Gisberto Ceracchini posa davanti al suo Autoritratto; un ritratto del figlio di Ceracchini; un giovane, probabilmente il figlio di Ceracchini ormai cresciuto, osserva il dipinto; Donghi osserva un suo dipinto; messa a fuoco dell'opera di Donghi "Gita in carrozzino"; una donna, probabilmente la giovane pittrice Giosetta Fioroni, accanto ad un dipinto con una natura morta dalle forme stilizzate; un quadro di Pippo Rizzo raffigurante "Carabinieri e Paladini"; il "Pollaio", quadro di Giuseppe Cesetti; la sala dedicata alle opere di Beppe Guzzi; tre persone, fra cui, probabilmente l'artista stesso, si aggirano per la sala; Consolazione spiega a gruppo di allievi le sue opere; i ragazzi raccolti davanti ad una parete con dipinti di Consolazione; la "Zolfara" di Guttuso; un gruppo di ragazze davanti al quadro di un crudo realismo sociale di Guttuso; particolari del dipinto di Guttuso- Information:- Survey of the 7th Quadrennial of Modern Art. Among the exhibited artworks, those of Franchina and Corpora- Original language summary:
Panoramica sulla VII Quadriennale d'Arte Moderna. Tra le opere esposte quelle di Franchina e Corpora- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- Tra le ...opere esposte quelle di Franchina e Corpora.- Alcuni visitatori si aggirano nella rotonda - sala 1 - del Palazzo delle Esposizioni di Roma ammirando la grande scultura de "L'Arcangelo" di Alberto Gerardi, collocata al centro, e il gruppo scultoreo in gesso "Pinocchio e la fata" di Emilio Greco- 1 - un gruppo di visitatori discute in una delle sale espositive- 2 - due visitatori passano davanti ad una parete con, esposti, bassorilievi, ceramiche di soggetto religioso - probabilmente si tratta delle ceramiche di Angelo Biancini esposte nella sala 24- 3 - i due si soffermano davanti ad un altorilievo della suddetta sala, dalle forme arcaiche, raffigurante un episodio cristologico- 4 - una coppia in visita osserva un crocifisso bronzeo con una sottile, stilizzata figura di Cristo- 5 - un visitatore, con il catalogo in mano, osserva una fantasiosa scultura: "Acrobati" di Franco Cannilla- 6 - persone si aggirano in una sala con dipinti alle pareti e, al centro, una scultura raffigurante due ciclisti- 7 - messa a fuoco della suddetta scultura dal vibrante modellato- 8 - due uomini ammirano le sculture astratte in ferro di Franchina, fra cui "Araldica", al centro della sala 40; sulla parete di fondo pitture di Corpora- 9 - un uomo, seduto su una poltrona tra due sculture, getta un occhio sul catalogo della mostra e guarda i quadri esposti nella sala- 10 - una parete con due dipinti di un nitido realismo di Trombadori- 11 - l'artista Gisberto Ceracchini posa davanti al suo Autoritratto- 12 - un ritratto del figlio di Ceracchini; un giovane, probabilmente il figlio di Ceracchini ormai cresciuto, osserva il dipinto- Donghi osserva un suo dipinto- 13 - messa a fuoco dell'opera di Donghi "Gita in carrozzino"- 14 - una donna, probabilmente la giovane pittrice Giosetta Fioroni, accanto ad un dipinto con una natura morta dalle forme stilizzate- 15 - un quadro di Pippo Rizzo raffigurante "Carabinieri e Paladini"- 16 - il "Pollaio", quadro di Giuseppe Cesetti- 17 - la sala dedicata alle opere di Beppe Guzzi; tre persone, fra cui, probabilmente l'artista stesso, si aggirano per la sala- Consolazione spiega a gruppo di allievi le sue opere- 18 - i ragazzi raccolti davanti ad una parete con dipinti di Consolazione- 19 - la "Zolfara" di Guttuso- 20 - un gruppo di ragazze davanti al quadro di un crudo realismo sociale di Guttuso- 21 - particolari del dipinto di Guttuso.- 7 - focus of the aforementioned sculpture from the modeled vibrant.- 18 - the boys gathered in front of a wall with consolation paintings- 6 - people wander around a hall with paintings on the walls and, in the center, a sculpture depicting two cyclists.- 15 - a picture of Pippo Rizzo depicting\ "Carabinieri and Paladini\"- 17 - the room dedicated to the works of Beppe Guzzi; three people, including, probably the artist himself, wander around the hall- 8 - two men admire the abstract iron sculptures of Franchina, including\ "heraldry\," in the center of room 40; on the back wall paintings of corpora- 9 - a man, sitting on an armchair between two sculptures, throws an eye on the exhibition catalog and looks at the paintings displayed in the hall.- 4 - a visiting couple observes a bronze crucifix with a subtle, stylized figure of Christ.- Some visitors wander through the roundabout - room 1 - of the Palace of the exhibitions in Rome admiring the great sculpture de\ "the Archangel\" by Alberto Gerardi, placed in the center, and the sculptural group in plaster\ "Pinocchio and the fairy\" by Emilio Greco.- 14 - a woman, probably the young painter Giosetta Fioroni, next to a painting with a still life with stylized shapes- 10 - a wall with two paintings of a sharp realism of Trombadori- Donghi observes a painting of his own- 20 - a group of girls before the painting of a crude social realism of Guttuso- 5 - a visitor, with the catalog in his hand, observes an imaginative sculpture:\ "acrobats\" by Franco Cannilla- 2 - two visitors pass in front of a wall with, exposed, bas-reliefs, ceramics of religious subject - probably these are the ceramics of Angelo Biancini exhibited in room 24- 3 - the two linger before a high relief of the aforementioned hall, with archaic forms, depicting a Christological episode- 21 - details of the painting of Guttuso.- 13 - focus of the work of Donghi\ "wheelchair trip\"- 19 - the\ "Zolfara\" by Guttuso- 16 - the\ "Pollaio\," painting by Giuseppe Cesetti- 11 - artist Gisberto Ceracchini poses in front of his self-portrait- 12 - a portrait of Ceracchini's son; a young man, probably the son of Ceracchini now grown up, observes the painting- Consolation explains to group of students his works- Among the works exhibited are those of Franchina and corpora.- 1 - a group of visitors discuss in one of the exhibition rooms- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- 1 - primi ...piani delle opere esposte- 1 - close-ups of the works on display- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- 92 - the ...neoclassical façade of the Teatro alla Scala by Giuseppe Piermarini- 140 - images of repertoire concerning building reconstruction in post-World war II Milan with construction sites and workers at work- 59 - detail of the pictorial decoration: a prospective eyepiece with a father of the church in his scholar- 96 - a eighteenth-century painting depicting an intellectual life skit in an interior in the style of the Longhi- 37 - external details of the cathedral full of architectural sculptures, spires, pinnacles and rampant arches in the Gothic rayonnant style- 53 - the perspective escape of the portico taken from the inside- 104 - the arch of peace, neoclassical triumphal monument; the central furnace of the arch frames the tower of the castle Sforzesco beyond the park- 47 - view of the ducal court with the Renaissance portico- 111 - the aforementioned gallery of the castle Sforzesco with, on display, a series of armor- 22 - another nineteenth-century painting of historical subject- Documentary that traces the history of Milan through the major city monuments, the masterpieces of its greatest artists and through images of repertoire, pieces of films concerning the Milan of the twentieth century- 61 - the Bramantesque grandstand of Santa Maria delle Grazie taken from one of the cloisters of the annexed convent- 130 - four personalities, perhaps representatives of the socialist party, caught at the entrance of a palace- 118 - focusing of the text of a legislative decree issued in Milan on 29 July 1848 by the public defense Committee- 20 - the Gothic tabernacle, on the outer front of the Ticino gate, with an altorilievo representing the Madonna and child among four saints- 100 - detail of the portrait, painted in 800 by A. Appiani, by Vincenzo Monti- 73 - a painted view of the five-century Milan- 18 - the complex, with its structures of various eras, framed by Piazza della Vetra- 9 - details of the Roman columns at San Lorenzo Maggiore- 62 - Leonardo da Vinci's masterpiece in the refectory of Santa Maria delle Grazie: the\ "last supper\"- 24 - the courtyard of the Archbishop's Palace taken from above- 21 - an nineteenth-century painting, in Hayez's style, depicting a patriotic episode of medieval history- 132 - images of fiction taken from a film concerning the riots, the strikes that broke out in Milan in the early 900's.- 137 - sequence of images taken from the film\ "Mussolini last act\" by Carlo Lizzani- 1 - Piazza della Scala with Palazzo Marino and the monument to Leonardo- 84 - the\ "Christ dead\," famous painting of the Mantegna preserved at the Pinacoteca di Brera- 107 - the Boro Bonaparte with its neoclassical buildings- 25 - the portico of the Broletto di Milano; the façade of the Giureconsulti Palace on the merchant street can be glimpsed in the background- 14 - the interior of central plan, with exedre, of San Lorenzo Maggiore- 16 - the complex of San Lorenzo Maggiore with the adjacent chapels taken from Piazza della Vetra- 123 - one of the eclectic gallery walls topped with a mosaic bezel.- 120 - a panel of the Museum of science and technique with the design of an engine- 31 - the Brahmin cloisters of the Catholic University of Milan attended by students- 4 - one of the rooms of the museum: the great gallery of Leonardo da Vinci with the transparency image of Leonardo placed at the entrance- 38 - the golden statue of Madonnina at the top of the main spire of the cathedral- 64 - the plastic model of a bridge of boats exhibited in the Leonardo da Vinci gallery- 54 - the Gothic-Renaissance façade of the hospital, today the state University of Milan- 151 - the arch of peace framed by a portal of the Sforzesco castle- 56 - the courtyard, attended by the students, taken from different points of view- 70 - detail of a plastic model reproducing a military device invented by Leonardo- 2 - the cloister of the former monastery of the Olivetans; a working machinery displayed in the section of the Museum of science and technique set up in the five-century building of the monastery- 125 - the polychrome marble floor of the gallery taken from above- 86 - the\ "sposalizio della Virgen\" by Raphael, preserved at the Pinacoteca Brera- 55 - the central part, later, of the long fifteenth front of the building the worn and worn inner courtyard- 11 - the dome of the basilica framed by the arch on Roman columns that precedes the complex- 60 - the fake, illusionary Brahmin perspective in the choir of the church of San Satiro- 3 - Leonardo's famous drawing with the human figure inscribed in a square and in a circle- 81 - the façade of the palace in via Brera, seat of the Brera Academy and the Pinacoteca- 67 - detail of a drawing by Leonardo engineer: a lock- 146 - photographs of scenographies, of theatrical scenes created at the Scala and Piccolo Teatro in Milan- 28 - exterior of the Basilica of Sant'Ambrogio in Milan- 93 - the eighteenth-century façade of the Royal Palace in Piazza del Duomo resumed from above- 77 - a crenelated section of Sfrozesco castle walls- 6 - a panel that reproduces the leonardesco project of a boat with wheel propulsion, and its model, exhibited in the museum- 79 - the baroque façade of the Senate Palace, former Swiss college, today the seat of the state archives- 74 - the façade of the house of the Omenons: five-century palace of the sculptor Leoni Leoni- 138 - images of repertoire (see Venice repertory roller 43-603 of 1944) concerning the theater the staircase hit by the bombing and its reconstruction- 147 - the Romanesque relief depicting the return of Milanese troops to the city- 33 - interior of the cathedral: the central nave and the apse area with the altar- 45 - the vast courtyard of the castle: the square of arms- 10 - the Roman colonnade that delimits the churchyard in front of the basilica- 85 - the\ "Pietà\," painting by Giovanni Bellini, preserved in Brera, characterized by a Mantegnesco style- 117 - detail of an nineteenth-century painting depicting an episode of the Risorgimento wars- 124 - focus of the nineteenth-century mosaics, in the lunettes, depicting allegorical subjects- 128 - a group of people, probably socialists following Turati, pose for the objective in a street in Milan- 112 - the plaque affixed to the house in which\ "lived and died Alessandro Manzoni\"- 150 - the aforementioned painted view of Renaissance Milan- 15 - exterior of the Paleochristian sacello of S.Aquilino attached to the basilica.- 13 - the Roman colonnade in front of the basilica; in the background the porticoed façade of San Lorenzo- 133 - detail of the famous futurist painting\ "brawl in Galleria\" by Umberto Boccioni- 48 - the camera runs on a series of ancient reproducing prints the straining castle- 69 - the Milanese district of the dock crossed by canals, navigates- 153 - a room of the Museum of science and technique that illustrates the functioning of the human body- 66 - a panel in the aforementioned gallery with, reproduced, the details of a hydraulic engineering work designed by Leonardo for the stress court- 94 - the façade of Palazzo Beljeweloso, always the architectural work of Piermarini- 154 - focus of the image in transparency with the portrait of Leonardo in the Leonardo da Vinci gallery of the aforementioned museum- 149 - the Bramantesque grandstand of Santa Maria delle Grazie- 12 - the bronze statue of Emperor Constantine placed in the center of the churchyard- 129 - the entry of a crowd of people into a palace- 46 - view of the square of arms with the factory bodies of the castle closing it- 23 - a medieval relief of Romanesque style that depicts the return of the Milanese troops to the destroyed city- 57 - the three-hundred-year-old\ "Ark of Saint Peter martyr\" by John of Balduccio in the Renaissance Portinari chapel in Saint Eustorgio- 95 - Piazza della Scala with its imposing buildings and go people- 83 - the porticoed and worn courtyard of the palace with, in the center, the bronze statue of Napoleon I- 109 - exhibition panels with, reproduced, the plans for the façade of the Duomo of Milan- 35 - a Gothic stained glass window of the cathedral- 34 - one of the chapels of the cathedral- 32 - the façade of the Duomo of Milan- 30 - the porch of the rectory- 139 - images of repertoire concerning Arturo Toscanini who conducts an orchestra in a theater- 29 - the quadriportic of the Romanesque basilica- 26 - the arches of the portico del Broletto- 19 - the Roman colonnade- 17 - the various covers of the complex- 152 - the Pirelli skyscraper- 145 - focus of the unfinished masterpiece- 127 - interior of a steel industry- 119 - Piazza del Duomo with its monuments- 116 - corners of the castle Sforzesco- 115 - the facade of the Teatro alla Scala- 113 - the façade of the palace in which Manzoni lived- 110 - the neo-Gothic façade of the Duomo of Milan- 108 - the Ticino gate- 106 - the arch of peace taken up by the park- 105 - the Sempione Park- 102 - Piazza d'Armi- 101 - a drawing with the profile of Giuseppe Parini- 50 - a section of the museums of the castle Sforzesco with an exhibition of armor and weapons of war- 98 - Peter Verri's graphic portrait sat in his studio- 75 - the façade adorned with a series of caryatids called Omenoni- 7 - a map of Europe: focus of the red dot indicating the position of Milan in northern Italy- 141 - aerial views of the reconstructed city with modern architectures- 5 - the camera runs on some panels of the gallery with, exposed, studies by Leonardo regurating the flight; focusing on an aerial model- 144 - the Hall of museums of the castle Sforzesco with, on display, the\ "Pietà Rondanini\" by Michelangelo- 122 - the gallery Vittorio Emanuele II by Giuseppe Mengoni with iron and glass cover- 27 - detail of the façade of the Broletto: the niche with the two hundred
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- 1 - ...invitati nella sala ascoltano i discorsi degli organizzatori- 2 - tra le autorità Peyron e Vischia- 3 - presentazione delle tele esposte- 1 - invited in the hall listen to the organizers' speeches- 3 - presentation of the canvases on display- 2 - between the authorities Peyron and Vischia- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- Togliatti ...con Longo, Secchia e Pajetta visitano la mostra- 1 - ministri di Romania e di Cecoslovacchia- 2 - carrellata di quadri e sculture ospitate dalla mostra- 2 - roundup of paintings and sculptures hosted by the exhibition- 1 - ministers of Romania and Czechoslovakia- Togliatti with Longo, Secchia and Pajetta visit the exhibition- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Se intenta reconocer a modo de ensayo la coherencia de postulados políticos de Suárez y su antropología. Para tal propósito vierto una selección de textos, principalmente del Libro tercero del De ...opere sex dierum, donde se da testimonio de los fundamentos que revelan no sólo indicios de un pensamiento preilustrado en Suárez, sino la relevancia de temas que se encuentran en sus escritos que quedan por explorar en cualquiera de sus volúmenes. He dividido este trabajo en dos secciones: La primera, hace breve mención a la defensa de la igualdad de los sexos en François Poullain de la Barre. Además, alude a la virtud política de Descartes y su defensa de la diferencia de los sexos. La segunda y central, exhibe argumentos olvidados del tratado De opere sex dierum de Suárez, donde se aborda la cuestión de la igualdad de los sexos.
