Alma mater, ¡Talithá kum Villegas Rodríguez, Manuel
Anuario jurídico y económico escurialense,
01/2021
54
Journal Article
Odprti dostop
Resumen: La Universidad, la Alma Mater, como cualquier otra entidad, en este caso dedicada a la Enseñanza Superior, tiene sus compromisos ante sí misma, ante la Sociedad en la que se encuentra, y ...ante la Comunidad de Estudiantes. No solo mientras los alumnos asisten a sus aulas, sino también, cuando ya preparados (o más bien titulados), ejercen su personal y peculiar actividad en la Sociedad. Con las evidentes diferencias, a causa del tiempo transcurrido cuando san Agustín ejerció su enseñanza, convendría que una Universidad (real o ficticia), tuviera en cuenta e imitara la forma y la esencia del Magisterio Agustiniano.Abstratct: The University, the Alma Mater, like any other entity, in this case dedicated to Higher Education, has its commitments before itself, before the Society in which it is located, and before the Student Community. Not only while the students attend their classrooms, but also, when already prepared (or rather graduates), they carry out their personal and peculiar activity in the Society. With the obvious differences, because of the time that passed when Saint Augustine taught, it would be convenient for a University (real or fictitious) to take into account and imitate the form and essence of the Augustinian Magisterium.Palabras clave: Obras de San Agustín. Historia de las Universidades. Legislación y Ley positiva. Ciencia y Sabiduría. Democracia. Keywords: Works of Saint Augustine. History of the Universities. Legislation and Positive Law. Science and Wisdom. Democracy
The premiere of Serva Padrona by Pergolese at the Paris Opera divided deeply the French society of the Age of Enlightenment. The famous Querelle des Bouff ons has become the nucleus of a lively ...debate, from which, what is to be emphasized, none of the sides was triumphant. In his treatise Guerre de l’Opéra, Jacques Cazotte, emphasizing his impartiality, stands in defense of French music. By proving the superiority of Mondonville’s works, Cazotte is aware that only strong arguments can convince the philosophers. Accused by many of being “scientific” and in consequence, being incapable of expressing all the nuances of human passions, the French music, thanks to the ability to perform rhetorical functions, reserved, as it may seemingly appear, for forewords and literature, can not only conform to the rules, but also can please and touch. The French Opera, as Cazotte poves, fills perfectly the rhetorical target of persuasio with an intelligent and effective rhetoric and expresses the spirit and sensitivity of France. The purpose of this article is to refl ect on how Cazotte defends French music from the fashion for Italian music, which had a strong infl uence on the French aesthetics of the Age of Enlightenment, as well as from the philosophers of the epoch who would discredit at all costs the work of French composers in the eyes of the audience.
If you are a trombone, euphonium, or tuba player and do not already know who Henry Charles Smith is, then you have a gaping hole in your musical education as a low brass player. The brief liner notes ...by Douglas Yeo succinctly underscore the importance and value of both the artist and the recordings to our art and heritage. Every teacher, whether in the elementary band classroom or university applied music studio, will find this recording to be among the most-used tutors in the classroom or for assigned listening.
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